Step into the smoky, vibrant cafés of 19th-century Paris and Barcelona. It wasn't just about coffee; it was where Impressionism breathed its first air, and where a young Picasso found the melancholy for his Blue Period—reliving the mesmerizing exhibition at the Mitsubishi Ichigokan Museum.
Mitsubishi Ichigokan Museum, TokyoArtists at the Café: From the Impressionists, Van Gogh and Toulouse-Lautrec to Picasso, Mitsubishi Ichigokan Museum, TokyoArtists at the Café: From the Impressionists, Van Gogh and Toulouse-Lautrec to Picasso, Mitsubishi Ichigokan Museum, TokyoArtists at the Café: From the Impressionists, Van Gogh and Toulouse-Lautrec to Picasso, Mitsubishi Ichigokan Museum, Tokyo
Chapter 1 | カフェを描く ─レアリスムから印象派へ | Depicting the Café: From Realism to Impressionism
Artists at the Café: From the Impressionists, Van Gogh and Toulouse-Lautrec to Picasso, Mitsubishi Ichigokan Museum, TokyoEdgar Degas, A Dancer in Red Robe, c. 1897, Pastel on carton, 64.4×50.2 cm, Hiroshima Museum of Art Édouard Manet, Woman in Rose Shoes (Berthe Morisot), 1872, Oil on canvas, 46.4×32.5 cm, Hiroshima Museum of ArtÉdouard Manet, Woman in Rose Shoes (Berthe Morisot), 1872, Oil on canvas, 46.4×32.5 cm, Hiroshima Museum of ArtÉdouard Manet, Woman in Rose Shoes (Berthe Morisot), 1872, detailÉdouard Manet, Woman in Rose Shoes (Berthe Morisot), 1872, detailBerthe Morisot, Woman in Black (Before the Theater), 1875, Oil on canvas, 57.3×30.7 cm, The National Museum of Western Art, TokyoBerthe Morisot, Woman in Black (Before the Theater), 1875, detailBerthe Morisot, Woman in Black (Before the Theater), 1875, detail Artists at the Café: From the Impressionists, Van Gogh and Toulouse-Lautrec to Picasso, Mitsubishi Ichigokan Museum, TokyoAuguste Renoir, The Trinité Plaza, Paris, c. 1875, Oil on canvas, 65.3×54.2 cm, Hiroshima Museum of ArtAuguste Renoir, The Trinité Plaza, Paris, c. 1875, detailAuguste Renoir, The Trinité Plaza, Paris, c. 1875, detailAuguste Renoir, The Trinité Plaza, Paris, c. 1875, detailCamille Pissarro, The Pont-Neuf, 1902, Oil on canvas, 66.0×81.2 cm, Hiroshima Museum of ArtCamille Pissarro, The Pont-Neuf, 1902, detail Camille Pissarro, The Pont-Neuf, 1902, detail Camille Pissarro, The Pont-Neuf, 1902, detail Armand Guillaumin, Promenade at Robinson, c. 1878, Oil on canvas, 51.1×61.4 cm, Pola Museum of ArtArmand Guillaumin, Promenade at Robinson, c. 1878, Oil on canvas, 51.1×61.4 cm, Pola Museum of ArtAlfred Sisley, Saint-Mammès, 1885, Oil on canvas, 54.5×73.0 cm, Hiroshima Museum of ArtAlfred Sisley, Saint-Mammès, 1885, detailArtists at the Café: From the Impressionists, Van Gogh and Toulouse-Lautrec to Picasso, Mitsubishi Ichigokan Museum, TokyoArtists at the Café: From the Impressionists, Van Gogh and Toulouse-Lautrec to Picasso, Mitsubishi Ichigokan Museum, TokyoEdgar Degas, The Promenade on Horseback, 1867–68, Oil on canvas, 71.0×90.5 cm, Hiroshima Museum of ArtEdgar Degas, The Promenade on Horseback, 1867–68, detail Edgar Degas, The Promenade on Horseback, 1867–68, detail Edgar Degas, The Promenade on Horseback, 1867–68, detail Jean-Louis Forain, Backstage—Symphony in Blue, c. 1900–23, Oil on panel, 45.3×54.7 cm, Ohara Museum of Art, Ohara Art Foundation, KurashikiJean-Louis