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This is a guest post that's supposed to come out tomorrow, but I'm gonna be traveling all day tomorrow and can't post day-off, and I haven't yet sorted out scheduling on here, so apologies, you are getting yet ANOTHER post from me today (I'm doing a lot of catching up now that I'm kinda able to work post-surgery). ANYWAY.

a guest post by Kaiden Alderling

Introduction

Ellipsus is a freemium writing and collaboration tool for writers, offering both free and paid versions. As a browser-based text editor, it has a distinct focus on anti-AI offerings and web-based publishing and collaboration. Users can use themes to change the colours and fonts displayed by the interface, and can easily export or copy text in multiple formats for online publishing. Fan writers will find the AO3 export tool especially useful. However, limitations to collaboration and tools for organising longer works make it a tough sell for power users. A lack of automated backups, reported server connection and sync issues, and unclear terms for allowed/prohibited content make for a murky user experience.

As a writer and poet, I think that the most important part of writing is the actual writing. Any platform that works for you? That’s the right one, and my first and foremost advice is to always back up your work, no matter what software you use.

For writers looking at trying out something new, I’ve taken a look at what’s going on with Ellipsus.

One of the web app’s biggest selling points? It’s easy to get started with and use for basic writing, and it’s dead simple to switch between devices with.

Pros and Cons

Positives

  • The company’s anti-AI ethos is attractive to authors concerned about scraping of private and publicly exposed documents for large language model (LLM) training.
  • Headquartered in Berlin, Germany, Ellipsus GmbH is a European company with European users, and has laid out its privacy policy to showcase its compliance with European GDPR and German data protection law, including an explicit promise to “never use your writing to train AI models.” Its hosting with Amazon Web Services is also provided through EU regions (see “Service providers we work with“).
  • According to the terms of service, a user’s “content” within the service refers not only to the user’s files, documents, and drafts, but also to comments and chat messages. Users explicitly own that content. Ellipsus explicitly promises not to use any of it for “training or developing machine learning or AI models of any kind” and this is echoed in the privacy policy.
  • “Snippets” sharing tool is a hit with writers who like to share quotes from their manuscripts and works-in-progress with an external audience, showcasing customisable, social-media-friendly designs (with additional customisation in the Plus version).
  • Theme customisation: users enjoy a similar level of customisation with the interface, mostly involving adjustments to to colours and fonts. Dark and light themes—among others—are available in the free version, and custom themes are available in the Plus plan.
  • Convenient export functionality allows users to download any individual document as a PDF, DocX, or Markdown file; or to copy it as HTML, Markdown, or Rich Text. Fan writers may appreciate the export functionality that allows linking an account directly to Archive of Our Own.
  • Browser-based text editor offers ease in switching between devices, making it a popular alternative to writing in Google Docs (also: unlike in Ellipsus, GDocs’s scroll bar makes me lose my place every time my thumb brushes the side of the screen). As a writing app, Ellipsus boasts a low barrier-to-entry compared to more privacy-focused tools that focus on encryption. Personally, I also enjoy writing with Markdown shortcuts enabled in Ellipsus, which allow for quick formatting when typing on mobile.
  • “Writing Insights” (Plus plan) tool uses “simple, programmed algorithms that run locally on your device”—the ability to highlight frequently used words and passive voice can be a useful tool while editing. These simple metrics are similar to word count or the “find and replace” tool in complexity; there’s zero indication that they use any sort of “AI” or LLM-based processing, and Ellipsus confirms that the feature does not use AI.
  • Queer-founded, with support from Gaingels Syndicate, a US-based venture capital firm that aims to support LGBTQ-friendly tech investment, as well as diversity and inclusion in hiring.
  • Introduction of a paid plan (“Ellipsus Plus“) indicates the potential for a sustainable business plan, and the “yours to keep” model provides a lifetime licence after 24 months of payments (currently $6 USD per month, with a final price of $144 USD). No credit card is required for the free 7-day trial.

