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the first in a series of guest posts by Rascal Hartley.

editor’s note: Duck Prints Press is highly anti-gen-AI in all usages, but we recognize it’s very easy to say “don’t do that” and very hard, for people who have gotten used to using a tool, to actually stop. That is the spirit behind this series of posts: not simply “don’t do that,” but a concrete guide for people who have gotten into the habit of using generative AI to do their heavy lifting and want to stop but aren’t sure how to do so. We encourage people who have not ever used generative AI to continue to not do so, but also, we want to arm people who have used this tool and no longer want to with the tools and supports they need to stop. We recognize that “just stop” is rarely helpful advice for people habituated to a poor practice, and that is the why we are making these posts. You, person using genAI who doesn’t want to but isn’t sure how to break away: you can quit. And these posts can help.

Hi! I’m glad you’re here.

I want to start off by removing some of the overwhelm of approaching writing on your own. Writing can feel like a huge beast to tackle, but it isn’t. I promise it isn’t. It can be broken down into steps, and, if we’re being honest, sometimes you can skip some of them. It all boils down to what is needed to tell the story you want to tell.

That is not to say that this will be easy, but it is possible.

Let me assure you, firstly, that perfect grammar and spelling are not required. Editors exist for a reason, and the reason is that the burden does not fall to you. All you have to do is write. We will cover basic editing in a later blog, but for this one, I really just want to hammer home one point:

It should not be perfect.

Writing feels overwhelming because there is so much to do, and “all of it needs to be done to a certain standard” only makes it harder. But it doesn’t need to be. To repurpose a line from one of my favorite fanfics (that link will take you to Bilbo/Thorin smut, just fyi), “There is no room for perfection in a good story.”

AI makes (mostly) technically correct works. It makes them “good enough,” and it makes them fast. The result is there soon after you have the idea. That’s pretty hard to beat. Every writer I know has expressed the wish to just take an idea from their head and transpose it instantly onto paper, which makes the anti-AI stances seem kinda hypocritical, right?

Except I don’t want someone else’s words on that paper. If I did, I’d hire a ghost writer. I want my own words there. And if you’re here, I think you do, too. If you’re here, you have a story worth telling, and you want to tell it yourself. And that is scary. Stepping away from the easy way to do things the way they should be done is really, really scary.

But that’s okay.

We’ll do it scared.

Over this blog series, I’m aiming to guide you in going from idea to finished draft. But bear in mind that, though you’re not using AI to do it, you’re not doing it alone. There is a wonderful community of writers out there who will cheer you on and offer help. Rope in your friends, your pets, and your rubber ducky (seriously, THE best writing companion you could have) and remind yourself that you CAN write a story.

After all, we’re humans. We invented stories.


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I haven't done one of these in ages, but I like the cut of these questions' jib

1. How often do you attend live theater performances?
Much less often than I'd like to. When I was young, I went to the theater multiple times a week, and I managed to sustain at least once a month through grad school, but as an adult, I'm so busy and theater has gotten so expensive, and now that I have young kids... siiiiigh. That said, we're seeing a performance tonight! Does burlesque count as a "live theater performance"? I'm going with yes.

2. Local community theater or professional theater productions?
Both. I love both.

3. Which do you prefer: dramas or musicals?
I usually prefer dramas, tho a musical with good dancing is a+++++.

4. Have you ever participated in a theatrical production, whether acting, singing or tech?
in fact, I have done all of the above (acting, singing, and tech). I was in an acting group as a kid, and I did tech for a kids summer acting camp a couple times. I love doing tech, especially costumes, props, and lighting. I enjoy acting but I'm very bad at memorizing lines, so it's not a good fit for me. Singing is better, I have a decent voice and I'm good at learning lyrics. But if I was going to do theater again, it'd be as tech.

5. What was the last play or other staged production you attended?
crap, I'm not sure. it's been a bit.
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a guest post by Max Jason Peterson

Happy Halloween! One of my favorite things to do every autumn is create art, fiction, and poetry with spooky, autumnal vibes and Halloween/horror themes. So I’ve written some prompts that I hope will inspire you to create things in your chosen genre! While I typically make prompts with poetry and prose in mind, I hope these are adaptable enough to jumpstart art or other projects you might enjoy making.

When I’m hosting live writing sessions, I typically set a ten-minute timer for each prompt. In those sessions, we are just hoping to get our creative juices flowing; participants who wish to do so may share rough drafts between prompts, and it’s always so inspiring to see what everyone comes up with. The aim with these is to turn off the editing/critical side of our brains and simply spark the joy of making. The short creation time does seem to help with that, so if you’d like to try it, read the prompt through, then set the timer and launch your new work! (Note that artists and other makers may find a longer creation time helpful. Please choose what works for you.)

If you’d like to try this live with other participants, I’m hosting a free, online Micro Horror inspiration session for Hampton Public Library on October 28, 2026, and other autumn and spring sessions. This event is zoom-based, and just need online registration for each session. Register here!

Halloween prompts

  1. Early Halloween. Since the roots of childhood fears often continue to haunt us, think back to your childhood or young-adult experiences of Halloween, autumn, the dark, nightmares, or being scared. What frightened you? Do you remember your first nightmare, spooky Halloween moment, or something that kept you awake at night? Put yourself back in that mindset and create something that explores this terror. Consider magnifying those feelings so that they consume the narrator or main character.
  2. Haunted house. Think about the creepiest house or building you’ve ever been in, seen, or imagined; or, alternately, one you’ve heard about and wish you could experience. What would it be like to live there? You could be a new or original tenant, a pet, a ghost, the woodwork, the trees, a wall mirror, etc.
  3. Halloween classics. Go wild exploring the point of view of things associated with Halloween, including any of your favorite costumes, decorations, Halloween themes or imagery, or general spooky subjects. (I often return to black cats—I love them and always live with at least one. Ghosts are also a personal favorite.)
  4. Be the monster. What if you woke up and discovered that you were the monster of the piece? What terrifies or delights you about this situation? What do you do? Alternately, imagine meeting an allegedly dangerous monster and finding ways to understand them enough to create friendship, share kindness, or convince them not to harm someone or something dear to you.

Edgar Allan Poe prompts

In the spirit of the season, I often turn to one of the writers I admire, Edgar Allan Poe. Feel free to substitute another spooky writer or artist whose work is also in the public domain.

  1. New take on a Poe classic. Choose a background detail (animate or inanimate) or minor character (human or not) in Poe’s work. Focus and expand on that detail. You might provide their point of view, creating a new take on a classic, or write a letter to one of the beings or characters in the story. Feel free to create a work whose shape reminds us of any of Poe’s themes or characters, such as a shape poem that looks like a cat, eye, tomb, raven, etc., or an acrostic poem in which the first letter of each line spells something related to Poe.
  2. In the style of Poe. Create a scary work in the style of Poe, or one that captures the “feel” of Poe’s macabre tales, but which is entirely your own. Feel free to craft something in which the inhabitants of the work reference Poe in a way that adds depth to the picture (including art in which a raven or black cat turns up in an unexpected or sepulchral place).
  3. A portrait of Poe. Craft a portrait of Poe in words or art. This might be a poem about any aspect of his life or legend, a letter to Poe or a micro-fiction from his point of view (or anyone in his life), a solution to a mystery about Poe, or an alternate universe that offers Poe a different life than the one he led. It could be an homage, showing what you like best about his work; or it could be a “letter to Poe,” sharing what you’d say to him if you met.

