The Harvard Crimson Arts

The Harvard Crimson Arts has been a member of Linktree for 1 year and joined in February 2025. The social media accounts linked to from The Harvard Crimson Arts are: • Instagram • X • Website Besides social media accounts, TheHarvardCrimsonArts has populated their site with: • ‘Carrie’ Review: A Must-Watch Modern Adaptation | The Harvard Crimson • The Harvard Undergraduate Cinematheque: Avoid Streaming, Come to a Screening | The Harvard Crimson • The Army, The Navy Concert Review: Mismatched Energies Muffle Fantastical Harmonies | The Harvard Crimson • Artist Profile: Yo-Yo Ma ’76 and Stephen Colbert Would Rather Ask the Questions | The Harvard Crimson • Liars Review: Boston’s Quirkiest Bistro | The Harvard Crimson • Harvard Theater: Fall 2026 Season Preview | The Harvard Crimson • Artist Profile: A Taste of Vivian Dang’s Boston | The Harvard Crimson • Artist Profile: Director and Journalist Jocelyn E. Shek ’27 on her Approach to Creativity | The Harvard Crimson • Sugar’s Hot Pizza & Subs Review: The Clash of Tradition and Modernity | The Harvard Crimson • ‘On Location: Drawing the Outdoors’: Harvard Art Museums Features the Natural World in Their New Exhibit | The Harvard Crimson • Poise and Power: Boston Philharmonic Opens Its Final Season With Beethoven and Brahms | The Harvard Crimson • ‘macbitches’ Review: Succumbing to the Messiness of Freshiness | The Harvard Crimson • ‘Knowledge Is Myth’ Review: A Chimera of Thought, Culture, and History at the Carpenter Center for the Visual Arts | The Harvard Crimson • ‘Primetime’ Review: Pattinson Shines, Hansen Sighs | The Harvard Crimson • BSO Presents a Stunning, Sonorous Rachmaninoff Concert | The Harvard Crimson • Harvard Artist Profile: Alison H. Brown ’84 Brings Genre-Defying Bluegrass Back to Cambridge | The Harvard Crimson • ‘Hollywood, Ending’ Review: John Green’s Newest Novel Offers an Authentic Look at Fame | The Harvard Crimson • Slayyyter Concert Review: A Party Girl Catharsis for the Ages | The Harvard Crimson • ‘WICKED’ Review: The Most ‘Swankified’ Show in Town | The Harvard Crimson • ‘The Life of a Showgirl: The Encore’ Review: Behind the Curtain, Is the Showgirl Still There? | The Harvard Crimson • Mt. Joy Concert Review: A Masterclass in the Unity and Joy of Creating Art | The Harvard Crimson • Yego Coffee Review: Say ‘Yego’ to Rwandan Coffee | The Harvard Crimson • Jane Remover Concert Review: Try to Keep Up | The Harvard Crimson • From NYFW: Max Esmail Combines Old Money with Individualism and Explores Audience Perspective | The Harvard Crimson • Artist Profile: ConnorEatsPants on Political Humor and Absurd Celebrity Cameos | The Harvard Crimson • The A.R.T.’s ‘Black Swan’: Truth Told Through Smoke and Mirrors | The Harvard Crimson • Broadsheet Coffee Roasters Review: The Craft in a Cup | The Harvard Crimson • ‘Practical Magic 2’ Review: Lackluster Sequel Can’t Recreate the Magic | The Harvard Crimson • ‘Whistler’ Review: A Love Letter to Gen-X | The Harvard Crimson • Artist Profile: Ruth Lingford on AI and the Future of Animation | The Harvard Crimson • Chris Stapleton Concert Review: A Masterclass in Musicianship | The Harvard Crimson • Authors Profile: Marie Benedict and Victoria Christopher Murray on Remembering Women’s Stories and Forging Their Own | The Harvard Crimson • ‘drop dead’ Single Review: 2026’s Song of the Summer | Arts | The Harvard Crimson • ‘The Pitt’ Season 2 Review: An Eye-Opening Portrait of the U.S. Healthcare System | Arts | The Harvard Crimson • ‘Yesteryear’ Review: The Birth and Downfall of a Tradwife | Arts | The Harvard Crimson • Việt CITRON Review: A Quick and Delight-pho-l Meal That Offers Authentic Vietnamese Flavors | Arts | The Harvard Crimson • ‘The Bachelorette’ Season 22: When the Drama is Too Much for Reality Television | Arts | The Harvard Crimson • ‘The Drama’ Review: A Wedding for the History Books | Arts | The Harvard Crimson • Holdfast Specialty Seafood