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Saddle Pals & Sidekicks
The Juvenile Helpers



(Courtesy of Jack Tillmany)
Frankie Darro

Surname sometimes spelled:
Darrow

Real name:
Frank Johnson, Jr.

1917 - 1976


On the right is Frankie Darro in a 1934 photo when he was about seventeen years of age.


Frankie Darro was born Frank Johnson, Jr., in or near Chicago on December 22, 1917 to Frank and Ada (nee Seigrist) Johnson.

The family did not live in the Windy City. Frankie "arrived" during a stopover / play date in Chicago as his parents were "The Flying Johnsons", aerialists with circuses and on the vaudeville circuit.

Diana Serra Cary was "Baby Peggy" Montgomery and she starred in dozens of comedy shorts in the 1920s. Many years ago, we did a profile on her dad, Jack Montgomery, who appeared in many B westerns.

Among Diana's buddies was Frankie Darro, and she chronicled his early years in her book, Hollywood's children : an inside account of the child star era (Houghton Mifflin, 1978). She mentions that Frankie was fearful of heights, but excelled at acrobatics and tumbling. And circa 1922, Frankie's mom had a nervous breakdown, and that ended their Flying Johnsons act. From Diana's book:

"His mother, the former Italian aerialist who had never worked again after her nervous breakdown in Long Beach ..."

"With his wife prostrate and himself untrained at anything outside his own specialty, the elder Johnson looked to dark-eyed, muscular, five-year-old Frankie as a potential source of income. Somewhere in his travels Johnson had made the acquaintance of a man named Ralph Ince, who was now a movie producer in Hollywood. He took the boy out to his old friend's studio, where he was interviewed. Ince needed a five-year-old to appear in a movie called Judgment of the Storm, starring Wallace Beery. Changing the boy's name to Frankie Darro, he gave him the role."

Frankie's film debut was JUDGMENT OF THE STORM (Palmer Photoplay/F. B. O., 1924), but Wallace Beery was not in the cast. The star was Lloyd Hughes and Frankie was 6 - 7 years old. A few more child roles came his way at First National, Universal, Columbia, other production companies.

Film Booking Office (F. B. O.) was a prolific silent film producer and distributor, and the forerunner of RKO. In the 1920s, it was run by Joseph Kennedy, Sr., President John F. Kennedy's father, and their films included scores of westerns starring Fred Thomson, Bob Steele, Tom Tyler, teenager Buzz Barton ... and even Tom Mix did a few in 1928 after his exit from Fox.

The Tyler series amounted to twenty-nine oaters released in 1925 - 1929. Little Frankie played his kid helper in over two dozen.

 

Newspaper ad for the Flying Johnsons, "Novelty Aerialists", on the vaudeville circuit in Jefferson City, Missouri in September, 1916.



Great portrait shot of Frankie - with his last named spelled "Darro" - and starring at Film Booking Office / F.B.O. From the March 1, 1927 Exhibitors Daily Review, available at the Internet Archive.

The December 19, 1925 Motion Picture News had a blurb on Frankie's F. B. O. contract: "Frankie Darro Signed to Support Tyler" ; "F. B. O. has signed little Frankie Darro to an eight-picture contract to support Tom Tyler, western star. The contract calls for the exclusive services of the youngster. Frankie has appeared in all of Tyler's previous pictures."




(From Old Corral collection)

Lobby cards from THE MASQUERADE BANDIT (F. B. O., 1926) with Tom Tyler, Darro, and Dorothy Dunbar and TOM'S GANG (F. B. O., 1927) with Darro, Tyler, and Sharon Lynn. Frankie was 9-10 years old.

1928 - 1932 was chaos for the youngster. His parents went through a bitter and well publicized divorce. And the Los Angeles Court had him curtail movie work and live with court-approved guardians. In March, 1932, peace and tranquility returned when fourteen year old Frankie was legally allowed to choose his guardian ... and he selected his father Frank.