Under alternate byline Adele Gardner, Max has many Halloween poems published, including a poetry collection, Halloween Hearts, with themes of Halloween, horror, Edgar Allan Poe, and Ray Bradbury (the publisher, Jackanapes Press, often has seasonal discounts). Max also curated the 2019 Halloween Poetry Reading for the Science Fiction & Fantasy Poetry Association.

Max’s Writers Café: Micro Poetry & Prose, Fall 2026, from Oct. 28-Nov. 25, Noon-1 PM Eastern. All Wednesdays except for November 10. Join us via Zoom (free, ages 18+) to make & take tiny poems and flash fiction. October 28: Micro Horror. November 4, 10, 18, 25: General. Register for each session separately. Registration link!


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1. What are you currently reading?

  • Soul Vibration vol. 1 by Dr. Solo: I knew basically nothing about this going on, and it's decent so far. I usually struggle with things this slow-paced but there's something compelling on it, and I can't even put my finger on what, because it's also very slow burn, which is usually off-putting to me. I think it helps that the mc is appealingly optimistic. This is a modern danmei, about a rock star and his fan-turned-fellow-musician-turned-personal-assistant. The book also claims they are both straight and calls it straight x straight romance. I think perhaps I have a different definition of straight than anyone else involved; it's looking more like a case of "heterosexual except for that vein of demisexual same-sex attraction"
  • Fugitive Telemetry (Murderbot 6) by Martha Wells: it's a crime that I have to do things other than listen to more murderbot, tho coming off 5, which was very deep, long, and compelling, this so far feels... less. Idk about plot-order reasons, but I think "suffering by comparison with the more in-depth one" is definitely a reason to change the read order. Oh well.
  • 天官赐福 revised vol. 1 by 墨香铜臭: crossed 40% through volume 1! Which means I've covered the equivalent plot of all of the official English vol. 1, plus a little.
  • Chicago Manual of Style 18th Ed.: I'm back at reading this, finally, after a six-month hiatus. As of last night, I've finished all the pre-matter and am actually in the parts that are about grammar (instead of being about the publishing industry).

2. What have you recently finished reading?

  • Tailhook by La Rive Gauche: all in all, I liked this modern danmei BL. It wasn't great, but it also wasn't bad. I'm curious about The Approach, from the same author and set in the same 'verse.
  • The Mystery of the Bitten Peach by Cecilia Tan: aside from a little wonky pacing related to how the mc learns about her powers, I really liked this novella. It was a very quick read, and had a lot of interesting things to say about diaspora and queer Chinese history.
  • Network Effect (Murderbot 5) by Martha Wells: well, that was excellent.
  • Caramel by Puku Okuyama: modern BL with a big age difference (28 year old with an 18 year old)... it was... fine. The older one was a controlling jerk, idk, I think I'd have told the 18 year old to run away from the red flags 
  • Honey Smile by Yura Miyazawa: unmemorable volume containing two modern BL stories with overlapping characters; I really liked the first one but was much more meh on the titular one.
  • Daemons of the Shadow Realm vol. 3 and 4 by Hiromu Arakawa
  • A Nightingale Awaits the Blooming Love of Spring by Nayuta Nago: a simple teacher/student modern BL that I rather enjoyed.
  • Bedtime Fairy Tales vol. 1 by Yu Ci: the last of the danmei manhua released by Rosmei, this is off to an interesting start as a gothic fantasy about a demon hunter, the demon he's cursed to carry, and the guy who is in love with the demon he's cursed to carry (at least I think that's what he feels) who is also now the demon hunter's partner.
  • My Isekai Life vol. 17 by Ponjea and Shinkoshoto
  • Kagurabachi vol. 8 by Takeru Hokazono
  • That Time I Got Reincarnated as a Slime vol. 26 by Fuse

3. What are you planning to read next?

Returning all my library books and not getting new ones, plus clearing the decks of most of my Libby loans, has freed me up to be more of a mood reader for manga, which I think is better for my brain. That makes it harder to say what I'll read next, as a lot be "whatever queer manga is in my Libby TBR, is available immediately from one of my libraries, and catches my eye," but with that in mind...

Novels: Soul Vibration is three volumes so that'll keep me occupied for a bit.

Physical graphic novels: if the mood strikes me, I've been planning to reread Mysterious Lewellyn's Candlelit Dinner (now that I have all six volumes), Moriarty the Patriot (my mom got into and bought all the volumes, including volume 20, which I didn't even know existed, as far as I knew 19 was the end, so I haven't read 20 yet but I want to reread first), and From Far Away (one of my all-time favorite shoujo series, and I've been watching the new anime of it coming out; I own all 14 volumes). All of these are things I own, tho, not from the library, so I have no specific time frame).

Libby loans: nothing is due in under a week, but That Time I Got Reincarnated as a Slime vol. 27 and My Isekai Life vol. 18 are both due in 8 days so presumably both of those.


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Just a quick hi to the people who are coming here as part of the Pillowfort exodus. I'm granting everyone access (I never post anything locked but I figure it's polite, no secrets here) and for people whose names I recognize, I'm also following back. If I didn't follow back but you're like "wait unforth definitely knows me!" just let me know who you were there so I can facepalm and then add you, lol.

I use Dreamwidth virtually identically to Pillowfort, minus reblogging art by other people; I post the Press things here, and I also post WWW Wednesday, end of month stuff, and occasional personal posts such as Friday Five.

Don't be a stranger!
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3D mock-up of a book Monster Smash and red and golden text atop black background. The text reads: Duck Prints Press Presents MONSTER SMASH A Monsterotica Anthology. 12 more deliciously spicy queer stories of monsters and their lovers! The book cover says "Monster Smash: A Monsterotica Anthology," in a pulp style and has artwork of a white man with short brown hair and a full beard, wearing tattered khaki explorer clothes, being held in the embrace of a scaled snake person with a long tail and arms. The snake person's forked tongue teases at the man's beard. Both look very happy to be in this situation.

Here we go! The cover is out. Isn’t it absolutely blushworthy? Let us know what you think! Working with incredible Joshua Beeking was a delight, and the result is hot, thrilling, and better than we dreamed of! The pulp-inspired title treatment that makes the cover pop was created by our talented Aceriee.

If you love the cover, wait ‘til you get a look inside. Monster Smash is a delightfully steamy collection of 12 monsterloving stories to spice up your evenings. It’s a true must-have for all monsterfuckers!

The launch is still a month away, but you can support the project now—and ensure you won’t miss the set off—by clicking the “Notify me on launch” button on its Kickstarter page.

Watch this space for updates and the authors reveal coming very soon! You can follow us on the platform of your choice and/or subscribe to our newsletter to make sure you don’t miss out.