Drawbacks

note: numbers in parenthesis are footnotes; see the end of the post for the notes!

  • No desktop version or offline version. Currently, the only way to access Ellipsus is through a browser on your computer or mobile device.
  • Lack of automated backups—or any simple way to regularly export all of the files in a user’s account—makes Ellipsus concerning as a primary place to write and store documents. With any platform, loss of data is always a possibility: always back up your work! (1)
  • Feature limitations:
    • Editing: A lack of track changes functionality (also known as selective merging, suggestions, or inline track changes) means that editors or beta readers need to leave comments on the work instead of being able to provide individual suggestions at a granular level. I also find it clunky to manage editing in the platform; writers need to create a separate “draft” to allow comments. Drafts can be merged, but doing so isn’t as intuitive or specific as track changes.
    • Writing: This becomes especially confusing when drafts are also used as a workaround for a lack of chapter/tab functionality, and a common criticism online is that the platform lags on documents with longer word counts. There is no support for tables, and nested lists often break upon import/export, even in Markdown. (2)
    • Collaboration: Commenters need their own Ellipsus accounts, so depending on how common Ellipsus already is in your own writing circles, it might not be the easiest platform to onboard beta readers to.
    • Version history: only 30 days are included with the free plan.
    • No encryption for documents, which might otherwise alleviate concerns about allowed content.
    • Security concerns: no multi-factor authentication is currently available for logging in, despite Ellipsus now accepting payments. (3)
  • Bug reports online include issues with syncing and loss of work (always click the sync button to ensure your work syncs), server connection issues, random movement through the document, keys sticking, and unexpected formatting changes to paragraph spacing and fonts. A ticketing system is available, but the best way to reach support is through the Discord server, which is very unfortunately very common with modern apps.
  • Unclear terms for allowed content: as a young platform, Ellipsus is largely untested when it comes to policing of user content within the platform. The terms of service assure that content written “privately within Ellipsus” isn’t policed, but some content is against the rules, namely plagiarism and planning/committing crimes (4), and that prohibited content is subject to reporting from readers who receive access to the document, as well as legal requests (keeping in mind Ellipsus’s European jurisdiction). Ellipsus also recognises the community’s concerns that the payment processor Stripe might “pressure” Ellipsus over “adult or NSFW content” and has responded that in the case of a “serious conflict with our values, user privacy, or the kinds of (lawful) writing our users create, we would evaluate alternatives. If necessary, we would migrate payment providers.” (5)(6) Please remember that I am not a lawyer, and that this summary is not legal advice.
  • Abrupt changes are always possible with any SaaS (software as a service), especially to the free version. Growth of the platform is imperative for a company with Ellipsus’s funding structure, based on both its venture capital backing (7) and its lifetime licence structure. It will require additional users to continue bringing in cash flow, and as with any company, it could shift focus from its current niche of fan writers and toward a larger potential userbase.
  • The opt-in tool Emboss, available as part of the Plus plan, appears to have been planned by the company from early on (8). The purpose of this tool is to provide evidence of human authorship by combining a number of metrics with the ability to provide a public link to past versions of the document (“selected version history snapshots“). While the tool doesn’t provide any kind of score or assessment as to whether the document was or was not human authored, I personally don’t think it was well-executed, and I was concerned when Ellipsus seemed to be suggesting that sharing Emboss links might provide a writer with a public shield against accusations of AI use. While this tool might be able to provide evidence of the evolution of a work to an editor or publisher through version history, it doesn’t seem to provide any more value than other tools with version control. (9)