The Viola F. Lawlor School in Los Angeles catered to show business children and later became the Mar-Ken School in Sherman Oaks, California. Lawlor alumni included Mickey Rooney, Judy Garland, Jane Withers, and "Baby Peggy" / Diana Serra Cary. Frankie attended Lawlor in the 1930s.

He was small in stature, and his World War II draft registration has him at 5 feet, 3 and 1/2 inches tall and 116 pounds. But he had an energetic and enthusiastic screen presence, and is best remembered for a half dozen cliffhangers he made for Nat Levine's Mascot serial factory. Mascot existed from 1927 through the 1935 merger that created Republic Pictures. Frankie became a favorite of Levine and he used the reliable kid in a few features along with these six serials:

  • THE LIGHTNING WARRIOR (1931; 12 chapters) has Darro billed second after canine star Rin-Tin-Tin Sr.
  • THE VANISHING LEGION (1931; 12 chapters) has Darro billed fourth after Harry Carey, heroine Edwina Booth, and William Desmond.
  • THE DEVIL HORSE (1932; 12 chapters) has Darro billed third after Harry Carey and villain Noah Beery, Sr.
  • THE WOLF DOG (1933; 12 chapters) has Darro billed second after canine star Rin-Tin-Tin Jr.
  • BURN 'EM UP BARNES (1934; 12 chapters) has Darro billed first followed by Jack Mulhall and Lola Lane.
  • THE PHANTOM EMPIRE (1935; 12 chapters) has Darro billed second after Gene Autry.

Let's do some math. We have six cliffhangers times 12 chapters each for a total of 72 episodes ... and that equates to being seen at 72 Saturday matinees.

Guessing that young MALE theater patrons were thrilled to see a teenager with lots of screen time ... and playing a hero.


(Courtesy of Bruce Hickey)

Above - Rin-Tin-Tin Sr. and Frankie Darro in a chapter 1 lobby card for THE LIGHTNING WARRIOR (Mascot, 1931). This was Rinty Sr.'s last film, and Darro's first for Mascot.



(Courtesy of Bruce Hickey)

Darro was billed second after canine star Rin-Tin-Tin Jr. in THE WOLF DOG (Mascot, 1933).



(From Old Corral collection)

L-R are Smiley Burnette, great rider Betsy King Ross, Gene Autry at the microphone, and Frankie Darro (as "Frankie Baxter") in a Chapter 1 lobby card from THE PHANTOM EMPIRE (Mascot, 1935), Autry's first starrer. Darro was about 17 years old when that was filmed.

I can hear Frankie yelling "To the Rescue!" as he and the gang of "Junior Thunder Riders" gallop off to assist Gene.

How important was Darro to Nat Levine? During Mascot's brief existence, Levine churned out a total of thirty chapterplays and Frankie did six. Among his couple Mascot features was Louisa May Alcott's LITTLE MEN (Mascot, 1934). Plot involved a school for homeless boys and Frankie had a prominent role. And it was chock full of movie kids, including Dickie Jones, Tommy Bupp, Dickie Moore, Junior Durkin, more. And Levine rewarded Darro with lots of work and nice paychecks.

Gene Fernett wrote about Levine and Mascot in his Next Time Drive Off The Cliff (Cinememories Publishing, 1968). Chapter eight was aptly titled "A Child Shall Lead Them", and Fernett's opening paragraph reads: "The juvenile player Frankie Darro was frequently inside the Mascot encampment, and his presence there undoubtedly was a welcome one for Levine's purse."

Jon Tuska mentions Darro's Mascot salaries in his The Vanishing Legion: A history of Mascot Pictures 1927 - 1935 (McFarland, 1982) - he received $1,000.00 for his first serial, $3,000.00 for THE DEVIL HORSE (1932), and by BURN 'EM UP BARNES (1934), his pay had escalated to $5,000.00.

He wasn't tied exclusively to Mascot. Because he was dependable and a good actor, he freelanced in many Poverty Row and major studio productions. Examples:

He worked with James Cagney in gangster drama THE PUBLIC ENEMY (First National, 1931) and THE MAYOR OF HELL (First National, 1933) which had a reform school plot.

