Synopsis
Under the mentorship of controversial pop star Aryana Sayeed, two young singers vie to become the first-ever female winners of Afghan Star. As their dreams are within grasp, their lives change when the Taliban returns to power.
Directed by Fazila Amiri
Under the mentorship of controversial pop star Aryana Sayeed, two young singers vie to become the first-ever female winners of Afghan Star. As their dreams are within grasp, their lives change when the Taliban returns to power.
그래도 나는 노래하리
Heartbreaking ground-level look at the Taliban's inexcusable resurgence to power in Afghanistan framed through the righteous yet basic acts of women flexing their innate and beautiful artistry.
Three singers, one already successful in her home country, and two more hoping to achieve success through a television singing competition, offer their thoughts and experiences in a changing society that still suffers from an archaic, destructive and horrific religiously energised patriarchal zealotry.
The natural progression of the story allows for some minor triumphs admist personal fears, and we view the incredible strength that each performance takes in regards to ever-present backlash.
Sadly, success is fleeting, as not only is society-as-is unready to accept them on their own terms, but everything is about…
Part of 30 Countries 2023. Today: Afghanistan!
Also 52 films by women 2023: 22/52.
There have been two documentaries about the TV series Afghan Star now. The first, simply titled Afghan Star, was released in 2009, a point at which I found it easier to find some crumb of optimism about the future of Afghanistan than I did about the future of reality TV. The genre, which had been suffocatingly omnipresent in Britain for the whole of the 2000s, was failing to respond to backlashes, as well as a series of scandals ranging from rigged phone competitions to racism. In this context, it was strangely challenging to hear the show’s director and host Daoud Sediqi claim that his Pop Idol-style…
We talk a lot about our penchant for whipping the realities of life into narrative form, of our “imposition of a narrative line upon disparate images,” as Joan Didion wrote in The White Album. But we often forget why we tend to do this, neglecting to consider the weight of the latter half of Didion’s famous line, that we need these stories to survive. We tell ourselves stories in order that we may have hope and move from one day to the next. This survival tactic is something Afghan-Canadian documentarian Fazila Amiri’s And Still I Sing soberly reminds us of.
Continued on The Asian Cut
Cute premise for a docu on these harsh realities of Afghan women.
Pop goes my bubble with gladness! Never let me forget just how hardcore women and girls are treated worldwide.
One young woman was hospitalized from the shock of her life being threatened…for singing.
Bravery is contagious. All the sacrifices made can be inspirational for others to follow their own dreams. Quite empowering as it is harrowing.
When during trump administration it was announced that American troops would withdraw from Afghanistan we all knew what that will have meant for women.
Considering what women and girls are going through (not even allowed to go to school) makes this a tough view.
Afghan/Canadian Fazila Amiri turns a subplot of a singing contest into the more vital plot of women being banned from expressing selves.
Heart-rending story, centred around the TV singing competition Afghan Star, about musical aspirations and feminist activism at the precipice of the 2021 Taliban takeover. The moment of the two women doing henna sticks with me. Vivid, urgent, and audacious. (Watched on the plane to China)
This review may contain spoilers. I can handle the truth.
Thirteen years after AFGHAN STAR won the Audience Award for World Documentary at Sundance, a new generation of "Afghan Star" competitors take to the stage. It's 11 years after the season depicted in the earlier film, and women have made great strides in Afghan society. Spoiler: for the first time in "Afghan Star" history, a woman wins the title. It's not easy as death threats and family disapproval haunt the women competitors (and judges) at every turn. Less than 2 years later, the Afghan government collapses when the Taliban seizes control of the country and all the women who participated in the competition need to flee the country for their lives.
Why do have to watch this again and on the last day of women's month.
With the horrible reports/news coming out of Afghanistan (and Iran) everyday viewing this comprehensive doc just hurts.
Damn this world!
* also, cheers to Chantal Kreviazuk for exec producing it.
Solid, fairly conventional, but not overproduced or overly wordy documentary fare that feels of the kind to catch at a local festival. On the subject, certainly women's rights are the first emphasis, but I also appreciated getting a dose of ethnicity violence that factors in. American media trends not really capture that in Afghanistan (or elsewhere). Hasara culture becomes a highlight of the experience.