Co. Review: Fine Dining in a Paper Boat | Arts | The Harvard Crimson • ‘You, Me & Tuscany’ Review: A Triumphant Return to Romantic Comedy | Arts | The Harvard Crimson • Lowell House Opera ‘No Exit’ Review: There’s ‘No Exit’ From This Sound Machine | Arts | The Harvard Crimson • A List of Spring Poems You Should Read, And Why are So Many Poets Named William? | Arts | The Harvard Crimson • A Night of Varied and Compelling Emotions: BSO Presents Tarkiainen’s ‘Day Night Day,’ Mozart, and Sibelius | Arts | The Harvard Crimson • Artist Profile: ‘We’re Somerville,’ Says Fortuna 500 on Community, Local Music, and Baseball References | Arts | The Harvard Crimson • Yunchan Lim and Boston Symphony Orchestra: Flexibility and Delicacy in Schumann and Tchaikovsky | Arts | The Harvard Crimson • ‘Marc By Sofia’ Review: An Intimate Portrait of Marc Jacobs On and Off the Runway | Arts | The Harvard Crimson • ‘Asian Women I Know’ Review: Sharing Food, Sharing Stories | Arts | The Harvard Crimson • Bōm Dough Review: Cambridge’s Bōm(b) Brazilian Breakfast | Arts | The Harvard Crimson • Artist Profile: Manar A. Abrre ’26 on Intersecting STEM and the Arts at Harvard | Arts | The Harvard Crimson • Puppet Showplace Theater’s ‘Rapunzel’: Slapstick Comedy Shines in a Dynamic Medium | Arts | The Harvard Crimson • Harvard Authors Profile: Ailin Sha ’29 on Uplifting Others Through Art | Arts | The Harvard Crimson • ‘Framing Nature: Gardens and Imagination’: The MFA Launches Collaborative Multimedia Spring Exhibition | Arts | The Harvard Crimson • ‘Half His Age’ Review: Complex Themes Reduced to Flat Female Characters | Arts | The Harvard Crimson • Case for Best Picture: Vignettes by The Crimson’s Arts Board | Arts | The Harvard Crimson • ‘Kiss All The Time. Disco, Occasionally.’ Album Review: Harry Styles Lets the Light In | Arts | The Harvard Crimson • ‘Celtic Art Across the Ages’: Harvard Art Museums Debuts their New Interactive Gallery | Arts | The Harvard Crimson • Artist Profile: John Flansburgh of ‘They Might Be Giants’ On the Band’s Latest Updates | Arts | The Harvard Crimson • Kate Barton NYFW Fall/Winter 2026 Collection Review: Blurring the Lines Between AI and Reality | Arts | The Harvard Crimson • 'How I Get' Single Review: Laufey Gets Caught Up In a Web of Familiarity | Arts | The Harvard Crimson • ‘Bridgerton’ Season 4 Review: More Revelatory than Romantic | Arts | The Harvard Crimson • Whatever Happened to the Dark and Gritty Superheroes of Yesteryear? | Arts | The Harvard Crimson • Putting the Spotlight on Drag: ‘A Gothic Wedding’ at The Huntington Theatre | Arts | The Harvard Crimson • ‘Ca$ino’ Album Review: The Contradiction of Keem | Arts | The Harvard Crimson • New MFA Galleries Review: Bringing Modern Art to the Forefront | Arts | The Harvard Crimson • Moona Review: Authentic and Ambitious | Arts | The Harvard Crimson • From Sundance: ‘The Incomer’ Delightfully Confuses and Impresses | Arts | The Harvard Crimson • La Saison Bakery Review: A Delicious, Quick Treat | Arts | The Harvard Crimson • ‘Antibody’ Review: The Body as Archive | Arts | The Harvard Crimson • Mahalab Bakery Review: Why Mahalab Bakery is Cambridge’s Best New Breakfast | Arts | The Harvard Crimson • Winter On Campus: Snowy Vignettes from Crimson Arts | Arts | The Harvard Crimson • ‘I’ll Change for You’ Single Review: Mitski Does What She Does Best, But Is It Enough? | Arts | The Harvard Crimson • The Hasty Pudding Honors Rose Byrne as 2026’s Woman of the Year | Arts | The Harvard Crimson • The Hasty Pudding Honors Michael Keaton as 2026’s Man of the Year | Arts | The Harvard Crimson • Sumiao Hunan Kitchen Review: Where Heat Meets Hospitality | Arts | The Harvard Crimson • Learning From Performers’ 50th Anniversary: Tina Fey and Robert Carlock ’95 in Conversation at Sanders Theatre | Arts | The Harvard Crimson • From Sundance: ‘I Want Your Sex’ Turns Taboo Playful | Arts | The Harvard Crimson • Artist Profile: Mary Pope Osborne on Rekindling