He was an orphan in the low budget Lane Chandler western, THE CHEYENNE CYCLONE (Willis Kent, 1931).

Noted director William Wellman helmed Cagney's THE PUBLIC ENEMY. A couple years later, Frankie was back with Wellman and starring in the Pre-code WILD BOYS OF THE ROAD (First National, 1933), a gritty and gutsy Depression era saga of broken families, displaced teens, hobo camps, and "riding the rails". Filmed and released prior to the establishment of the 1934 Hays Code, WILD BOYS is a bleak but interesting social commentary.

His small size and riding skills got him typecast as a jockey. Examples include: Frank Capra's BROADWAY BILL (Columbia, 1934) with Warner Baxter and Myrna Loy; THE BIG RACE (Showmen's Pictures / Screencraft, 1934) with Boots Mallory, John Darrow, and Paul Hurst; A DAY AT THE RACES (MGM, 1937) with the Marx Brothers; and THOROUGHBREDS DON'T CRY (MGM, 1937) with Judy Garland and Mickey Rooney. And in CHARLIE CHAN AT THE RACE TRACK (Fox, 1936), crooked jockey Frankie takes a payoff from a gambling ring, throws the horse race, complains about the money he received ... and winds up dead. Lots more jockey roles for him in later years.

Then he starred in a series for independent producer Maurice Conn (Conn Productions and Ambassador Pictures) and adult helpers were Le Roy Mason (billed as Roy Mason) followed by Kane Richmond. Ten films were released in 1935 - 1937 and each had a unique plot. In addition to the Darros, Conn produced other low budget fare, including Ken Maynard's brother Kermit in a respectable batch of westerns and mounted police adventures. Then bad luck for both Kermit and Frankie - in late 1937 - early 1938, Maurice Conn filed for bankruptcy and took his production unit to Monogram where he did some Tim McCoy and Jack Randall oaters. Among the Darro / Kane Richmond adventures was RACING BLOOD (Conn, 1936), another jockey flick for Frankie.

Frankie had a substantial role in THE GREAT ADVENTURES OF WILD BILL HICKOK (Columbia, 1938; 15 chapters). The star was Gordon Elliott (before he became "Wild Bill" Elliott). Frankie was billed fourth, after Elliott, Monte Blue, and leading lady Carol Wayne. And he dies in Chapter 10 when he falls off a cliff during a struggle with one of the raider gang.

Next was Monogram Pictures and ten films were released in 1938 - 1941. Great comedic foil Mantan Moreland was his sidekick in eight. The other Monograms - without Moreland - were boxing yarn TOUGH KID (Monogram, 1938) and BOYS REFORMATORY (Monogram, 1939), a tale about a corrupt reform school.

In 1940, he was at Disney doing the voice of "Lampwick" in the animated PINOCCHIO (Walt Disney/RKO, 1940). (Several other western film performers did voices in that - Dick (Dickie) Jones was "Pinocchio" and Cliff "Ukulele Ike" Edwards voiced "Jiminy Cricket".) Darro and Dickie Jones were also in the one-hour radio version of "Pinochio" which was broadcast December 25, 1939 on the Lux Radio Theater on CBS.

He was doing well financially, and in the 1940 census, he reported his 1939 income as $5,000.00+. That was big money - according to the Census Bureau, the median income for a man in 1940 was $956.00.

World War II intervened and his service in the Navy began April 6, 1942. He was twenty-four years old.

Among his last films prior to Navy duty was a tough teen in the forgettable TUXEDO JUNCTION (Republic, 1941) with the Weaver Brothers and Elviry. And he was a good guy chemist helping Billy Halop and the Dead End Kids and Little Tough Guys in JUNIOR G-MEN OF THE AIR (Universal, 1942; 12 chapters).

Frankie's time as a leading man and star was now over.


In between his Mascot serials, he starred in director William Wellman's WILD BOYS OF THE ROAD (First National, 1933), and female leads were Dorothy Coonan and Rochelle Hudson.

