
Performance
Todd Haynes: The Other Side of Dreams
November 18 - 29, 2015
With its narrative logic and polymorphous sexual dynamics, this devilish cult classic from Nicolas Roeg and Donald Cammell starring James Fox and Mick Jagger would become a foundational text for generations of glam films.
Make it a double feature with Velvet Goldmine and save!
The manic, disjunctive editing rhythms that distinguish this devilish late-’60s psychological drama shocked viewers in 1970 nearly as much as did the film’s subject: the strange, tense cohabitation of a London gangster (James Fox) with a self-medicating pop star (Mick Jagger) and his two steady female companions (Anita Pallenberg and Michele Breton). The montage is Nicolas Roeg’s, as were most of the movie’s delirious visual touches, but Performance—one of cinema’s seminal cult classics—was above all the brainchild of Donald Cammell, a major figure in the London underground scene. With its fractured narrative logic and polymorphous sexual dynamics, the film would become a key reference point for glam movies as early as Roeg’s own The Man Who Fell to Earth and as late as Haynes’s Velvet Goldmine.



Read More
Nathan Fielder and Lance Oppenheim on You Can See Everything and Documenting Elizabeth Holmes
This week we’re excited to present a conversation from the 64th New York Film Festival with You Can See Everything directors Nathan Fielder and Lance Oppenheim. An NYFF64 Spotlight selection, You Can See Everything is now in theaters, courtesy of A24.
The Editors of Behemoth!, Once Upon a Time in Harlem, and Foreign Travel on Making the Cut
This panel of practitioners from across the NYFF64 lineup, including Ted Fendt (Foreign Travel), Anne de Mare and Lynn True (Once Upon a Time in Harlem), and John Gilroy, ACE (Behemoth!) explored the craft of film editing
Damon Albarn with Brooklyn Youth Chorus and Mike Smith Perform “The Saddest Song” From Artificial
At the 64th New York Film Festival, Damon Albarn with Brooklyn Youth Chorus and Mike Smith perform “The Saddest Song” ahead of the world premiere of Luca Guadagnino’s Artificial, which features an original score and songs by Albarn.


