The film arguably feels like outright theft from the lives of people close to Almodóvar.
Watching it today, Kopple’s Oscar-winning documentary plays less like history than prophecy.
Altman’s idiosyncratic, cult-favorite musical comedy gets a beautiful transfer for its 4K debut.
The film is mostly remembered for the hysterical controversies it caused.
It’s only the third tale that transcends the film’s pleasant aura of video-cult-hit mediocrity.
We need to talk about Carol, whose illness the film leaves unresolved.
We weren’t sure if Madonna could surprise us anymore. Until she did.
Desperate Living is Waters’s most furious political statement.
The Delta feels almost surreal in its lack of sexual generalization.
De Palma’s acidic satire of mass commodification from 1970 is his first triumph.
This year’s best picture race is a legitimate death match between two equally appealing options.
With Playtime, Tati made one of the most fully inhabitable films ever.
The battles are just heating up.
The recycled extras may leave fans of the film feeling as if they’re stuck in detention.
Barry Lyndon gets a new, suitably jaw-dropping 4K digital restoration.
At least in the hearts of its underserved audience, the film flourishes to this day.
Few American films touch the rarified air that Killer of Sheep breathes.
If it’s been hard out there for a pimp in recent decades, that wasn’t always the case.
Criterion’s release of the film is a fitting tribute to a titanic career.
Clouzot’s brutally tense thriller looks better than ever on Criterion’s release.