Above from the WILD BOYS pressbook, and L-R in the front row are Edwin Phillips, Rochelle Hudson, Dorothy Coonan, and Darro.

Coonan married director Wellman in 1934, and they were together through his passing in 1975.

(From Old Corral collection)

In 1935 - 1937, independent producer Maurice Conn churned out mountie and western adventures starring Ken Maynard's brother Kermit Maynard. During that same period, Conn also had a ten film series starring Darro. Assisting him in the initial entries was Le Roy Mason (billed as Roy Mason). Mason had worked with Frankie about ten years earlier in Tom Tyler's F. B. O. series. In later yarns, Kane Richmond was his adult helper. Above is the pressbook cover for MEN OF ACTION (Conn, 1935), the first of Conn's series with Darro. Bottom right photo is Le Roy Mason.
Frankie Darro (as "Jerry" / "Little Brave Heart") with Gordon Elliott and Chief Thunder Cloud in THE GREAT ADVENTURES OF WILD BILL HICKOK (Columbia, 1938; 15 chapters).

In chapter 10, Frankie dies when he falls off a cliff during a scuffle with raider "Stone" (played by Eddy Waller, sidekick to Rocky Lane at Republic Pictures).

(From Old Corral collection)

(Courtesy of Pat LaRosa)

L-R are Robert Homans, Mantan Moreland, Darro, Jackie Moran and Marcia Mae Jones in a lobby card from the Darro starrer THE GANGS ALL HERE (Monogram, 1941). Notice the height of Darro and Moreland compared to the others. A reminder that his World War II draft registration lists him at 5 feet, 3 and 1/2 inches tall and 116 pounds.

A few years later, Darro and Jackie Moran worked in Monogram's post World War II "Teen Agers" musicals. The star was tenor Freddie Stewart, who had been a singer with the Clyde McCoy and Tommy Dorsey orchestras.

He served for about three and a half years as a Navy Corpsman / pharmacist in the Pacific Theater, and was discharged September 23, 1945, a few months shy of his twenty-eighth birthday.

Hollywood didn't celebrate his return with a plethora of casting calls. Couple of reasons for the chilly reception. The main issue was his size. He just wasn't big enough and tall enough to play heroes, brains heavies, and main character parts. Secondly, he developed a taste for alcohol. Thus began a downward spiral in career and life.

He re-connected with Monogram for their "Teen Agers" musicals. Big band singer Freddie Stewart was the lead, and co-stars included June Preisser and Noel Neill. Eight films were released in 1946 - 1948. Frankie appeared in a half dozen, often playing the nemesis / antagonist to Stewart.

In the late 1940s, he did a few of Monogram's Bowery Boys comedies. He had an unbilled villain role as "Creeper" in the lacklustre serial CHICK CARTER, DETECTIVE (Columbia, 1946; 15 chapters), and is killed in the last episode. He re-united with Gene Autry in SONS OF NEW MEXICO (Columbia, 1949), and played a no-good in cahoots with gambler Robert Armstrong.

His workload got lighter in the 1950s and later. There were a few movies along with television appearances on JUDGE ROY BEAN, HAVE GUN - WILL TRAVEL, PETER GUNN, BAT MASTERSON, PERRY MASON, WILD BILL HICKOK, more. He had a credited part in the grade Z oater THE LAWLESS RIDER (Royal West/UA, 1954) which starred Johnny Carpenter. And I had a vague recollection of a Red Skelton TV program with Red as a dentist and Frankie as his unlucky patient. Checking the IMDb, Frankie was that patient in a skit on Red's April 16, 1963 show. He did skits in more Skelton shows.

Yet when Hollywood needed a rider for a horse racing film, they remembered him. And he did "jockey duty" in:
   THAT'S MY MAN (Republic, 1947) with Don Ameche.
   HEART OF VIRGINIA (Republic, 1948) with Robert Lowery.
   Director Frank Capra's RIDING HIGH (Paramount, 1950) with Bing Crosby.
   PRIDE OF MARYLAND (Republic, 1951) with Stanley Clements and Peggy Stewart.
   RACING BLOOD (20th C Fox, 1954) with Bill Williams.

