Tour: the Ottoman Bucharest & the Wallachian style

I would like to invite you to a walking tour exploring the Wallachian architectural style, unique to Romania and also known as the Brâncovenesc or Brâncovan style. This enthralling artistic current fused the Byzantine traditions of the Principality of Wallachia (today southern Romania) with the artistic vocabulary of the Ottoman world, while also assimilating Renaissance and Baroque forms transmitted through the cosmopolitan culture of the Ottoman court. It stands as one of the most remarkable architectural syntheses of Southeast Europe, expressing Wallachia’s position at the crossroads of the Byzantine, Islamic and Western European civilisations. Indeed, it represents the last great Christian–Islamic synthesis in European architecture, and perhaps also the least studied and least understood, following earlier artistic encounters in Moorish and Reconquista Spain and Portugal, Arab-Norman Sicily, the Arab and Persian Caucasus, and the Ottoman world.

The style emerged in the Principality of Wallachia during the second half of the seventeenth century, reached its artistic zenith under Prince Constantin Brâncoveanu (1688–1714), and continued to flourish throughout

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The early Wallachian style of Balteni church (1626)

This is a brief examination of the emergence of the Wallachian architectural style in the example of Balteni church, 20km north of Bucharest. The nave dates from the early 17th c, and is of a transitional architecture between the old Bulgarian style (the north Balkans Byzantine style) and the indigenous Wallachian one, which emerges properly in the mid-17th c. Here we can also see what I consider elements of Moldavian style (a Byzantine architecture imbued by the Gothic) influence. All of these give tantalising clues about the roots of the architecture native to the principality of Wallachia, the Wallachian style, aka Brancovenesc.

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I endeavour through this series of periodic articles to inspire appreciation of the historic houses of Romania, a virtually undiscovered, but fascinating chapter of European architectural history and heritage.

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If you plan acquiring or selling a historic property in Romania or start a renovation project, I would be delighted to advice you in sourcing and transacting the property, specialist research, etc. To discuss your particular plan please see my contact details in the Contact page of this weblog.

The historic peasant cemetery of Cotorca, Buzau county

In the middle of the Baragan Prairie, of southeast Romania, there is a historic peasant cemetery conserving Wallachian style stone crosses from the 19th c to the early 20th c. The place is an extraordinary time capsule and a testimony of a long gone way of life, traditions and culture of the rural communities in the plains at the foot of the Great Bend of the Carpathian Mountains.

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My aim, through this series of blog articles, is to inspire appreciation of the historic houses of Romania and Southeast Europe, a virtually undiscovered, but fascinating chapter of world’s architectural history and heritage.

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If you have a historic house project in Romania or other country in Southeast Europe, I would be delighted to advise you in aspects pertaining to its architectural history and ways to preserve as much as possible from its period fabric and aesthetics in the course of restoration or renovation works, or to counsel you with specialist consultancy work related to that project. To discuss your particular plan please see my contact details in the Contact page of this website.

Vernacular architecture in Southeastern Romania (Baragan Prairie)

The architecture of the peasant houses from the Baragan Prairie of southeast Romania, got contoured starting with the first decades of the 18th c, representing a sui generis synthesis between the type of houses from the Transylvanian Alps and the Great Bend of the Carpathians, encountered among the local Romanian and Hungarian (Szekler) communities, and from what is now central Bulgaria, in regions such as Plovdiv, which in that period were representing the core of the Ottoman culture and power in the northern Balkans. In this video I am charting that process of architectural coalescence between the vernacular architectures to the north and the south of the Baragan Prairie, which we can still admire and examine today in the villages of southeast Romania.

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My aim, through this series of blog articles, is to inspire appreciation of the historic houses of Romania and Southeast Europe, a virtually undiscovered, but fascinating chapter of world’s architectural history and heritage.

***********************************************

If you have a historic house project in Romania or other country in Southeast Europe, I would be delighted to advise you in aspects pertaining to its architectural history and ways to preserve as much as possible from its period fabric and aesthetics in the course of restoration or renovation works, or to counsel you with specialist consultancy work related to that project. To discuss your particular plan please see my contact details in the Contact page of this website.

The Tulip Period and the Wallachian Style

The Wallachian style in art and architecture, which is usually known as Brancovenesc (an incorrect term, in my opinion), was developed in the geopolitical and cultural context of the Ottoman Empire at the end of the 17th century, culminating with the first decades of the 18th century, a period in the cultural history of the Ottoman Empire, called the Tulip Period. It is an era of Europeanisation of the Istanbul’s empire’s elite, and experimentation with new artistic models, and their synthesis in what will become the Ottoman Baroque and Rococo. The Wallachian style is a repercussion of those major trends in the special cultural conditions of Wallachia, with its Byzantine heritage, and its political autonomy as an Ottoman vassal, at the frontier of the sultan’s realm. In this video I articulate the broader phenomenon of the Tulip Period, to its narrower and more peculiar manifestation as the Wallachian Style, highlighting its wide international and complex cultural context of those times. Only through such a broad perspective we can understand the meanings and manifestations of the architectural style of Wallachia, that principality’s most important contribution to the world culture.