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Atop black background, there's a mockup of a book covered with beige paper. The paper is ripped in a shape of four claw scratches revealing a part of the book cover beneath, which shows a man and a snake-like monster. The red and gold text around the book reads: Monster Smash Cover Reveal Tomorrow.

We’re so excited to share the cover of our upcoming spicy anthology Monster Smash tomorrow that we wanted to show you a tiny teaser of it right now! The artist, Joshua Beeking, did a spectacular job capturing the high-heat and the inherent danger of monsterfucking, it might have made us all blush when we first saw it 🤭

We promise you don’t want to miss the reveal!

Can’t wait ‘til tomorrow? Here’s a little secret: you can find a bigger, exclusive sneak peek at the artwork over at the project’s Kickstarter! And while you’re there, don’t forget to hit the “Notify me on launch” button so that you don’t miss the take o



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a guest post by, unsurprisingly, anonymous!

Why Post Anonymously?

Have you ever wanted to write a fic, but the idea of being perceived felt scary? Have you ever wanted to write something strange, or weird, or too kinky, and didn’t want your usual username associated with it?

Boy, do I have news for you.

There are many reasons why someone may want to not have their name associated with a work they want to post.

There are people who are shy, or scared of being perceived, and having a name attached to it may be daunting. There are people who want to explore a theme, genre, or kink, that doesn’t “match” their online persona, or that they’re not too comfortable or familiar with.

No matter the reason, AO3 does not judge, and is here to help.

Ways on AO3 to separate your name from a work

There are several ways to go about posting without it being attached to your account like a pseud. You can create a separate AO3 account with a different email, orphan a work posted under your name, and post under Anonymous.

There are pros and cons to each option:

  1. Having separate accounts gives you full control, but you are managing a whole new account.
  2. Orphaning a work removes you entirely and it is irreversible. You don’t get emails about comments or kudos, you cannot reply to comments unless you’re okay with your AO3 account being associated with it, you cannot edit or change the title, tags, or content, and your name is removed from the work.
  3. Posting or adding your posted work to an Anonymous Collection (such as this one). The story remains yours, you can edit, delete, reply to comments, and if at any point you decide you want to take ownership back, you can always remove it from the collection.

As you can see, posting on Anon gives you a lot of flexibility. You retain full control over the story, can reply to comments as the author (as Anonymous Creator), and you can always take the story out of the Anonymous Collection at any time.

Just remember that if you’re logged in, your Works won’t appear on your dashboard or Works, but don’t panic they’re still there. You can access them by going to your works, then at the top right corner you’ll see a button called Works in Collections, which will include the ones you have in Anon Collections. Alternatively, you can go to your Stats page, where you will find all works associated with your account, anon or otherwise.

A screen capture from the "works" page of someone's AO3 account, with the name and number of works and number of pages blacked out. The "works in collections" button is selected, and four red arrows point to it.

Don’t be scared if you see the author as Anonymous [Your AO3 name], that’s only visible while you’re logged in. If worried you can always check on an incognito tab.

This feature has given me the freedom to poke, and shake out the weird out-of-pocket thoughts lurking in my head without having to explain myself to my friends or user subscribers. And not everyone will relate, but knowing nobody (except the people subscribed to a multichaptered story) is receiving an email when I post has been very healing.

Of course, even as an anon fic, it has to respect AO3’s guidelines and other AO3 users: it must be tagged appropriately, can’t be a placeholder or idea dump, and cannot include anything else not allowed on AO3.

Posting to an Anonymous Collection

To make a posted work anonymous, you have to go to Edit Work, then to the section about Collections, and add it to an anonymous collection.
A screen capture from Archive of Our Own, showing the Post to Collections/Challenges box. The word "anonymous" has been entered into the box, and a list of suggested anonymous collections follows.

To post directly as Anonymous, first you go to an anonymous collection, and find the button Post to Collection.

A screen capture from the Archive of Our Own collection Anonymous, showing the header area of the Dashboard page for the collection. The "Post to Collection" button is pushed down and has three red arrows pointing to it.

You can create a new anon collection, but while the work won’t appear under your name, the collection will. If that is a concern of yours, choose one of the many anon collections available, making sure it is: Open, Unmoderated, Anonymous, but personally I prefer this collection

Hope this information has been helpful to someone. And whether you choose to post on anon or not, good luck!


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8 book covers, three badges labeled Hello my pronouns are and text atop rainbow gradient. The text reads: 37 Books We Love + a play! for International Pronouns Day. The books are: Withered by A.G.A. Wilmot; A Hundred Vicious Turns by Lee Paige O'Brien; Awakenings by Claudie Arseneault; Love, Lies, and Cryptids by M.L. Nolan; Key Lime Sky by Al Hess; Upright Women Wanted by Sarah Gailey; On a Sunbeam by Tillie Walden; Homebody by Theo Parish.
10 book covers atop rainbow gradient. The books are: All Systems Red by Martha Wells; Translation State by Ann Leckie; Book Boyfriend by Kris Ripper; The Edge of a World by J.D. Rivers; Worst-Case Scenario by Ray Stoeve; Godly Heathens by H.E. Edgmon; Time and Time Again by Chatham Greenfield; Love, Misha by Askel Aden; The Pairing by Casey McQuiston; The (Most Unusual) Haunting of Edgar Lovejoy by Roan Parrish.

10 book covers atop rainbow gradient. The books are: All Systems Red by Martha Wells; Translation State by Ann Leckie; Book Boyfriend by Kris Ripper; The Edge of a World by J.D. Rivers; Worst-Case Scenario by Ray Stoeve; Godly Heathens by H.E. Edgmon; Time and Time Again by Chatham Greenfield; Love, Misha by Askel Aden; The Pairing by Casey McQuiston; The (Most Unusual) Haunting of Edgar Lovejoy by Roan Parrish.
10 book covers atop rainbow gradient. The books are: No. 6 by Atsuko Asano & Hinoki Kino; Gender Queer: A Memoir by Maia Kobabe; The Bruising of Qilwa by Naseem Jamnia; Spell Bound by F.T. Lukens; Boys Weekend by Mattie Lubchansky; Acting the Part by Z.R. Ellor; Wavelength by Cale Plett; Daybreak by Moosopp; Soulstar by C.L. Polk; I Was A Teenage Death God by M.J. Beasi.
10 book covers atop rainbow gradient. The books are: A Psalm for the Wild-Built by Becky Chambers; What Moves the Dead by T. Kingfisher; Can't Take That Away by Steven Salvatore; Phase Shift by Terra P. Waters; Black Sun by Rebecca Roanhorse; Dear Wendy by Ann Zhao; When the Tiger Came Down the Mountain by Nghi Vo; Have You Seen This Girl by Nita Tyndall; Beyond The Binary: Eight Non-Binary Plays from Next Stage Press; Aether Beyond the Binary ed. by Nina Waters.

Wednesday, October 21st is International Pronoun Day, and so we put together a list of books featuring characters who use pronouns other than she/her or he/him – they/them, she/ or he/them, it/its, neopronouns, or anything along those lines – all are included in this list! The contributors to the list are: Lucy K.R., Tryan A Bex, Shadaras, JD Rivers, Rascal Hartley, Shannon, Neo Scarlett, Mikki Madison, Nina Waters, Nova Mason, Terra P. Waters, CarCrash, Linnea Peterson, and 2 anonymous contributors.

