Dear Internet,
Temple Sound.
Produced by the almighty T. Dallas Reed.
On the way to the studio. John giving orders, probably.
We're haulin' ass!
John and Jaymes in the control room. Me in the reflection from the vocal booth.
Everything was recorded to 16-track, 2" tape. Yum. Will be mixing/mastered on digital later.
The control room.
Mr. Reed setting up/tuning drums for us. He's pretty much the pro at it.
Trying to learn as best we can. I'm leaning on an old Marhsall
JMP 50 watter. John used this as his doubled guitar tracks, with
the Laney out in front.
Sound checkin'
A clearer shot of Bournigal's kit.
Jaymes and our beloved Ampeg setup.
John doing scratch guitar tracks.
Tony Reed at the console.
Tony and Chris Jr. in the control room, making important decisions.
The finished recording setup for Bournigal's kit.
Bournigal's point of view from the live room.
Bournigal is happy that the drum tracks are finished.
My favorite pre-amp. Mmm, Avalon gear is gorgeous.
I think these are Jaymes feet.
Mr. Reed, a god.
John.
Laying down final guitar tracks. John used the Laney for his
primary tracks, and a Marshall JMP w/4x12 JCM 900 1960's cabinet for
the secondary doubles.
My pedal board lazing about.
Sincerely,
Chris Jr.
Temple Sound.
Produced by the almighty T. Dallas Reed.
On the way to the studio. John giving orders, probably.
We're haulin' ass!
John and Jaymes in the control room. Me in the reflection from the vocal booth.
Everything was recorded to 16-track, 2" tape. Yum. Will be mixing/mastered on digital later.
The control room.
Mr. Reed setting up/tuning drums for us. He's pretty much the pro at it.
Trying to learn as best we can. I'm leaning on an old Marhsall
JMP 50 watter. John used this as his doubled guitar tracks, with
the Laney out in front.
Sound checkin'
A clearer shot of Bournigal's kit.
Jaymes and our beloved Ampeg setup.
John doing scratch guitar tracks.
Tony Reed at the console.
Tony and Chris Jr. in the control room, making important decisions.
The finished recording setup for Bournigal's kit.
Bournigal's point of view from the live room.
Bournigal is happy that the drum tracks are finished.
My favorite pre-amp. Mmm, Avalon gear is gorgeous.
I think these are Jaymes feet.
Mr. Reed, a god.
John.
Laying down final guitar tracks. John used the Laney for his
primary tracks, and a Marshall JMP w/4x12 JCM 900 1960's cabinet for
the secondary doubles.
My pedal board lazing about.
Sincerely,
Chris Jr.