And his size got him more work. Remember "Robby the Robot" in the sci-fi FORBIDDEN PLANET (MGM, 1956)? They needed a small person to fit inside the heavy and warm Robby costume and apparatus. Darro - alternating with Frankie Carpenter - got the job. But there are rumors that he was fired from PLANET due to his drinking problem. Researcher and author John Gloske was pals with Darro and authored his biography. And John also provided a Darro life and career overview at the bottom of this webpage. I asked John about Frankie getting fired and he replied:

"Frankie was fired, it's open for discussion whether it was due to drink or the heat inside the robot. I'm almost certain it was due to drink."

Circa 1950, he became owner of a saloon and eatery on Santa Monica Boulevard in Los Angeles, and named it the "Try Later". August 16, 1951 Los Angeles Daily News had a Darro interview with details on his new business venture:

"His cocktail lounge is dubbed 'Try Later' and caters to 'the kids from pictures'. Darro explains the 'Try Later' as follows: You know, when you call Central Casting, they tell you only two things on the phone, 'No work' or 'Try Later'."

"This is my first venture into this business. I've always wanted to have a bar. I've spent so much money on the other side of bars that I thought I'd get behind one and get even."

"Associated with him in the enterprise is Lee Carroll, an ex-Hollywood agent."

He was married two or three times. Wife number one was Aloha Wright and they married in 1939. She appeared in a few films using the screen name "Aloha Wray". In 1943, he tied the knot with Betty Marie Morrow. In the 1950 census, the occupations of bar owner Frankie and Betty were "Bar tender" and "Cocktail waitress". His only child, daughter Darlene A. Darro, was born to he and Betty on January 25, 1946 in Los Angeles. Betty filed for divorce due to his drinking and money problems, and in August, 1951, she was granted a divorce and custody of Darlene. Dorothy Carroll may be wife number three - or they had a common law relationship - and they were together through his passing.

Frankie Darro died from a heart attack on Christmas Day, 1976 during a visit with daughter Darlene. He was 59 years old.

The California Death Index and the Social Security Death Index (SSDI) have records - he was born December 22, 1917 in Illinois and passed away in Orange County, California on December 25, 1976. No luck finding a death or funeral announcement in trade publications or newspapers.

He was spunky, athletic, a good rider, chock full of energy and enthusiam, and a pretty good actor. His peak Hollywood years were 1924 - 1941, and his total movie and TV career spanned 50+ years, 1924 - 1975.

Looking back at his career, his best are the six Mascot serials, WILD BOYS OF THE ROAD, and voicing "Lampwick" in Disney's PINOCCHIO.

My personal favorites are the Mascots. And did I mention that Frankie did jockey roles?

Frankie Darro Movie Stats
Below is a chart of Frankie Darro's 50 year movie career from 1924 - mid 1970s in westerns, serials, shorts, and other films. His TV work is NOT included. I've used the RELEASE dates (not filming dates) from the Internet Movie Database (IMDb). Total films in this chart = 159.
1928 - 1932 were the years of his parents messy, well publicized divorce and his guardianship / custody. And no films in 1930.
1931 - 1935 includes his six Mascot serials (and other films) and is highlighted in RED.
6
12
15
10
7
6
0
7
4
7
5
8
6
8
5
2
5
4
19
18
5
1924 1925 1926 1927 1928 1929 1930 1931 1932 1933 1934 1935 1936 1937 1938 1939 1940 1941 1942
to
1949
1950
to
1959
1960
to
1975


(Courtesy of John Gloske)
John Gloske and Darro in Frankie's room at
the St. Francis Hotel in Hollywood circa 1972.

John Gloske was friends with Darro during the last 4-5 years of Frankie's life and authored TOUGH KID: THE LIFE AND FILMS OF FRANKIE DARRO. John's book is at: http://frankiedarrobook.com/1.html

And his website includes some Darro photos, posters and lobby cards: http://frankiedarrobook.com/2.html.