Footnotes

  1. The “Right to portability” section under the privacy policy specifies that users can request a “machine-readable export” which includes your writing.
  2. One of the co-founders addressed the lack of some of these features in a reply to a document posted by both co-founders in June 2026.
  3. The company updated the privacy policy by June 10, 2026 to indicate that full credit card numbers were not being stored by Ellipsus, but were handled by the payment processor. The co-founder responded to a user question on June 13, 2026 saying that multi-factor authentication/two-factor authentication would move to a planned feature, and this has been added as a “big priority” to the June 2026 document (item 35).
  4. Item 28 in the June 2026 document elaborates that “NSFW content is not illegal” and “is permitted in Ellipsus” while users should look to the terms of service “and refer to your local laws for clarification.” The terms prohibit “Us[ing] our services to do anything illegal: Write about fictional or historical crime as much as you want—please don’t use our services to plan or commit any IRL illegal activity.” In the June 2026 document, illegal content is defined as subject to the user’s local law; Ellipsus claims that they “do not actively look at or police your documents” but elaborates that users sharing their documents do so at their own risk. “We don’t actively police public work, unless it’s reported to us/we receive a valid legal or DMCA request. (If so, we will handle that according to our policies and legal obligations).”
  5. Item 26 in the June 2026 document.
  6. Users are also concerned because of the reality that classification systems often include all queer content within the label “adult” and that “Several regions make it illegal to discuss, promote, or teach LGBTQ+ topics.”
  7. Including Better Angle, Circle & Co Ventures, Common Magic, SpeedInvest, and Gaingels.
  8. An argument for the Emboss human attribution tool is laid out in some early blog posts: The Watchmakers (2023) and The Distributors.
  9. As with the writing metrics, there is no reason to think that the metrics provided through Emboss use any sort of “AI” or LLM-based processing, and Ellipsus confirms that “No AI is used in the compiling of these metrics.”

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a guest post by R. D. Cook.

The term “media literacy” gets thrown around a lot these days. A fandom friend says they avoid Fandom X because “these people have zero media literacy.” Half the school board candidate statements in your local election pamphlet call for “increased media literacy education.” Clickbait news headlines proclaim a “media literacy crisis!” But what exactly is media literacy, and why does it seem like everyone is suddenly talking about it?

What even is media literacy?

Media literacy refers to the ability to understand all forms of media, from TV shows to pop-up ads to social media posts.

Just like there are different levels of literacy when it comes to written language, there are different levels of media literacy. For example, one person might watch Star Wars: Episode IV and understand that Luke went on an adventure, saved Princess Leia, and blew up the Death Star. Another person might also understand that the movie carries an anti-imperialist message. Still another person might recognize the influence of samurai films, and specifically those of Akira Kurosawa, and spend time contemplating the similarities and differences between Jedi and Zen philosophy. All of these people are employing different levels of media literacy.

When people talk about media literacy in the context of schools and education, they’re usually talking about all levels of media literacy, from the most basic surface-level understanding to deep analysis. But when people talk about media literacy in casual conversation, they’re usually talking about the middle levels of media literacy: understanding things like context, subtext, and propaganda.

Why is media literacy important?

Even though it’s been getting a lot of attention recently and the term itself was only coined in the 1990s, the concept of media literacy has been around for over a hundred years. It started to gain traction in the early 20th century, when radio shows were booming and motion pictures first came onto the scene. As the media landscape has changed and evolved, so has the theory and importance of media literacy.

Over the past two decades, media has become more enmeshed in people’s lives. The advent of the internet and things like social media, streaming video, and smartphones mean that most of us are bombarded by media messages every day. At the same time, people who create media content have developed more effective ways to influence us through the media they create. Some of that influence is good—who doesn’t love that feeling of excitement when a new game or show really grabs you?—but  more often, it’s used as a tool to get us to keep scrolling, keep buying, keep supporting institutional injustices.

Media literacy is our best defense against those who would use our media-saturated world to manipulate us. It also helps us understand and enjoy the things we watch and listen to on a deeper level. Sinners is a standout movie regardless of how deep you go into it, but there’s a certain delight in catching the references to other vampire fiction and hearing how the musical styles and structures reflect the story and characters.

How do I improve my media literacy?

