The film lends childlike sincerity to themes that are adult in more ways than one.
It pairs the nail-biting tension of a sports drama with the epic sweep of a nature documentary.
Stan discusses how he filtered his character through his personal immigration journey.
It offers what the historical record alone cannot: a perspective beyond what the speakers say.
Loktev discusses how she found a structure in the events she captured across filming.
The film probes the gray area between the fabulations about Holmes and those by her.
Bassam Tariq’s sophomore feature is more than a triumph of representation alone.
The film would make for a perfect double bill with David Cronenberg’s The Shrouds.
John Malkovich savors the dialogue like fine wine, but the film’s pessimism feels unearned.
The trial in Fjord is far more interesting for what it reveals than how it resolves.
The film draws parallels between the English peasants’ revolt of 1381 and present-day globalism.
The film is a trenchant look at simmering divisions in South Korean society along various lines.
Na discusses experimenting with genre and the elements of religion in his new film.
It’s no exaggeration to say that Exile has the charge of an espionage thriller.
The filmmakers discuss why the story of the chronovisor device remains largely unknown.
Blair and his actors discuss the evolution of the film’s tone and its sneaky resonance.
Across his debut feature, Manuel stacks one simulacrum on top of another.
Ullom discusses the film’s reshoots and the comparisons to Backrooms and Obsession.
Meeks discusses his extensive research and working the non-professional actors in recovery.
Gluck discusses people’s squeamishness around on-screen sex and more.