Find these and other books on our Goodreads book shelf, Pagebound list or buy them through the Duck Prints Press Bookshop.org affiliate page.

Join our Book Lover’s Discord server to chat books, fandom, and more!



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I have my annual physical this morning, so I'm dubious that I'll have time to post this later, and I'm awake, and had something else to check at my desktop, so might as well get it done now. 

1. What are you currently reading?

  • Tailhook by La Rive Gauche: I'm not sure I'd have launched into this if I'd known it's a spin-off from this author's other title The Approach, which is also being released but by a different publisher. Anyway, regardless, here we are. The pacing is a little weird and I'm left to wonder if it's because some of these events are in the other book, or... if the pacing is just weird. Aside from that, tho, it's decent, and man these two guys have a LOT of sex.
  • Network Effect (Murderbot 5) by Martha Wells: only about 10% in, I don't have tons of audiobook time so it's kinda slow going. So far, so interesting. It's fascinating to see how Wells plays with the pacing and delves into stuff that'd have been skipped in the novella length ones, now that she's got a whole novel to play with.
  • 天官赐福 vol. 1 revised edition by 墨香铜臭: this whole section is sooooooo rewritten. I've been posting various related stuff in ⁠TGCF and amazing danmeis if anyone (anyone not already there, anyway) is interested.

2. What have you recently finished reading?

  • Lout of Count's Family vol. 9 by Yu Ryeo-Han: I should have just waited til I had the whole series, every volume leaves me wanting to just keep reading and I can't and it's the worst actually.
  • Exit Strategy (Murderbot 4) by Martha Wells: I think this is my favorite of the bunch so far tbh
  • Home: Habitat, Range, Niche, Territory by Martha Wells: it was nice to read an in-verse short story from a different point of view and see Murderbot the way Mensah sees Murderbot. Also the PTSD stuff sure is important in Network Effect...
  • Wild and Full of Marvels: finished my pre-press full read-through. If all goes as planned this will go to the printer today.
  • My Isekai Life vol. 12 to 16 by Shinkoshoto and Ponjea: I just want to make it explicit, again, that the speed at which I've been reading this is in no way an indication that it's good, but rather I'm stressed and exhausted and it's like sitting with a bag of potato chips. You know you shouldn't keep going yet you can't eat just one.
  • Dandadan vol. 19 by Yukinobu Tatsu
  • That Time I Got Reincarnated as a Slime vol. 25 by Fuse: while debating dropping it I noticed I'm only like 3 volumes from having read all the manga that's out so idk, I might just finish, or I might drop it anyway, but for now I'm giving it at least one more.
  • My Little Prince vol. 1 by Kjorelo: first of the danmei manhua I'm pretty darn "meh" about. Zero likeable characters. Like, I just don't care about either of these people and I don't care if they get together. I haven't pre-ordered volume 2 yet and I'm definitely waffling on if I'm gonna order it at all.

3. What are you planning to read next?

Novels: The Mystery of the Bitten Peach by Cecilia Tan is next, and then Soul Vibration by Dr. Solo. It's 3 volumes so that'll keep me busy for a bit.

Physical Graphic Novels/Manhua/Manga/Manhwa: I need to read Bedtime Fairy Tales vol. 1 by Yu Ci to help me decide if I'm gonna pre-order additional volumes.

Libby Loans: That Time I Got Reincarnated as a Slime vol. 26 by Fuse and Kagurabachi vol. 8 by Takeru Hokazono are due next, tho neither in under a week. lbr, I'll probably read more My Isekai Life next, it's about all I've got the brain for.

(don't expect to start any new audiobooks any time soon, as Network Effect is very long, and I have no physical library loans rn)


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A graphic with text that reads "So you've been nipped by a plot bunny. Now wat? A Duck Prints Press panel. Saturday, October 17. 9 p.m. ET. This is followed by clip art of a cute white bunny with a heart over its face.

Have you ever had a plot bunny – a story idea you just can’t resist, that keeps spawning new ideas? Plot bunnies can be overwhelming, especially when they keep proliferating and you just can’t seem to figure out which bunny to focus on, what to write, how to get started, or just need a reality check on if the idea is good. If you’ve ever had these problems, then have we got a panel for you!

Topic: So You’ve Been Nipped By a Plot Bunny. Now What?

Description: Congratulations, you have a story idea – often called, jokingly, a plot bunny. But there’s a huge journey to traverse between point A (a story idea) and point B (a completed story). In this panel, we’ll talk about how to get that journey started! We’ll discuss “next steps” on story ideas, how we decide which plot bunnies to raise into full-grown rabbits (or is that taking the analogy too far?), and how we take our ideas and work toward getting them on paper – how we record them, whether we outline and outlining approaches we’ve used, and more. For everyone who has ever had a story idea they really wanted to write, then immediately hit up against a solid wall of “now what,” this panel is for you!

Date: Saturday, October 17th

Time: 9:00 p.m. Eastern (converter)

Panelists: Sage Mooreland, MJ Kiwiana, Dei Walker, and Max Jason Peterson

Join us on Discord and RSVP here!

Interested in our panels? Want to watch our past ones? You can! All our past panels are available to backers at the $10/month level or higher as recordings. Become a backer and join the conversation!


(sorry to post again today, I'm scheduling this for tomorrow on most platforms but I still haven't knuckled down to figure out my Dreamwidth scheduling options)

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We’ve released two new short stories on our Patreon recently. Everyone who supports our Patreon at the $5/month level or higher can read these two stories, and many others, immediately, at no additional cost!

A book cover with a simple, classical motif in shades of ecru and blue. The Duck Prints Press logo, featuring the name of the business, a series of rainbow duck prints, and a white duck, is at the bottom. The title is "Climb Up the Spout Again" and the author is J. D. Harlock. Tags are provided: Historical Magical Realism * Closeted Gay Characters * Fighting Homophobia * Gangs and Organized CrimeA book cover with a simple, classical motif in shades of ecru and red. The Duck Prints Press logo, featuring the name of the business, a series of rainbow duck prints, and a white duck, is at the bottom. The title is "Harbinger" and the author is Michael Joseph. Tags are provided: Fantasy * M/M * The Power of Prophecy * Finding a Place One Belongs

Story 1: Climb Up the Spout Again by J. D. Harlock (general imprint)

a young closeted gay man caught in 70s London gang culture struggles to find his way out

length: 15 pages/4,993 words

Excerpt: Winter was the season when South London went to sleep, and the old spirits came alive. I finally felt good about myself again when I knew I still had nothing to be proud of. I made my way home on foot, tapping a beat that had come to me earlier that day like I was the Fred Astaire of the Yardies. It was late, but some ravers still ran around on the street, itching for action, and I wasn’t going to give them the satisfaction. Most lads around these parts knew better than to start something with a member of Calf’s gang on his territory. The rest were tipped off by the bruises on my face and the blood on my collar and cuffs. I felt like I was in West Side Story but looked like something out of The Warriors.