If you’re new to the concept of media literacy, you can start with looking a little more deeply at the things you love. Pick a favorite show or podcast or webcomic and engage your curiosity! What are the specific elements that you love? Can you spot any references to other media? What things is this piece of media implying that it isn’t stating directly? Are there any parts you wish you understood better? You can research those! Are there any parts that aren’t consistent with your experience of the world? That’s another research opportunity.

When it comes to things like advertising, news, social media posts, or political messaging, you might have to dig a bit deeper. First, and perhaps most importantly: is this message even true? Fact-checking—and double-checking!—is your friend. Who is this message from, and what do they have to gain from you taking this message at face value? If you don’t know who the message is from or it’s unclear what they have to gain, it’s time for more research. What is the message trying to get you to do? Is it something you want to do, or is the message trying to make you angry or fearful enough to do something you might not otherwise.

For a deeper dive into increasing your media literacy, check out the links below.

Where can I learn more?


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A graphic with text that reads "Our Favorite Bookstores for Love Your Bookshop Day." Below this is a clipart of a shelf of books, showing their spines.

August 14th is Love Your Bookshop Day, and man do we have a bunch of bookstores we love! The contributors to this list are: Neo Scarlett, Rhosyn Goodfellow, Mikki Madison, E. C., Shadaras, theirprofoundbond, Nina Waters, YF Ollwell, boneturtle, Shea Sullivan, Rascal Hartley, Dei Walker, Shannon, Owl Outerbridge, Alex, Terra P. Waters, Sanne, D.V. Morse, Annabeth Lynch, and Linnea Peterson.

Europe and Canada

USA


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When we post about new releases, we often say Available from major retailers! and the like, but have you ever wondered which retailers that actually means? Have you checked if your favorite online bookseller has our books?

Well, wonder no longer – we’ve compiled a list of places that carry our books! The best way to get Duck Prints Press books is directly from us – for our short stories and novelettes, direct from us and/or by backing our Patreon is the only way to get them. But many of anthologies and all of our novels and novellas are available from many other places.

Check out where to get our books!

Know a place that carries our books that isn’t on the list? Please let us know so I can add it!

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A screen capture of the Duck Prints Press webpage. This page is entitled "Pride Flag Guide" and it shows 12 pride flags and accompanying labels.
 

Duck Prints Press has added a new resource to our webpage! Frequently, I need a reference for common and uncommon Pride flags, and I always end up having to look them up and pull info from six different places, and that’s annoying. So instead, now I’ve got my own list with the information I need! This list is not exhaustive, and I cannot guarantee that all the flags are the most currently accepted versions – things like this change so fast! – but I did my best to make it decently thorough and accurately modern. I’m hoping to add to it with flags for rarer identities in the future, so be on the lookout. Don’t hesitate to get in touch if you spot any issues or want to suggest an addition.

Resource: Pride Flag Guide

Did you know we have a bunch of resources on our webpage? It includes DPP-specific things, like our Press kit, and freebies, like our zine with excerpts, and it also includes sample contracts, the Fandom Lexicon we compiled, and more!



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A logo that reads "Indie Press Exchange"

Want to support indie publishing? Well, Duck Prints Press is part of a small, awesome group of micro presses and small presses working together to help all of us grow! This Wednesday, we’re excited to share that this group is launching their debut newsletter, featuring news, new releases, upcoming events, and more from nine different presses! The presses involved in our exchange are:

Want to get the latest news from this awesome group of Presses? Sign up for the Indie Press Exchange newsletter today!

This newsletter has been put together by Speculation Publications, HUGE shout out to them for putting in the work to make this happen!!!



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Note: this is cross-posted from an account I run, mdzsartreblogs, on Tumblr. You can read the original post here.

Heyo, @unforth here! I run some danmei art blogs (@mdzsartreblogs, @tgcfartreblogs, @svsssartreblogs, @zhenhunartreblogs, @erhaartreblogs, @dmbjartreblogs, @tykartreblogs, and @cnovelartreblogs) which means I see a LOT of danmei art, and I go through the main fandom tags more-or-less every day.