Forain, Backstage—Symphony in Blue, c. 1900–23, detail Edgar Degas, Dancer Holding Her Right Foot with Her Right Hand, 1896–1911, Bronze, 51.5×31.5×27.0 cm, Hiroshima Museum of Art Edgar Degas, Dancer Holding Her Right Foot with Her Right Hand, 1896–1911, Bronze, 51.5×31.5×27.0 cm, Hiroshima Museum of Art Edgar Degas, A Dancer in Red Robe, c. 1897, Pastel on carton, 64.4×50.2 cm, Hiroshima Museum of Art Edgar Degas, A Dancer in Red Robe, c. 1897, detail Artists at the Café: From the Impressionists, Van Gogh and Toulouse-Lautrec to Picasso, Mitsubishi Ichigokan Museum, Tokyo Honoré Daumier, ‹In the Pub› 2, The ravaged poets’ corner, 1863, Lithograph 22.9×26.4 cm, Itami City Museum of Art, History and Culture Honoré Daumier, ‹In the Pub› 2, The ravaged poets’ corner, 1863, Lithograph 22.9×26.4 cm, Itami City Museum of Art, History and Culture Honoré Daumier, ‹Parisian Types› 1, Well, clever fellow! So, what do you make of that one?!—Yes. yes, but still—Yes...yes...yes!, 1839, Lithograph 26.3×34.4 cm, Itami City Museum of Art, History and Culture Honoré Daumier, ‹Parisian Types› 1, Well, clever fellow! So, what do you make of that one?!—Yes. yes, but still—Yes...yes...yes!, 1839, Lithograph 26.3×34.4 cm, Itami City Museum of Art, History and Culture Honoré Daumier, ‹Sketches of the Theatre› 15, That which proves to us why it is perfectly useless to spout gracious compliments to the public, in the play’s final couplet, 1857, Lithograph, 19.9×27.4 cm, The National Museum of Western Art, Tokyo Honoré Daumier, ‹Sketches of the Theatre› 15, That which proves to us why it is perfectly useless to spout gracious compliments to the public, in the play’s final couplet, 1857, Lithograph, 19.9×27.4 cm, The National Museum of Western Art, Tokyo Honoré Daumier, ‹Musical Sketches› 17, The orchestra while a tragedy is performed, 1852, Lithograph, 25.9×21.7 cm, The National Museum of Western Art, TokyoHonoré Daumier, ‹Musical Sketches› 17, The orchestra while a tragedy is performed, 1852, Lithograph, 25.9×21.7 cm, The National Museum of Western Art, Tokyo Honoré Daumier, ‹Sketches of the Theatre by Daumier› 4, [Below the upper vignette] Dances of the superior school, [Below the lower vignette] Pose of a yet more elevated school, 1853, Lithograph, [top] 10.7×27.5 cm, [bottom] 10.3×27.5 cm, The National Museum of Western Art, Tokyo Honoré Daumier, ‹Sketches of the Theatre by Daumier› 4, [Below the upper vignette] Dances of the superior school, [Below the lower vignette] Pose of a yet more elevated school, 1853, Lithograph, [top] 10.7×27.5 cm, [bottom] 10.3×27.5 cm, The National Museum of Western Art, Tokyo Honoré Daumier, ‹Sketches of the Theatre by Daumier› 1, [Below the upper vignette] The intermission in the café [Below the lower vignette] The intermission in the foyer, 1852, Lithograph, [top] 10.0×26.0 cm, [bottom] 10.7×25.5 cm, The National Museum of Western Art, Tokyo Honoré Daumier, ‹Sketches of the Theatre by Daumier› 1, [Below the upper vignette] The intermission in the café [Below the lower vignette] The intermission in the foyer, 1852, Lithograph, [top] 10.0×26.0 cm, [bottom] 10.7×25.5 cm, The National Museum of Western Art, Tokyo Léon Jacque, Moulin de