Wonder through the ‘Magic Tree House’ Series | Arts | The Harvard Crimson • Rezz Concert Review: Hypnotic, Bold, Yet Reserved | Arts | The Harvard Crimson • Audrey Hobert Concert Review: A ‘Shooting Star’ Takes on The Sinclair | Arts | The Harvard Crimson • ‘Wake Up Dead Man’ Review: Benoit Blanc’s Best Case Yet | Arts | The Harvard Crimson • The Arts 2025 Year in Review | The Harvard Crimson • Settling the Debate: The Crimson’s Arts Board on the Best Mexican Restaurant in Harvard Square | Arts | The Harvard Crimson • Michelin Comes to Boston: One Star, One Million Dollars | Arts | The Harvard Crimson • Films You Should Have Watched Over Reading Period and Just Might Have Time to Watch Over Finals | Arts | The Harvard Crimson • ‘The Moonwalkers’ Review: An Experience that Fails to Take One Giant Leap for Mankind | Arts | The Harvard Crimson • Bending Perceptions: Psychedelic Art Show Takes Over AFVS Gallery | Arts | The Harvard Crimson • Artist Profile: Jacek Smolicki Listens to the World | Arts | The Harvard Crimson • ‘Wicked: For Good’ Review: Good Enough | Arts | The Harvard Crimson • Artist Profile: Olivia F. Data ’26 and Preston C. Bushnell ’26 on ‘Get a Clue’ and Penning Original Musicals | Arts | The Harvard Crimson • ‘Of Light and Air: Winslow Homer in Watercolor’ Review: A Spellbinding Exhibition at the MFA | Arts | The Harvard Crimson • FiDO Pizza Review: Allston’s New Neighborhood Joint | Arts | The Harvard Crimson • ‘Die My Love’ Review: A Fiery Film Lacking Emotional Heat | Arts | The Harvard Crimson • Kate E. Ravenscroft’s Local Appetite: Clear Flour Bread | Arts | The Harvard Crimson • From Young to Adult With ‘Six of Crows’: Your Favorite Books Are Being Quietly Re-Edited | Arts | The Harvard Crimson • Boston Cafe Wishing Cup Hopes to ‘Brew Good, Do Good’ | Arts | The Harvard Crimson • ‘Regretting You’ Review: Trying to Move Past the Absurdity | Arts | The Harvard Crimson • Artist Profile: Mamadou Dia on Taking Charge of the Senegalese Narrative | Arts | The Harvard Crimson • Artist Profile: For Emil Droga ’26-’27, Music is a ‘Great Bermuda Triangle’ | Arts | The Harvard Crimson • ‘Chad Powers’ Season 1 Review: Humorous All The Way to the Endzone | Arts | The Harvard Crimson • ‘Get A Clue’ Preview: A Brand New Whodunnit | Arts | The Harvard Crimson • The Best of ‘I Hate Gay Halloween’ | Arts | The Harvard Crimson • ‘Through the Looking Glass’: Transported to a Whimsical Wonderland with Harvard Pops Orchestra | Arts | The Harvard Crimson • ‘Massachusetts Avenue: Life Along Cambridge’s Main Artery’ Premieres at the Brattle: A Cinematic Time Capsule of Cambridge | Arts | The Harvard Crimson • The Harvard Crimson | Arts • Harvard Theater: Spring 2025 Season Preview • ‘Ben-Hur’ 65 Years Later and the Lasting Popularity of Epics • The New Faces of Rare Book Collecting: Young Adults Redefine What It Means To Be A Rare Book Collector • The Hasty Pudding Honors Jon Hamm as 2025’s Man of the Year • The Hasty Pudding Honors Cynthia Erivo as 2025’s Woman of the Year • Artist Profile: Haden Guest on the Harvard Film Archive and Great Cinema • ‘Gruesome Playground Injuries’ Review: A Painful Yet Poignant Journey • Artist Profile: Ethan A. Chaves ’26 Talks All Things Music, Composing, and Performing • Neal Francis Concert Review: Funk is Alive and Well in Cambridge • ‘Rhyme, Rhythm, and Resistance’ Review: A Multimedia Display of Female Art and Activism at the Schlesinger Library • The Best Coffee Shops Beyond Harvard Square • ‘Chicago’ Turns 50 — and It Is Still Calling Out Our Society • Learning the Language of Franz Kafka: Inside Mark Harman’s Translation | Arts | The Harvard Crimson • ‘American Psycho’ 25 Years Later: Is The Enduring Cult of Bateman Iconic or Ironic? | Arts | The Harvard Crimson • Artist Profile: Raymond Ablack on Catching the Acting Bug — And Never Letting Go | Arts | The Harvard Crimson • Gracie Abrams Concert Review: The Community of Nostalgia | Arts | The Harvard