Today, for the first time, I spotted someone posting AI-generated images (I refuse to call them AI “art” – and to be clear, that’s correct of me, because at least in the US it literally LEGALLY isn’t art) without any label indicating they were AI generated. I am not necessarily against the existence of AI-generated images (though really…considering all the legal issues and the risks of misuse, I’m basically against them); I think they potentially have uses in certain contexts (such as for making references) and I also think that regardless of our opinions, we’re stuck with them, but they’re also clearly not art and I don’t reblog them to the art side blogs.

The images I spotted today had multiple “tells,” but they were still accumulating notes, and I thought it might be a good moment to step back and point out some of the more obvious tells because my sense is that a LOT of people are against AI-generated images being treated as art, and that these people wouldn’t want to support an AI-generator user who tried to foist off their work as actual artwork, but that people don’t actually necessarily know how to IDENTIFY those works and therefore can inadvertently reblog works that they’d never support if they were correctly identified. (Similar to how the person who reposts and says “credit to the artist” is an asshole but they’re not the same as someone who reposts without any credit at all and goes out of their way to make it look like they ARE the artist when they’re not).

Toward that end, I’ve downloaded all the images I spotted on this person’s account and I’m going to use them to highlight the things that led me to think they were AI art – they posted a total of 5 images to a few major danmei tags the last couple days, and several other images not to specific fandoms (I examined 8 images total). The first couple I was suspicious, but it wasn’t til this morning that I spotted one so obvious that it couldn’t be anything BUT AI art. I am NOT going to name the person who did this. The purpose of this post is purely educational. I have no interest whatsoever in bullying one rando. Please don’t try to identify them; who they are is genuinely irrelevant, what matters is learning how to recognize AI art in general and not spreading it around, just like the goal of education about reposting is to help make sure that people who repost don’t get notes on their theft, to help people recognize the signs so that the incentive to be dishonest about this stuff is removed.

But first: Why is treating AI-generated images as art bad?

I’m no expert and this won’t be exhaustive, but I do think it’s important to first discuss why this matters.

On the surface, it’s PERHAPS harmless for someone to post AI-generated images provided that the image is clearly labeled as AI-generated. I say “perhaps” because in the end, as far as I’m aware, there isn’t a single AI-generation engine that’s built on legally-sourced artwork. Every AI (again, to the best of my knowledge) has been trained using copyrighted images usually without the permission of the artists. Indeed, this is the source of multiple current lawsuits. (and another)

But putting that aside (as if it can be put aside that AI image generators are literally unethically built), it’s still problematic to support the images being treated as art. Artists spend thousands of hours learning their craft, honing it, sharing their creations, building their audiences. This is what they sell when they offer commissions, prints, etc. This can never be replicated by a computer, and to treat an AI-generated image as in any way equivalent is honestly rude, inappropriate, disgusting imo. This isn’t “harmless”; supporting AI image creation engines is damaging to real people and their actual livelihoods. Like, the images might be beautiful, but they’re not art. I’m honestly dreading someone managing to convince fandom that their AI-generated works are actual art, and then cashing in on commissions, prints, etc., because people can’t be fussed to learn the difference. We really can’t let this happen, guys. Fanartists are one of the most vibrant, important, prominent groups in all our fandoms, and we have to support them and do our part to protect them.

As if those two points aren’t enough, there’s already growing evidence that AI-generated works are being used to further propagandists. There are false images circulating of violence at protests, deep-fakes of various kinds that are helping the worst elements of society to push their horrid agendas. As long as that’s a facet of AI-generated works, they’ll always be dangerous.

I could go on, but really this isn’t the main point of my post and I don’t want to get bogged down. Other people have said more eloquently than I why AI-generated images are bad. Read those. (I tried to find a good one to link but sadly failed; if anyone knows a good post, feel free to send it and I’ll add the link to the post).