la Galette (Montmartre), La Société des Aquafortistes: Eaux-fortes Modernes [the Society of Aquafortists: Modern Etchings], 1862–67, Etching, 16.6×24.3 cm, Machida City Museum of Graphic ArtsLéon Jacque, Moulin de la Galette (Montmartre), La Société des Aquafortistes: Eaux-fortes Modernes [the Society of Aquafortists: Modern Etchings], 1862–67, Etching, 16.6×24.3 cm, Machida City Museum of Graphic ArtsFélix Buhot, The Pigalle Square, 1878, Etching, aquatint, soft-ground etching, and drypoint, 25.8×34.5 cm, Machida City Museum of Graphic ArtsFélix Buhot, The Pigalle Square, 1878, Etching, aquatint, soft-ground etching, and drypoint, 25.8×34.5 cm, Machida City Museum of Graphic ArtsPaul Gavarni, ‹Backstage› 21, My dear, my dear! That lovely lady in the front row—she’s making eyes at that big mustached man!... She’s devouring him, my dear, devouring him! I swear! Women like that, once they get going, they’re worse than the others, oh, I’m telling you!, 1838, Lithograph, 36.0×25.8 cm, Itami City Museum of Art, History and CulturePaul Gavarni, ‹Backstage› 21, My dear, my dear! That lovely lady in the front row—she’s making eyes at that big mustached man!... She’s devouring him, my dear, devouring him! I swear! Women like that, once they get going, they’re worse than the others, oh, I’m telling you!, 1838, Lithograph, 36.0×25.8 cm, Itami City Museum of Art, History and Culture Vincent van Gogh, Windmills on Montmartre, 1886, Oil on canvas, 48.2×39.5 cm, Artizon Museum, Ishibashi Foundation, TokyoVincent van Gogh, Windmills on Montmartre, 1886, Oil on canvas, 48.2×39.5 cm, Artizon Museum, Ishibashi Foundation, TokyoVincent van Gogh, Windmills on Montmartre, 1886, Oil on canvas, 48.2×39.5 cm, Artizon Museum, Ishibashi Foundation, Tokyo
Chapter 2 | 夜のカフェ ─シェレ、ロートレックの世紀末 | Cafés at Night: Chéret, ToulouseLautrec, and the Fin de Siècle
Artists at the Café: From the Impressionists, Van Gogh and Toulouse-Lautrec to Picasso, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, Aristide Bruant, 1893, Gouache, oil on paper, 81.2×105.0 cm, Hiroshima Museum of Art Henri de Toulouse-Lautrec, The Refrain of the Chair in the Style of Louis XIII (at the Cabaret of Aristide Bruant), 1886, Conté, oil on paper, 78.4×50.4 cm, Hiroshima Museum of ArtHenri de Toulouse-Lautrec, The Refrain of the Chair in the Style of Louis XIII (at the Cabaret of Aristide Bruant), 1886, detailHenri de Toulouse-Lautrec, Bruant au Mirliton, 1893 Henri de Toulouse-Lautrec, Bruant au Mirliton, 1893, Lithograph, 81.0×59.7 cm, Mitsubishi Ichigokan Museum, Tokyo Henri de Toulouse-Lautrec, Le Deuxième Volume de Bruant [The Second Volume by Bruant], 1893, Lithograph, 81.4×61.1 cm, Mitsubishi Ichigokan Museum, Tokyo Henri de Toulouse-Lautrec, Aristide Bruant, dans son cabaret [in His Cabaret], 1893, Lithograph, 138.2×98.5 cm, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, Aristide Bruant, dans son cabaret [in His Cabaret], 1893, detail Henri de Toulouse-Lautrec, Aristide Bruant, 1893, Gouache, oil on paper, 81.2×105.0 cm, Hiroshima Museum of ArtHenri de Toulouse-Lautrec, Aristide Bruant, 1893, detailHenri de Toulouse-Lautrec, Moulin Rouge, La Goulue, 1891, Lithograph, 193.8×119.3 