Crimson • ‘Passengers’ Review: Reaching New Heights but Lacking Depth | Arts | The Harvard Crimson • Norma Kamali NYFW Spring/Summer 2026 Collection Review: A Homage to Her Classics | Arts | The Harvard Crimson • Harvard DJ Duo Courantes Brings Improvised Currents to Boiler Room Benefit | Arts | The Harvard Crimson • From the New England Metal and Hardcore Festival 2025: Sound Bites with PeelingFlesh, Municipal Waste, and Kublai Khan TX | Arts | The Harvard Crimson • ‘The History of Sound’ Review: Firing On All Cylinders | Arts | The Harvard Crimson • Mr. H Review: A Twist of Modernity on Tradition | Arts | The Harvard Crimson • ‘Sing-Songs, Song-Alongs, and Jumping, Jumping Jumps’: Student Bands Make Marvelous Moves at WHRB Concert | Arts | The Harvard Crimson • Author Profile: Sarah Aziza on Crisis Reporting and the Music of the Book | Arts | The Harvard Crimson • Matisse Is In My Room: A Look at the Student Print Rental Program at the Harvard Art Museums | Arts | The Harvard Crimson • Futago Udon Review: Homemade Noodles in the Heart of Boston | Arts | The Harvard Crimson • Top Five Films to Get Ready for a Fall Evening In | Arts | The Harvard Crimson • The Great Northeast Jug Band Festival: When the Audience Becomes the Band | Arts | The Harvard Crimson • McGonagle’s Review: Pub Lives Up to the Publicity | Arts | The Harvard Crimson • Read with the Performative Man: A Defense of Public Reading | Arts | The Harvard Crimson • Harvard’s Mittal Institute and MITHAS Host ‘Intersections’ Conference: The Art and Academia of Indian Classical Dance | Arts | The Harvard Crimson • ‘Sardines (a comedy about death)’ Review: A Not So Grim Reaper at The Huntington | Arts | The Harvard Crimson • Music 110 Finds Strength in Softness for Opening Concert | Arts | The Harvard Crimson • ‘Behind the Screen: Jane Austen Wrecked My Life’: Celebrating Austen’s 250th Birthday through Another Lens | Arts | The Harvard Crimson • Elephantine Bakery Review: Parisian Allure in Seaport | Arts | The Harvard Crimson • ‘Edward Gorey: The Gloomy Gallery’ at Houghton Library Review: The Bleak and the Beautiful | Arts | The Harvard Crimson • ‘Steve’ Review: Everybody Has a Story Worthy of Being Heard | Arts | The Harvard Crimson • Fall On Campus: Autumnal Vignettes from Crimson Arts | Arts | The Harvard Crimson • Steven Pinker Explains What Happens When Everyone Knows That Everyone Knows | Arts | The Harvard Crimson • ‘Toy Story’ 30 Years Later: When Animation Gained a Third Dimension | Arts | The Harvard Crimson • Daily Provisions Review: No, You’re Not Seeing Double | Arts | The Harvard Crimson • Style, Simplified: 10 Tips for Finding Your Personal Style | Arts | The Harvard Crimson • Author Sam Sussman Talks ‘Boy from the North Country’ and Why Art is Larger than Life at Porter Square Books | Arts | The Harvard Crimson • ‘Black Phone 2’ Review: ‘Dead Is Just a Word’ • Artist Profile: Derrick Teh on Malaysian Cooking, Running a Pop-Up Restaurant, and Never Getting Bored | Arts | The Harvard Crimson • Romanticizing Fall: Love Songs For the Midst of Fall | Arts | The Harvard Crimson • Artist Profile: Pontus Lidberg on Dance, Medicine, and ‘Embodied Storytelling’ • Harvard Square Has a Plethora of Cafes, but None of Them Are Truly Great | Arts | The Harvard Crimson • ‘Merrily We Roll Along’ Review: A Dazzling Reminder to Follow Your Dreams | Arts | The Harvard Crimson • Artist Profile: Sanjna Needs to Create | Arts | The Harvard Crimson • Jill Lepore Discusses New Book ‘We the People: A History of the U.S. Constitution’ and the Future of American Democracy • Magdalena Bay Concert Review: Building the World of Their Dreams | Arts | The Harvard Crimson • Is Broadway Back? The Question Haunting the 2025-26 Season | Arts | The Harvard Crimson • Leith Ross Concert Review: Celebrating Leithween with Love, Grief, and Hope | Arts | The Harvard Crimson • June Bug Review: A Promise of Renewal in the Familiar | Arts | The Harvard Crimson