I asked John if he could confirm some information and provide more details on Frankie's later years.

John writes:

"Frankie Darro, whose real name was Frank Johnson, Jr., was born December 22, 1917 in Chicago, Illinois. Frankie was literally born into show business as his parents were aerialists with the popular Sells-Floto Circus. Frankie's father got his young son his first role in movies when Frankie was just six years old. The film was JUDGEMENT OF THE STORM released in 1924.

Chiefly remembered today for his numerous jockey roles, Frankie appeared throughout his career in westerns. Between 1925 and 1929 Frankie co-starred in westerns for F. B. O. His co-star in the series was B-Western stalwart Tom Tyler. Frankie also appeared in western themed serials such as LIGHTNING WARRIOR (1931) and DEVIL HORSE (1932) starring Harry Carey. Frankie loved making westerns, especially as a child, because they were filmed outside and many on location. His love for horses is clearly evident in many of his early films. As a young adult, Frankie appeared in two western serials, the classic THE PHANTOM EMPIRE (1935) co-starring Gene Autry and THE GREAT ADVENTURES OF WILD BILL HICKOK (1938).

After returning from duty in the Navy during World War II, Frankie found it more and more difficult to find substantial roles in movies. With less and less work on the horizon, he turned more and more to drinking to pass the time of unemployment. The roles became smaller, mostly jockey roles, but a fair amount of roles in westerns too. Frankie appeared in WYOMING MAIL and SONS OF NEW MEXICO both released in 1950. The following year he had smaller roles in ACROSS THE WIDE MISSOURI and WESTWARD THE WOMEN. With the advent of television, Frankie had substantial roles on such popular shows as JUDGE ROY BEAN and BAT MASTERSON.

By the 1970's Frankie was destitute and living in a run down hotel on Hollywood Blvd. I met and befriended Frankie in June of 1972. His days of stardom had long since passed as he had been virtually forgotten by Hollywood. Even during this difficult period, Frankie remained optimistic and grateful for the career he once had. He loved telling stories about his days of stardom, but he was always careful never to say an unkind word about anyone.

Frankie was married at least twice. First to bit actress Aloha Wray in 1939. They divorced in 1941. In 1943 he married Betty Morrow, and that marriage lasted until 1951 and produced Frankie's only child, Darlene. Shortly after his divorce he moved in with Dorothy Carroll. Frankie would introduce her as his wife, however Frankie's daughter did extensive research and was never able to prove they actually married. Dorothy stayed with Frankie until he passed away.

Frankie had fond memories of working with Gene Autry in THE PHANTOM EMPIRE. As it was Autry's second film and his first starring role, Autry was apprehensive about the assignment. Frankie was the veteran of the leading players and coached Autry on the fine points of film acting. Autry was very grateful for the help. Autry hired Frankie for THE SONS OF NEW MEXICO in 1950. By this time Frankie was drinking heavily and it was not a pleasant experience, but Frankie turns in a fine performance in the finished film.

Frankie and Mantan Moreland were very close. Moreland suggested the name for Frankie's daughter. Frankie respected Mantan's talent and understood how important he was to the success of the films they did together. I had the pleasure of meeting Mantan a few times, and he spoke just as highly about Frankie. Frankie was an honorary pallbearer at Mantan's funeral in 1973.

Frankie died of a heart attack on December 25, 1976.

With easy access to many of his western and non-western movies on DVD, Frankie can still entertain us with his boundless energy and suburb acting skills. Search out his films, they are worth rediscovering."

John Gloske
July, 2009


As to Frankie being fired from FORBIDDEN PLANET (MGM, 1956): "Frankie was fired, it's open for discussion whether it was due to drink or the heat inside the robot. I'm almost certain it was due to drink."

John Gloske
June, 2025



(Courtesy of John Gloske)

Above - Frankie looking mean and ornery in his cowboy uniform. Still ID code in the bottom right corner appears to be 1638. If so, this photo would be from WYOMING MAIL (UI, 1950), and Frankie had a credited role as one of the gang of train robbers.


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