Story 2: Harbinger by Michael Joseph (explicit imprint)

a man born into a family of prophets goes to delivery his oracular words to a corrupt king and finds far more than he ever expected

length: 13 pages/4,544 words

Excerpt: I collected my rucksack from where I kept it in the corner of my bedroom, always ready to leave at a moment’s notice. I kissed my mother absently on the cheek, asked her to give my love to my father when he returned from the fields, but it was all by rote, my mind focused on the task ahead of me. It was nothing particularly interesting: a corrupt king, about to be deposed. Not until I arrived, of course; never before I arrived and told them exactly what was going to happen to them. Sometimes, the messages I imparted were cruel. Sometimes I would have given anything to keep them sealed behind my lips, unspoken and perhaps never to come to pass. It didn’t work like that, of course. It never had. And in this case, with the knowledge the Feeling had imparted on me, I thought I might enjoy seeing this king’s fear as I told him exactly what was going to befall him.

Become a Duck Prints Press Patreon supporter today to read these stories!

What rewards can all backers access immediately upon backing?

  • All our backers get immediate access to a minimum of 54 short stories
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  • Backers at the $15/month level get access to 150 short stories one recordings of our 25 past literary-convention-style panel conversations, and high-quality print-suitable (for personal use!) digital copies of 22 queer artworks
  • Backers at the $25/month level get access to 168 short stories, one novel, recordings of our 25 past literary-convention-style panel conversations, and high-quality print-suitable (for personal use!) digital copies of 22 queer artworks

and backing also comes with behind-the-scenes access, discounted Kickstarter backer reward levels, coupons for our webstore, and much much more! Plus, it gives that glowy feeling of knowing you’re supporting queer indie publishing, and backing on Patreon helps the Press keep the lights on and enables us to pay our creators more! Are you ready to become a Duck Prints Press supporter? Join now!



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A circular logo with clipart of a pair of scissors, a pencil, a paintbrush, and a palette knife in the center. Text reads M.A.D.E. Market Jay St. Makers, Artists, Designers, Etc.

Every Sunday in Schenectady, the M.A.D.E. Market (featuring Makers, Artists, Designers, Etc.!) sets up on Jay Street while the Greenmarket runs around City Hall. I’m attending this market for my third and last time this coming Sunday, October 18th. We’ll be there from 10 a.m. to 2 p.m., so if you’re in the neighborhood, I hope you’ll come on out and say hi!

Learn more about the Schenectady Greenmarket and the M.A.D.E. Market!



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The front cover of The Adventure of the Hidden Lane: A Sherlock Holmes Novelette by Max Jason Peterson with Illustrations by the Author. It shows watercolor artwork of two men running through a forest as if approaching the reader; they are recognizable as Sherlock Holmes, in a blue suit and deerstalker hat, and Dr. James Watson, carrying a medical bath and wearing a suit and bowler hat.

Our newest novelette will be released on November 3rd, 2026. In The Adventure of the Hidden Lane, Max Jason Peterson presents a masterful (and queer!) Sherlock Holmes story that wasn’t: an entry in his logs that Dr. John Watson required only be opened and read long after his death. Peterson also did the cover art himself, and created 7 interior illustrations, in a black and white style inspired by the original Holmes illustrations by Sidney Paget.

Blurb:

An urgent telegram from Inspector Forrester calls Sherlock Holmes and Dr. John H. Watson to Reigate, Surrey, to assist his friends at Leidstone Manor: two sibling writers whose manuscripts have been stolen. The siblings, Aubrey and Kate, have received a dire threat: renounce their inheritance and leave for America at once, never to see their beloved dying Uncle Hugh again, or the thief will give Sir Hugh the manuscripts and expose truths that could ruin their lives. As Holmes and Watson search for evidence, an illicit love affair, concealed identities, family secrets, and a mysterious benefactor muddy the waters; there are others who have as much to lose as the siblings. With lives hanging in the balance, Holmes and Watson race to stop a murderer at the end of the hidden lane.

The art in this novelette is completely original and new; the text is an edited reprint of a work originally published in the anthology A Study in Lavender, edited by Joseph R. G. DeMarco. In DeMarco’s memory, Duck Prints Press and Max Jason Peterson will each be donating 10% of their shares of the sales proceeds to the Stonewall National Museum, Archives & Library.

Want to read an awesome new Holmes story, see some amazing art, and support a great cause? You can pre-order your copy of The Adventure of the Hidden Lane today via our webpage or on itch.io!

Did you know? Supporters who back our Patreon at the $10/month level get our published novelettes as part of their backing! They’ll receive an e-book copy of The Adventure of the Hidden Lane on release day, November 3rd.



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a guest post by Xianyu Zhou, creator of the Fannish Safety Signs!

Stuck on what to draw or write today? No worries, for a special set of oracle cards is here to help!

How this works:

  1. Think of the character(s) or scene you would like to work on. You can even try asking a question like “What is something that this character is always thinking about but would never admit?”
  2. Pick a number from 1 to 3 that resonates the most with you at the moment.
  3. Check out the set of cards matching your number.

We’ve provided possible interpretations in the card draw, but feel free to interpret them any way that suits you! We’re providing the source of inspiration, the outcome of that inspiration is up to you.


Set 1

Three cards are laid on purple fabric with white floral motif. All the cards are upside down. The leftmost card reads “Dead Dove: Do Not Eat” with an image of a bird lying on its side with an x where it's eye would be; there's a knife to its right and a fork to its left. The middle card reads “Precious Cinnamon Rolls” with an image of three cinnamon rolls complete with cream slightly dripping down the sides. The rightmost card reads “Fluff” with an image of a sheep.

Dead Dove: Do Not Eat (reversed), Precious Cinnamon Rolls (reversed), Fluff (reversed)

Rough times ahead! There’s something bad and unexpected coming for your character(s), and it will involve someone with ill intentions. Your character(s) will have to toughen up and learn to face it head-on. Standing still and hoping that they have enough cushioning to bear with this won’t work this time!


Set 2

Three cards are laid on purple fabric with white floral motif. All the cards are upside down. The leftmost card reads “The Mortifying Ordeal of Being Known” with an image of a magnifying glass over a tiny stick figure; There is an exclaimation mark next to the figure’s head signifying alarm. The middle card reads “Knife” with an image of a cooking knife. The rightmost card reads “Arranged Marriage” with an image of a scroll picturing two interlocked rings and a feather quill poised to sign at the bottom of the scroll.

The Mortifying Ordeal of Being Known (reversed), Knife (reversed), Arranged Marriage (reversed)

Your character(s)is being Noticed and Seen for the first, and what a gentle first time it is. They will find this wonderful. Their feelings about this situation is akin to using a sharp knife to prepare food—it could be a dangerous thing, but not this time, and definitely not now. The situation will develop smoothly and predictably. One should be careful of their boundaries as they are being explored.