cm, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, Moulin Rouge, La Goulue, 1891, detail Henri de Toulouse-Lautrec, At the Moulin Rouge, La Goulue and Her Sister, 1892, Lithograph 47.4×36.4 cm, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, At the Moulin Rouge, La Goulue and Her Sister, 1892, Lithograph 47.4×36.4 cm, Mitsubishi Ichigokan Museum, Tokyo Henri de Toulouse-Lautrec, Englishman at the Moulin Rouge, 1892, Lithograph, 62.7×48.4 cm, Mitsubishi Ichigokan Museum, Tokyo Henri de Toulouse-Lautrec, Aristide Bruant, Eldorado, 1892, Lithograph, 144.3×98.9, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, Aristide Bruant, Eldorado, 1892, detail Artists at the Café: From the Impressionists, Van Gogh and Toulouse-Lautrec to Picasso, Mitsubishi Ichigokan Museum, Tokyo Henri de Toulouse-Lautrec, The Box with the Gilded Mask, 1893, Lithograph, 49.9×32.5, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, The Box with the Gilded Mask, 1893, Lithograph, 49.9×32.5, Mitsubishi Ichigokan Museum, Tokyo Henri de Toulouse-Lautrec, In Their Forties, 1893, Lithograph, 38.5×28.1, Mitsubishi Ichigokan Museum, Tokyo Henri de Toulouse-Lautrec, In Their Forties, 1893, detail Henri de Toulouse-Lautrec, La Tige, Moulin Rouge, 1894, Lithograph, 46.3×31.1 cm, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, La Tige, Moulin Rouge, 1894, detailLouis Anquetin, Marguerite Dufay dans son Répertoire [in Her Repertory], c. 1891, Lithograph, 90.2×127.2 Museum and Archives, Kyoto Institute of Technology Louis Anquetin, Marguerite Dufay dans son Répertoire [in Her Repertory], c. 1891, detail Henri de Toulouse-Lautrec, Mary Hamilton, Le Café Concert, 1893, Lithograph, 44.0×33.1 cm, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, Mary Hamilton, Le Café Concert, 1893, Lithograph, 44.0×33.1 cm, Mitsubishi Ichigokan Museum, Tokyo Henri de Toulouse-Lautrec, Yvette Guilbert, Le Café Concert, 1893, Lithograph, 44.0×32.3 cm, Mitsubishi Ichigokan Museum, Tokyo Henri de Toulouse-Lautrec, Yvette Guilbert, Le Café Concert, 1893, Lithograph, 44.0×32.3 cm, Mitsubishi Ichigokan Museum, Tokyo Henri de Toulouse-Lautrec, Madame Abdala, Le Café Concert, 1893, Lithograph, 43.6×32.4 cm, Mitsubishi Ichigokan Museum, Tokyo Henri de Toulouse-Lautrec, Madame Abdala, Le Café Concert, 1893, Lithograph, 43.6×32.4 cm, Mitsubishi Ichigokan Museum, Tokyo Henri de Toulouse-Lautrec, Une Spectatrice [A Spectator], Le Café Concert, 1893, Lithograph, 43.8×32.2 cm, Mitsubishi Ichigokan Museum, Tokyo Henri de Toulouse-Lautrec, Une Spectatrice [A Spectator], Le Café Concert, 1893, Lithograph, 43.8×32.2 cm, Mitsubishi Ichigokan Museum, Tokyo Henri de Toulouse-Lautrec, Divan Japonais, 1893, Lithograph, 80.0×61.9 cm, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, Divan Japonais, 1893, Lithograph, 80.0×61.9 cm, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, Jane Avril (Jardin de Paris), 1893, Lithograph, 130.4×94.5 cm, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, Jane Avril (Jardin de Paris), 1893, Lithograph, 130.4×94.5 cm, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, Program for Money, 1895, Lithograph, 31.9×23.8 cm, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, Program for Money, 