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My aim, through this series of blog articles, is to inspire appreciation of the historic houses of Romania and Southeast Europe, a virtually undiscovered, but fascinating chapter of world’s architectural history and heritage.

***********************************************

If you have a historic house project in Romania or other country in Southeast Europe, I would be delighted to advise you in aspects pertaining to its architectural history and ways to preserve as much as possible from its period fabric and aesthetics in the course of restoration or renovation works, or to counsel you with specialist consultancy work related to that project. To discuss your particular plan please see my contact details in the Contact page of this website.

The comfort of the peasant houses in Wallachia

There is a stark difference between the comfort of the peasant houses in Wallachia, southern Romania, in the 19th c and the early 20th c, according to their level of wealth, which was tied to their social status as serfs, indentured or free, land owning peasants. That division was reflected in the location of these social sub-classes: the lowlands, the large arable, grain crop regions was the place of the serf and indentured villages, while the highlands, the Subcarpathian hills, was the area of traditionally free peasant communities. This video discusses the marked difference in the comfort of the houses inhabited by those peasant communities of Wallachia, before the breaking up of the large landowning estates, and modernisation of the country.

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My aim, through this series of blog articles, is to inspire appreciation of the historic houses of Romania and Southeast Europe, a virtually undiscovered, but fascinating chapter of world’s architectural history and heritage.

***********************************************

If you have a historic house project in Romania or other country in Southeast Europe, I would be delighted to advise you in aspects pertaining to its architectural history and ways to preserve as much as possible from its period fabric and aesthetics in the course of restoration or renovation works, or to counsel you with specialist consultancy work related to that project. To discuss your particular plan please see my contact details in the Contact page of this website.

Ottoman world influences on the Wallachian style

A brief review of the artistic and architectural influences from throughout the Ottoman Empire into the making of the Wallachian style, the highly original Christian architecture with Islamic overtones of the Principality of Wallachia, the nowadays southern Romania, between the late 17th c and the early 19th c.

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My aim, through this series of blog articles, is to inspire appreciation of the historic houses of Romania and Southeast Europe, a virtually undiscovered, but fascinating chapter of world’s architectural history and heritage.

***********************************************

If you have a historic house project in Romania or other country in Southeast Europe, I would be delighted to advise you in aspects pertaining to its architectural history and ways to preserve as much as possible from its period fabric and aesthetics in the course of restoration or renovation works, or to counsel you with specialist consultancy work related to that project. To discuss your particular plan please see my contact details in the Contact page of this website.

Buzau old high street

A presentation of the old commercial street of the town of Buzay in southeast Romania. Its origins date back from the Ottoman times, and it is still retaining an Oriental character. The architecture is still on large portions in Little Paris style, the ornate facades and wrought iron balcony, in provincial fashions typical of the prosperous years of the La Belle Epoque period.

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My aim, through this series of blog articles, is to inspire appreciation of the historic houses of Romania and Southeast Europe, a virtually undiscovered, but fascinating chapter of world’s architectural history and heritage.

***********************************************

If you have a historic house project in Romania or other country in Southeast Europe, I would be delighted to advise you in aspects pertaining to its architectural history and ways to preserve as much as possible from its period fabric and aesthetics in the course of restoration or renovation works, or to counsel you with specialist consultancy work related to that project. To discuss your particular plan please see my contact details in the Contact page of this website.

Buzau Commune Palace

Buzau Commune Palace (Palatul Comunal, in Romanian) is a beautiful major piece of public architecture in the early Neo-Romanian style. Its designer is arch. Alexandru Savulescu, and was built between 1899-1903. It exhibits particular characteristics, such as a round/ multifaceted tower, enfilade galleries on the ground level and Art Nouveau overtones. It is one of the amplest edifices in the entire country in the early phase of Romania’s national style.

***********************************************

My aim, through this series of blog articles, is to inspire appreciation of the historic houses of Romania and Southeast Europe, a virtually undiscovered, but fascinating chapter of world’s architectural history and heritage.

***********************************************

If you have a historic house project in Romania or other country in Southeast Europe, I would be delighted to advise you in aspects pertaining to its architectural history and ways to preserve as much as possible from its period fabric and aesthetics in the course of restoration or renovation works, or to counsel you with specialist consultancy work related to that project. To discuss your particular plan please see my contact details in the Contact page of this website.

Wood burning stoves of the Ottoman era

The domestic heating devices of the Ottoman era Wallachia and Moldavia were the wood burning stoves made from cob, sun dried brick, and/ or burned earth brick, a sort of transition fireplace from the open hearth one typical of the more meridional territories of the Ottoman Empire and the brick and majolica stoves of Central Europe. This video explains their typology, and also elements of symbolism associated with their decoration and design.

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My aim, through this series of blog articles, is to inspire appreciation of the historic houses of Romania and Southeast Europe, a virtually undiscovered, but fascinating chapter of world architectural history and heritage.

***********************************************

If you have a historic house project in Romania or other country in Southeast Europe, I would be delighted to advise you in aspects pertaining to its architectural history and ways to preserve as much as possible from its period fabric and aesthetics in the course of restoration or renovation works, or to counsel you with specialist consultancy work related to that project. To discuss your particular plan please see my contact details in the Contact page of this website.