Set 3

Three cards are laid on a purple fabric with white floral motif. The leftmost card is upside down and reads “Slippery When Wet” with an image of three tentacles emerging from waves. The middle card is right-side-up and reads “Suspiciously Normal Character” with an image of a stick figure with one arm raised in a waving gesture, their weight leaning on one leg. The rightmost card is right-side-up and reads “Hurt/Comfort” with an image of two figures, one is seated on the ground and hugging their knees as they cried while the other is crouched on one knee with one hand placed on the other’s shoulder in consolation.

Slippery When Wet (reversed), Suspiciously Normal Character, Hurt/Comfort

Watch out! Perilous times are ahead for your character(s). Monsters (physical, spiritual or something else…?) are coming at your character(s) from up top! There will be a feeling of being trapped, but don’t forget to keep both feet on the ground and don’t stop running. Fast! Unfortunately, they will also have to multitask figuring out the trustworthiness of their companions, especially new ones, while on the run (not literally). They might get hurt in the process, but what they find out in the end will be worth it.


So! How did it go? We would love to hear about your thoughts and interpretations of the cards, too, so don’t hesitate to leave a comment or join our Discord to chat about your work!

Made something using these prompts? Let us know!


Information about card deck used

The Fannish Safety Signs deck is a custom printed 54-card deck based off the collection of stickers by the same name launched on Kickstarter last year (Summer, 2025). It consists of 17 “Be Alert” designs and 16 “Caution” designs, as well as 21 new designs in the same style (hint hint: new designs available soon!).


Information about the statistics of reversed cards

Half the deck (27 cards) are randomly selected and manually inverted before they are reshuffled into the deck. Should any cards fall out while shuffling the deck, all the cards will be checked to make sure that the rightside and reversed ratio remain 50-50. A total of 9 cards (3 sets of 3) are then drawn in succession.


Disclaimer

This post is meant for entertainment and creative prompt purposes. It is not an accurate depiction of the practice of cartomancy and oracle reading.



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A rainbow logo with text that reads RSM Rainbow Space Magic. The R is partially made of a pen which leaks a swirl of rainbow, at the end of which is a dragon, a few stars, and a ringed planet.

Did you miss Rainbow Space Magic this past weekend? Well, you can catch up! All the recordings for the 2026 panels are now available on Youtube!

(Not sure what this is? “Rainbow Space Magic is an online queer science fiction and fantasy convention that was founded in spring 2020 to help fill the empty place of canceled in-person conventions at the beginning of the COVID-19 pandemic, as well as offering an SFF convention to those readers and writers in the queer community who, for any reason, struggle to travel or attend physical conventions.”)



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a guest post by Rhosyn Goodfellow

October is the perfect time to curl up with a cozy blanket and piping hot beverage and dive into a otherworldly tale, and whether you prefer your spooky season reads cozy and festive, bone-chilling, or somewhere in between, there’s something for you on this list of six spooky books featuring LGBT+ characters. Each book is rated from 👻 (spooky season vibes but light on the fright) to 👻👻👻👻👻 (may cause nightmares; read at your own risk) on the Spook-O-Meter so you can choose your level of chills and thrills.

Payback’s a Witch by Lana Harper


The cover of Payback's a Witch by Lana Harper, showing a space-y motif of black with moons and stars and a swirl of magic. Near the top, a hand holds a heart from a string. Near the bottom, a crystals float over a hand. The swirls and hand are the colors of the bisexual pride flag.

Spook-O-Meter: 👻

Two bisexual witches hatch a plan to get revenge on their mutual ex in this sapphic paranormal rom-com. Emmy Harlow returns to her magical hometown after years away just in time for a spellcasting tournament her family helps judge. Her first night back, she runs into the smart, sexy, and all-around badass Talia Avramov, who is fresh off a devastating breakup with the very man who is the reason Emmy has stayed away from Thistle Grove for so long. Cue an epic revenge plot, a nail-biting witchcraft tournament, and a slow-simmering romance every bit as magical as the town of Thistle Grove. Reading this book is like slipping into your favorite pair of fuzzy, jack-o-lantern-print socks.

Cemetery Boys by Aiden Thomas

The cover over the book Cemetery Boys by Aiden Thomas, showing two young men over a red background, one holding a flower, with gravestones and candles in the lower background and a moon with a scary semi-human creature over it in the top background.

Spook-O-Meter: 👻👻

Determined to get his family to accept his identity, a trans brujo attempts to summon the ghost of his murdered cousin, but accidentally ends up summoning the ghost of his bad-boy classmate instead. This YA urban fantasy is part ghost story, part murder mystery, part romance, and wholly a delight. Yadriel is the perfect protagonist—deeply flawed but more than willing to grow and learn, Julian is charming and funny and impossible not to love, and Maritza, Yadriel’s best friend, is the kind of friend everyone should have. Equal parts joyful and heart-wrenching, this book seamlessly blends spooky-season vibes with all the feels. And if you’re not quite ready to let go of this world when you finish, you’re in luck because the sequel just came out!

Someone You Can Build a Nest In by John Wiswell

The cover of Someone You Can Build a Nest In by John Wiswell, showing a young person holding a lantern while flanked by tentacles; they stand before the black silhouette of a scary witch figure with more tentacles and other motifs such as a bear trap, a skull and crossbones, a spider in a jar, a gas mask, books, and more.

Spook-O-Meter: 👻👻👻

Do you like monster-POV monster romance with a little angst and a heavy dose of humor? If so, this book is for you. After shapeshifter Shesheshen is badly wounded and run out of her home by hunters, she’s found and nursed back to health by Homily, a human woman who mistakes Shesheshen for human. As Shesheshen struggles to figure out the best way to confess her secret to the kind human she’s falling for, Homily confesses a secret of her own—she’s come to hunt a shapeshifting monster who cursed her family. If it’s possible for a book to qualify as cozy horror, then that’s absolutely what this is, and it’s so immersive you might just find yourself staying up past your bedtime to finish.

What Moves the Dead by T. Kingfisher


The book cover of What Moves the Dead by T. Kingfisher, showing a rabbit with mushrooms growing out of it that increasingly resemble rabbit musculature as they grow.

Spook-O-Meter: 👻👻👻👻

When retired soldier Alex Easton receives word that their friend Madeline Usher is dying, they rush to her side only to find something perhaps more horrifying than death in this gothic eco-horror fantasy take on Edgar Allen Poe’s “The Fall of the House of Usher.” The first installment in an amazing series, this book will leave you chuckling even as your heart is pounding and your skin is crawling.

Kill Creatures by Rory Power


The front cover of Kill Creatures by Rory Power, showing a close-up of a person's face, showing only one eye and half the nose. Tears come from the eye and blood comes from the nose.

Spook-O-Meter: 👻👻👻👻👻

A year ago, Nan’s three best friends disappeared. Now, Jane is back, and the entire town is overjoyed. The entire town except for Nan. She’s the one who killed Jane and the two other missing girls. This fast-paced sapphic YA thriller will have you on the edge of your seat from page one right through the end, desperate to find out exactly what happened a year ago—and how much of it Jane remembers.

All of Us Murderers by KJ Charles

The book cover of All of Us Murderers by KJ Charles, showing a gothic manor lit ghostily in shades of yellow, blue, and green, with two men walking away from the house in the foreground.

