Suchan Kinoshita
° 1960
Lives in Brussels (BE), born in Tokyo (JP).
Suchan Kinoshita (°1960) is born in Tokyo into a Japanese-German family. In the early eighties she studies music in Cologne. Throughout the eighties Kinoshita also works for the Theater am Marienplatz in Krefeld, Germany, where she acts, directs and designs props. In the early nineties, after completing her studies at the Jan van Eyck Academy in Maastricht, the Netherlands, she emerges as a visual artist. Several years ago she moved to Brussels after having lived in the Netherlands.
Kinoshita’s art incorporates – quite literally, because it usually concerns the body – elements from her background in experimental music and theatre, not least the direct connection she establishes between work and audience. Her works of art unfold through time, as a dynamic process in which the personal relationship between the spectator and the work take shape. The here and now of the presentation is key. Static depictions and representations of ‘something else’ are only a distraction.
Kinoshita's mixed background and her experience in multiple artistic disciplines are clearly visible in her work, in which she looks for boundaries, transgresses them, and ignores them. The experience of time and space is a common theme in her work. Important here are both the different conceptions of time and space in the two cultures in which she is rooted, as well as the different ways in which time and space are employed and depicted in the disciplines of theatre, music and visual art. She combines the process-based approach of theatre and music with the generally more static nature of visual art.
M HKA Art Works
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Uitzicht [View of the Out...
Suchan Kinoshita, Uitzicht [View of the Outside], 2002. Installation, carpet, chairs, variable dimensions.
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Honingklok
Suchan Kinoshita, Honingklok, 2017. Sculpture, glass, honey.
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Zweiseitiges Liebesgedicht
Suchan Kinoshita, Zweiseitiges Liebesgedicht, 2014. Print, ink on paper, 29.8 x 21 cm .
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Klok
Suchan Kinoshita, Klok, 2017. Object, glas, shampoo.
Items
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Honingklok
Suchan Kinoshita, Honingklok, 2017. Sculpture, glass, honey.
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Pijlen [Arrows]
Suchan Kinoshita, Pijlen [Arrows], 2002. Video, single-channel video, betacam transferred to dvd and digital file, 00:17:22.
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Uitzicht [View of the Out...
Suchan Kinoshita, Uitzicht [View of the Outside], 2002. Installation, carpet, chairs, variable dimensions.
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Eerste Huwelijk - Tweede ...
Suchan Kinoshita, Eerste Huwelijk - Tweede Huwelijk [First Marriage, Second Marriage], 2002. Installation.
Events
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Suchan Kinoshita — First ...
14 December 2002 - 23 February 2003.
'First marriage' is the title of the comprehensive exhibition which M HKA is devoting to Suchan Kinoshita (°1960, Tokyo). The artist who grew -

Superdemocracy – The Sen...
01 October 2017 - 31 October 2017.
The exhibition SUPERDEMOCRACY engages with the collections of M HKA (Antwerp) and BPS22 (Charleroi). The exhibitions allows the voices of ind -

EURASIA − A Landscape of ...
08 October 2021 - 23 January 2022.
Alighiero Boetti, Anatoly Osmolovsky, Babi Badalov, Basir Mahmood, C. K. Rajan, Cevdet Erek, Damian Le Bas, Deimantas Narkevičius, Elena Voro -

Ongoing
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The fact that man is capable of action means that the unexpected can be expected from him [...]. Hannah Arendt Expectations, positions and
Ensembles
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SBKM - Stichting Beeldend...
In 2005 the collection of the Stichting voor Beeldende Kunst (SBKM-De Vleeshal) in Middelburg – a smaller institution with a previous history
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INVENTIO
Since the Renaissance, inventio(n) has been a key concept in Western art. The painter, sculptor, architect, once a craftsman, became a "free
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SPIRITUALITEIT | SPIRITUA...
Dymphna is interwoven with Christianity, from her secret baptism by her confessor and confidant Gerebernus, to the care for the poor and need
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Middle Gate
No description.
