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Sarah Moroz

Sarah Moroz is a freelance writer.

  • @SarahMoroz
  • Sarah Moroz
  • @sarahmsnapshot
A woman with long hair and red lipstick wears a black turtleneck in front of a tall building

Curator Catherine Nichols’s Lyon Biennale Turns the City’s Trading Past Into a Poetic Framework

By Sarah Moroz
A photograph by Juergen Teller shows a young woman with bright pink hair lying in bed beneath white sheets and pillows, looking directly at the camera.

What Can the ’90s Tell Us About Today? Tate Britain Isn’t Sure

By Sarah Moroz
A person sits on a stool in an artist’s studio surrounded by large paintings depicting interiors and lush outdoor views.

Constantin Nitsche Wrestles with the Limits of Painting

By Sarah Moroz
An art fair booth

Contemporary Istanbul’s Uneven Roster Saw Foreign Galleries Making the Strongest Case for Turkish Art

By Sarah Moroz
A colorful geometric mural animates a weathered city wall as pedestrians gather in front.

In Arles, Photography and Art Ease the Transition from Summer into Fall

By Sarah Moroz
A woman with long dark hair leans against the window in a dark room

Daisy Dixon’s “Depraved” Grapples With the Art of Problematic Artists

By Sarah Moroz
Installation view combining a large colorful abstract painting, a suspended biomorphic sculpture, a grid of copper-toned panels and an orange floor work.

Marseille’s Art-o-rama Lets Galleries Outgrow the Fair That Made Them

By Sarah Moroz
A blue-toned winter landscape shows snow-covered mountains rising behind a forest and several small wooden cabins beside an icy road.

Catherine Opie’s Norwegian Landscapes Are Portraits in Disguise

By Sarah Moroz
An exhibition wall displays a grid of patterned textile squares, each centered with a human skull, beneath exposed wooden ceiling beams and linear lights.

Grażyna Kulczyk Has Spent 50 Years Collecting Artists Who Were Difficult to Place

By Sarah Moroz

Judy Glickman Lauder’s Vast Trove of Photography Is a Portrait of Its Collector

By Sarah Moroz
A large colored-pencil drawing on white paper shows several nude or partially nude human figures intertwined and overlapping diagonally, rendered in bands of pink, blue, yellow, green and orange.

Centro Botín Champions Marisol’s Drawings and Rethinks Her Legacy

By Sarah Moroz
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