Spook-O-Meter: 👻👻👻👻👻

A remote Gothic mansion. A spiteful ex-lover. A deeply dysfunctional family. A rumored haunting. Any one of these things would be a lot for Zeb to deal with, but the combination is enough to have him turning right back around and leaving. Except, it turns out, he and everyone else in the house is trapped until the fog lifts. If they live that long. This is Gothic horror at its finest, with a slow sense of creeping dread that will stick with you long after you’ve read the final page.

Want more queer horror recs? We’ve got those! Check out our shelf on Goodreads, this list on Pagebound.co, or you can buy titles via our Bookshop.org affiliate. You can also check out these other posts:


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A white graphic featuring the logo of Authors Against Book Bans, a smaller graphic of a stack of books, and text that reads: If you do just one thing this Banned Books Week, make it this one thing.A blue graphic with red arrows and white text that reads: Call your reps. The biggest thing you can do this Banned Books Week is to call or write your elected officials in Washington. Tell them that you oppose the three federal book ban bills listed in the following slides. Tell them that this November, the freedom to read is on the ballot.
A white graphic with black and red text that reads: Know your enemy... H.R. 7661. Status: Reported favorably to the House; available for hearings and vote. Would amend the Elementary and Secondary Education Act (ESEA) to prohibit federal funds from being used for any material deemed “sexually oriented.” Buried within that definition is language that includes material that “involves gender dysphoria or transgenderism.” While framed as protecting children, the bill opens the door to banning books that include LGBTQ+ characters, defining trans existence as inherently inappropriate, and narrowing literature toward a prescribed, limited canon.    In short: Would treat any LGBTQ+ identity as sexual content.A white graphic with black and yellow text that reads: Know your enemy... H.R. 2616. Status: Passed the House; referred to senate HELP committee for review    Would withhold ESEA funding from schools that “teach or advance concepts related to gender ideology,” using definitions from Executive Order 14168. It frames itself as protecting children. In practice, it represents another attempt to eliminate not only trans and nonbinary books, but also any acknowledgment of gender non‑conforming people in public education.    In short: Would deny the existence of trans and nonbinary people.

A white graphic with black and orange text that reads: Know your enemy... H.R. 8705. Status: Passed out of committee; to be introduced in the House    Rather than naming specific books or categories of literature, it blocks federal funding for American History and Civics Education from being used to promote what it calls “discriminatory equity ideology” or “gender ideology,” definitions drawn from a January 29, 2025 executive order. Likely impacts would include fewer books on racism and civil rights, less discussion of sexism and inequality, narrower civics curricula, and publishers pulling back on diverse perspectives.    In short: A funding lever that shapes whose version of history gets taught. A white graphic with black and red text that reads: Know your enemy... S. 4925. S 4925 Status: Referred to senate HELP committee for review    A “companion bill” to HR 7661, this senate bill would “prohibit funding for sexually oriented material” in public schools across the country, with a few, limited, cherry-picked exceptions. As with HR 7661, the definition of “sexually oriented material” is far-reaching and vague—except when it calls out anything related to “gender dysphoria” and “transgenderism.”    In short: A senate version of HR 7661 that may be lumped in with HR 2616.
A blue graphic with white text that reads: Need a script? Check out the link on our bio for helpful scripts to use when calling your reps and an easy way to find your reps' phone numbers. And don't stop at the national level. Take time this week to find out who's running in your district in the 2026 midterms and the 2027 off-year elections. See where they stand on the freedom to read, and let your readers know who you're voting for. Speak up, show up, and vote! In solidarity, Authors Against Book Bans.

The link to learn more is NOT in my bio, but it is RIGHT HERE: www.authorsagainstbookbans.com

Now sure where to find contact information for your pols?

Sample script (from AABB):

Hi, my name is [NAME] and I’m a constituent from [STATE/CITY/ZIP]. I’m calling to demand [SENATOR/REPRESENTATIVE] oppose [senate: Senate 4925 and H.R. 2616] OR [house: H.R. 7661 and H.R. 8705], bills that will open the door for nationwide book banning in violation of our First Amendment. On top of that, our state stands to lose $1,925,551,091 in ESEA funding for our public schools if they’re found to be ideologically noncompliant. This is a blatant example of government overreach. The federal government should not be allowed to demand our state and local communities fall into line with an ideological mandate. We did not elect D.C. to be our school board. Thank you for your time and consideration.

Make those calls! I made mine!

Looking to buy and read some queer banned books this banned books week? Use code Books15 at our Bookshop.org affiliate to save 15% on the books on our banned queer books list!



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I was sick, and I was vending and had vending down time, and I had a lot of things with due dates, so... yeah, really a lot for me this week. 

1. What are you currently reading?

  • Lout of Count's Family vol. 9 by Yu Ryeo-Han: Cale just collapsed for two weeks and is pretending he's totally fine while everyone around him is nearly panicked and the person I knew was his popular ship but that I didn't really vibe with just said what I consider the aroace equivalent of a love declaration (basically: I will make sure you are able to achieve your goal) so now I guess I do ship it in a very specific aroace way and I am l.i.v.i.n.g. for this volume so far. (I've been head-canoning Cale as aroace since around volume 3. It's a very popular head canon. This man has absolutely no interest in love or sex or romance whatsoever.)
  • Exit Strategy (Murderbot 4) by Martha Wells: audiobook. I hate that my schedule this week isn't that conducive to listening to more, vol. 3 hooked my pretty good over the weekend and I want more. Extremely tempted to grab my head phones and take the dog on a long walk and listen to it then.
  • Wild and Full of Marvels: I started my final read-through of our entire next anthology yesterday, I have to finish by Friday.
  • Chicago Manual of Style vol. 18: this never actually left my currently reading since April but I've made no progress, but I expect to work on it more later this month so just re-pinging that, in fact, I still do aim to read it.
  • 天官赐福 revised English edition vol. 1 by 墨香铜臭: almost 1/3rd through!