1895, Lithograph, 31.9×23.8 cm, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, Program for Money, 1895, detailHenri de Toulouse-Lautrec, Irish and American Bar, Rue Royale, The Chap Book, 1895, Lithograph, 43.3×62.0 cm, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, Irish and American Bar, Rue Royale, The Chap Book, 1895, Lithograph, 43.3×62.0 cm, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, Miss Loïe Fuller, 1893, Lithograph, 38.1×28.4 cm, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, Miss Loïe Fuller, 1893, detailHenri de Toulouse-Lautrec, Miss Loïe Fuller, 1893, detail Henri de Toulouse-Lautrec, Mademoiselle Cha-u-kao, The Seated Clowness, Elles, 1896, Lithograph, 53.3×40.5, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, Mademoiselle Cha-u-kao, The Seated Clowness, Elles, 1896, Lithograph, 53.3×40.5, Mitsubishi Ichigokan Museum, Tokyo
Chapter 3 |〈シャ・ノワール〉の登場とその後の展開 ─パリとバルセロナの往還 | The Emergence of Le Chat Noir and Its Aftermath: Exchanges Between Paris and Barcelona
Théophile Alexandre Steinlen, Tournée du Chat Noir de Rodolphe Salis [Tour of Rodolphe Salis’ Chat Noir], 1896, Lithograph, 135.0×93.0 cm, Museum and Archives, Kyoto Institute of Technology Théophile Alexandre Steinlen, Tournée du Chat Noir de Rodolphe Salis [Tour of Rodolphe Salis’ Chat Noir], 1896, Lithograph, 135.0×93.0 cm, Museum and Archives, Kyoto Institute of Technology Henri de Toulouse-Lautrec, La Vache Enragée [The Mad Cow], 1896, Lithograph, 82.4×59.9 cm, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, La Vache Enragée [The Mad Cow], 1896, detailHenri de Toulouse-Lautrec, Paul Sescau, Photographer, 1896, Lithograph, 60.0×80.0 cm, The National Museum of Western Art, Tokyo Henri de Toulouse-Lautrec, Paul Sescau, Photographer, 1896, detail Pierre Bonnard, Some Scenes of Parisian Life, 1895–99, Lithograph, 53.0×40.6 cm, Mitsubishi Ichigokan Museum, Tokyo Pierre Bonnard, Some Scenes of Parisian Life, 1895–99, detailPierre Bonnard, The Pigalle Square, c. 1905, Oil on canvas, 31.6×47.4 cm, Hiroshima Museum of ArtPierre Bonnard, The Pigalle Square, c. 1905, Oil on canvas, 31.6×47.4 cm, Hiroshima Museum of ArtHenri Rivière, The Building Site of the Eiffel Tower, 1889, Woodcut, 21.8×34.4 cm, Machida City Museum of Graphic ArtsHenri Rivière, The Building Site of the Eiffel Tower, 1889, Woodcut, 21.8×34.4 cm, Machida City Museum of Graphic Arts Artists at the Café: From the Impressionists, Van Gogh and Toulouse-Lautrec to Picasso, Mitsubishi Ichigokan Museum, TokyoRamon Casas, Madeleine, 1892, Oil on canvas, 117.0×90.0 cm, Museu de Montserrat, Donated by J. Sala ArdizRamon Casas, Madeleine, 1892, detail Artists at the Café: From the Impressionists, Van Gogh and Toulouse-Lautrec to Picasso, Mitsubishi Ichigokan Museum, TokyoRamon Casas, Pere Romeu and the Quatre Gats, c. 1897, Pencil and ink on paper, 8.9×18.8 cm, The National Museum of Western Art, TokyoRamon Casas, Pere Romeu and the Quatre Gats, c. 1897, Pencil and ink on paper, 8.9×18.8 cm, The National Museum of Western Art, TokyoSantiago Rusiñol, Café des Incohérents, 1889–90, Oil on canvas, 80.0×116.0 cm, Museu de Montserrat. Donated by J. Sala ArdSantiago Rusiñol, Café des Incohérents, 