Post-disco

Datas
	Fundación / creación 1978

	Instancia de xénero musical; movemento musical
	Subclase de dance music (pt)

Post-disco
	Instancia de xénero musical; movemento musical
	Subclase de dance music (pt)
Datas
	Fundación / creación 1978
Localización
	País de orixe Estados Unidos; Canadá; Europa
Freebase
Fontes e ligazóns
Freebase
Freebase	/m/03c34yl
	Wikidata C:Commons

O post-disco foi un xénero musical que comezou a finais da década de 1970 nos Estados Unidos, comezando en Chicago e estendéndose por todo o país, e que rematou coa aparición masiva da música house a finais da década de 1980.^[1] Post-disco^[2]^[3] pode referirse tamén ó movemento disco iniciado por artistas urbanos de Nova York que comezaron un estilo de seu en resposta á comercialización excesiva e á decadencia da cultura disco.

Notas

↑ Reynolds, Simon (2009) Grunge's Long Shadow - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Consultado o 2 de febreiro de 2009"
↑ Rodgers, Nile (2011). Le Freak: An Upside Down Story of Family, Disco, and Destiny. Random House LLC. p. 42. ISBN 0679644032. By now “dance” was a loaded word for me. The Disco Sucks backlash had given me a post-traumatic-stress–like disorder, and I'd vowed not to write any songs with that word in them for a long time. I was shamed out of using a word—“dance.“
↑ Goldschmitt, Kariann Elaine (2004). Foreign bodies: innovation, repetition, and corporeality in electronic dance music (Digitized 13 Sep 2010). University of California, San Diego. p. 256. ISBN 0-8153-1880-4.

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[shadow-1] Reynolds, Simon (2009) Grunge's Long Shadow - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Consultado o 2 de febreiro de 2009"

[2] Rodgers, Nile (2011). Le Freak: An Upside Down Story of Family, Disco, and Destiny. Random House LLC. p. 42. ISBN 0679644032. By now “dance” was a loaded word for me. The Disco Sucks backlash had given me a post-traumatic-stress–like disorder, and I'd vowed not to write any songs with that word in them for a long time. I was shamed out of using a word—“dance.“

[3] Goldschmitt, Kariann Elaine (2004). Foreign bodies: innovation, repetition, and corporeality in electronic dance music (Digitized 13 Sep 2010). University of California, San Diego. p. 256. ISBN 0-8153-1880-4.

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