2. What have you recently finished reading?

  • Ballad of Sword and Wine/Qiang Jin Jiu vol. 8 by Tang Jiuqing: I've already written my first Cezhou fic, I think that says it all about my reaction to this.
  • Rogue Protocol (Murderbot 3) by Martha Wells: audiobook listen while commuting for vending stuff last weekend. I didn't like this one quite as much, I was having more trouble than the previous ones tracking who was who and what was going on; I think some of it was me (I was busy and sick) and some was the book (I didn't feel that most of the side characters were particularly well-executed this time, most felt non-existent except for Mickey, Mickey's keeper whose name I can't spell because audiobook, and Wilkin and Girth)
  • I Ship My Rival x Me manhua vol. 5 by Pepa: last volume came out in English print edition so of course I re-read it. I really do love this series so much. 
  • Camp Spirit by Axelle Lenoir: decent if predictable "there's something creepy in the forest where the sleep away camp is" story about a camp counselor in the mid 90s. Side of GL.
  • No Touching At All by Kou Yoneda: decent single-volume modern BL that I didn't realize was by the same author as Twittering Birds Never Fly until I was already reading it lmao.
  • Bad Teacher's Equation vol. 1 by Kazuma Kodaka: modern BL. DNF. Oh the 90s yaoi of it all.
  • That Time I Got Reincarnated as a Slime vol. 24 by Fuse: left me just curious enough to not drop the series yet.
  • Pink Candy Kiss vol. 4 by Ami Uozumi: continues to be a very good modern GL
  • Twittering Birds Never Fly vol. 7 by Kou Yoneda: it took 7 volumes for this one to fully hook me but it's done, I'm desperate to know what'll happen next, and that's a disaster because the publisher has folded and while 8 and 9 are out in Japanese they're not out in English and not likely to come out.
  • Dewdrop by K. O'Neill: I was tired and sick and just wanted to read something braindead that I knew would be done. Unlike K O'Neill's other titles I've read, this one was a children's book (not MG) and was not queer, but it was perfect for how I was feeling at the time and very cute. It's about a cheerleading axolotl named Dewdrop.
  • Never Satisfied vol. 1 by Taylor Robin: I suspect this is a story that is dead due to the Hiveworks collapse, but regardless, it was kinda meh. It just tried to do too many things at once, without securing my buy-in as a reader in the first place, so even though there were interesting pieces, it was just kinda all over the place and I didn't care about any of it and couldn't quite figure out what was important. I did appreciate the nb mc and their clothing changes suggesting genderfluidity/take on gender changing depending on the day and how they were feeling.
  • Gachiakuta vol. 9 by Kei Urana
  • Pathological Lovers vol. 1 by Deng Sa & Xi Yan: the next danmei manhua published by Rosmei that I've got. It's serving Poyun in the best possible way, I really want to know what the fuck is going on. My favorite of the three so far, and that's saying something cause they've all been good.
  • Yona of the Dawn vol. 43 - 45 by Mizuho Kusanagi: tbh I'm just really ready to be done; the only reason I stopped is that I couldn't get the next vol immediately, it's on hold.

3. What are you planning to read next?

Part of the reason I read so much this past week was that I was really trying to "clear the decks." Not even for a specific reason, just, idk, it felt like it was time.

Physical print novel: I haven't fully decided tbh, but I'm eying The Mystery of the Bitten Peach by Cecelia Tan, Tailhook by La Rive Gauche, and a few of the shorter multi-volume danmei series I now have all of (such as There's Something Wrong with the Chief, The Killer of Killers, and Soul Vibration)

Physical library loans: none! I finished Camp Spirit and Never Satisfied, which were my last. Now I just have to, ya know. Not go back to the library for at least a little bit, lmfao.

Digital library loans: I only have two books out (next volumes of Dandadan and That Time I Got Reincarnated as a Slime, and neither is due imminently), so. I've been meaning for aaaaages to switch to being more of a vibe/mood reader on Libby, so that I feel less pressured to read and read and read whatever is due next, and I think losing my access to Brooklyn Public Library (until I can get to Brooklyn to renew it, probably in February) is the kick in the tail I needed to finally officially make that switch. Bad Teacher's Equation and No Touching At All were both me vibe-reading on Libby, I'm hopeful this'll be a good switch for me. Part of the reason I read so much manga this past week was that I needed to free up loan slots, especially with New York Public Library (which only allows three loans at a time) so that I COULD vibe-read on Libby.


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A graphic showing two people in simple sport-like outfits literally butting heads, one in blue and one in red. Text reads, Tag Your Rivals: Enemies to Lovers vs. Rivalmance.

a guest post by Nicola Kapron.

Enemies to lovers is one of the most popular tropes a writer can attach to their work, so why are readers so often disappointed when they crack that work open? 

There are many reasons that a story tagged “enemies to lovers” can fail to impress its intended audience. One of those reasons may be that the story is being marketed to the wrong audience entirely. 

Sometimes, when people talk about “enemies to lovers,” what they’re actually describing is rivalmance. This clash of expectations can lead to readers abandoning an otherwise good read.

What is Rivalmance?

Enemies to lovers is fairly self-explanatory: it’s about people who are antagonistic towards each other, but end up romantically involved.

Rivalmance is a little more complicated.

The word “rivalmance” is a portmanteau of “rival” and “romance,” and it refers to narratives where rivals become romantically involved. Sounds a lot like enemies to lovers, right? So what’s the problem?

In short, the expectations people have for enemies and rivals are different. A good rivalmance often features fierce competition, hot-blooded outbursts, and a struggle to prove oneself in the other’s eyes.

Sometimes, the rivals start out hating or not respecting each other, but their gradual development to viewing each other as equals—perhaps each other’s only equal—is key to a satisfying read. However, the second a writer introduces a major and consistent power imbalance or drain the competition out of things, they run into a problem.

Fans of rivalmance are invested in seeing sparks fly between characters who care deeply about what they’re doing, whether they’re playing a children’s card game, competing at tennis, or performing business warfare. Those same fans are not necessarily going to be interested in captivity narratives, political drama, or even ideological conflict.

What is Enemies to Lovers Then?

Okay, I know I said enemies to lovers was pretty self-explanatory, but I lied. Let’s go over what makes a good enemies to lovers narrative and what can make the trope fall flat.

When the main characters are the villains of each other’s story, it can be difficult to keep the narrative both sympathetic and engaging. The key to a compelling story here is a sense of mutual respect. 

A good enemies to lovers narrative usually keeps a strong sense of grey morality, or at least highlights the ambiguity of the situation. If one side is clearly right and the other clearly wrong, then the realization of wrongdoing is often at the core of what allows the characters to become lovers.

In other words, the core of enemies to lovers is the clash between one’s ideals and one’s heart.

An enemies to lovers narrative doesn’t need the same sense of competition. In fact, they often involve captivity, powerplay, and other methods of forced vulnerability. Meanwhile, rivalmance lives and dies on how electric the competition feels.

As one might expect, reading enemies to lovers when expecting rivalmance—and vice versa—is a jarring experience.

How Do We Fix This?

Well, for starters, we as writers and readers could start labeling rival romances as rivalmance rather than enemies to lovers. And that means keeping an eye open for the differences. Here are some examples. 

If two knights whose kingdoms are at war fall in love with each other across the battlefield, that’s probably enemies to lovers. However, if the knights are competing in a tournament or protecting the same princess while falling in love, that might be rivalmance. 

If a pair of hockey players on opposing teams fall in love, that’s probably rivalmance. But if there’s a grudge between them, like a cheating scandal or a personal betrayal, it could wind up in enemies to lovers territory.

A superhero and supervillain falling in love is usually enemies to lovers by default. A sufficiently friendly enemy dynamic may cross the line into rivalmance, however. 

As a general rule, the stakes of rivalmance are lower, but the emotional tension is higher. Fans may also expect a degree of honesty from rivalmance which may be absent—sometimes for important plot reasons—from enemies to lovers. And if an enemies to lovers story doesn’t give its leads good reason to be enemies, the whole conceit may collapse.

All in all, this is a fairly complex issue with a pretty simple solution: tag your rivals. Because as any fan of these tropes could tell you, rivalmance and enemies to lovers are not different names for the same thing.


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