1889–90, Oil on canvas, 80.0×116.0 cm, Museu de Montserrat. Donated by J. Sala Ard Santiago Rusiñol, Café des Incohérents, 1889–90, detail Santiago Rusiñol, Café des Incohérents, 1889–90, detail Henri de Toulouse-Lautrec, The Simpson Chain, 1896, Lithograph, 87.2×124.7 cm, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, The Simpson Chain, 1896, detailArtists at the Café: From the Impressionists, Van Gogh and Toulouse-Lautrec to Picasso, Mitsubishi Ichigokan Museum, TokyoArtists at the Café: From the Impressionists, Van Gogh and Toulouse-Lautrec to Picasso, Mitsubishi Ichigokan Museum, TokyoRamon Casas, Anís del Mono [Monkey’s Anise Liqueur], 1898, Lithograph, 219.0×112.0 cm, The National Museum of Western Art, TokyoRamon Casas, Anís del Mono [Monkey’s Anise Liqueur], 1898, Lithograph, 219.0×112.0 cm, The National Museum of Western Art, TokyoRamon Casas, Anís del Mono [Monkey’s Anise Liqueur], 1898, detailArtists at the Café: From the Impressionists, Van Gogh and Toulouse-Lautrec to Picasso, Mitsubishi Ichigokan Museum, TokyoPablo Picasso, Cancan, 1900, Pastel on paper, 38.5×53.8 cm, Hiroshima Museum of ArtPablo Picasso, Cancan, 1900, detailHenri de Toulouse-Lautrec, La Troupe de Mademoiselle Églantine, 1896, Lithograph 61.5×80.3 cm, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, La Troupe de Mademoiselle Églantine, 1896, detailPablo Picasso, Romani Woman, 1900, Pastel and oil on cardboard, 44.5×59.0 cm, Mie Prefectural Art MuseumPablo Picasso, Romani Woman, 1900, Pastel and oil on cardboard, 44.5×59.0 cm, Mie Prefectural Art Museum Henri de Toulouse-Lautrec, May Milton, 1895, Lithograph, 80.0×62.0 cm, Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, May Milton, 1895, detail Pablo Picasso, Two Women at a Bar, 1902, Oil on canvas, 80.0×91.5 cm, Hiroshima Museum of ArtPablo Picasso, Two Women at a Bar, 1902, Oil on canvas, 80.0×91.5 cm, Hiroshima Museum of Art Henri de Toulouse-Lautrec, À Saint-Lazare, 1893, Lithograph, 27.7×35.2 cm, (folded in half) Mitsubishi Ichigokan Museum, TokyoHenri de Toulouse-Lautrec, À Saint-Lazare, 1893, Lithograph, 27.7×35.2 cm, (folded in half) Mitsubishi Ichigokan Museum, Tokyo Amedeo Modigliani, Portrait of Young Girl in Blue Blouse, c. 1910, Oil on canvas, 80.7×54.2 cm, Hiroshima Museum of Art Amedeo Modigliani, Portrait of Young Girl in Blue Blouse, c. 1910, Oil on canvas, 80.7×54.2 cm, Hiroshima Museum of Art Maurice Utrillo, The Moulin de la Galette, c. 1910, Oil on cardboard, 33.2×46.0 cm, Pola Museum of Art Maurice Utrillo, The Moulin de la Galette, c. 1910, Oil on cardboard, 33.2×46.0 cm, Pola Museum of Art Maurice Utrillo, A Street at Montmorency, c. 1912, Oil on canvas, 58.6×79.7 cm, Hiroshima Museum of Art Maurice Utrillo, A Street at Montmorency, c. 1912, detailMaurice Utrillo, The Lapin Agile under Snow, c. 1916, Oil on canvas, 50.1×62.5 cm, Fukuyama Museum of Art Maurice Utrillo, The Lapin Agile under Snow, c. 1916, detail
About the Exhibition
Exhibition Title: Artists at the Café: From the Impressionists, Van Gogh, and Toulouse-Lautrec to Picasso
Dates: June 13, 2026 - September 23, 2026
Venue: Mitsubishi Ichigokan Museum, Tokyo
Organiser: Mitsubishi Ichigokan Museum, Tokyo, Hiroshima Museum of Art