Basically: I think a legally trained AI-image generator that had built-in clear watermarks could be a fun toy for people who want reference images or just to play with making pseudo-art. But…that’s not what we have, and what we do have is built on theft and supports dystopia so, uh. Yeah fuck AI-generated images.

How to recognize AI-Generated Images Made in an Eastern Danmei Art Style

NOTE: I LEARNED ALL THE BASICS ON SPOTTING AI-GENERATED IMAGES FROM THIS POST. I’ll own I still kinda had the wool over my eyes until I read that post – I knew AI stuff was out there but I hadn’t really looked closely enough to have my eyes open for specific signs. Reading that entire post taught me a lot, and what I learned is the foundation of this post.

This post shouldn’t be treated as a universal guide. I’m specifically looking at the tells when AI is emulating the kind of art that people in danmei fandoms often see coming from Weibo and other Chinese, Japanese, and Korean platforms, works made by real artists. For example, the work of Foxking (狐狸大王a), kokirapsd, and Changyang (who is an official artist for MDZS, TGCF, and other danmei works). This work shares a smooth use of color, an aim toward a certain flavor of realism, an ethereal quality to the lighting, and many other features. (Disclaimer: I am not an artist. Putting things in arty terms is really not my forte. Sorry.)

So, that’s what these AI-generated images are emulating. And on the surface, they look good! Like…

…that’s uncontestably a pretty picture (the white box is covering the “artist’s” watermark.) And on a glance, it doesn’t necessarily scream “AI generated”! But the devil is in the details, and the details are what this post is about. And that picture? Is definitely AI generated.

This post is based on 8 works I grabbed from a single person’s account, all posted as their own work and watermarked as such. Some of the things that are giveaways only really show when looking at multiple pieces. I’m gonna start with those, and then I’ll highlight some of the specifics I spotted that caused me to go from “suspicious” to “oh yeah no these are definitely not art.”

Sign 1: all the images are the exact same size. I mean, to the pixel: 512 x 682 pixels (or 682 x 512, depending on landscape or portrait orientation). This makes zero sense. Why would an artist trim all their pieces to that size? It’s not the ideal Tumblr display size (that’s 500 x 750 pixels). If you check any actual artist’s page and look at the full-size of several of their images, they’ll all be different sizes as they trimmed, refined, and otherwise targeted around their original canvas size to get the results they wanted.

Sign 2: pixelated. At the shrunken size displayed on, say, a mobile Tumblr feed, the image looks fine, but even just opening the full size upload, the whole thing is pixelated. Now, this is probably the least useful sign; a lot of artists reduce the resolution/dpi/etc. on their uploaded works so that people don’t steal them. But, taken in conjunction with everything else, it’s definitely a sign.

Those are the two most obvious overall things – the things I didn’t notice until I looked at all the uploads. The specifics are really what tells, though. Which leads to…

Sign 3: the overall work appears to have a very high degree of polish, as if it were made by an artist who really really knows what they’re doing, but on inspection – sometimes even on really, REALLY cursory inspect – the details make zero sense and reflect the kinds of mistakes that a real artist would never make.

So, here’s the image that I saw that “gave it away” to me, and caused me to re-examine the images that had first struck me as off but that I hadn’t been able to immediately put my finger on the problem. I’ve circled some of the spots that are flagrant.

Do you see yet? Yes? Awesome, you’re getting it. No? Okay, let’s go point by point, with close ups.

Sign 4: HANDS. Hands are currently AI’s biggest weakness, though they’ve been getting better quickly and honestly that’s terrifying. But whatever AI generated this picture clearly doesn’t get hands yet, because that hand is truly an eldritch horror. Look at this thing:

It has two palms. It has seven fingers. It’s basically two hands overlaid over each other, except one of those hands only has four fingers and the other has three. Seeing this hand was how I went from “umm…maybe they’re fake? Maybe they’re not???” to “oh god why is ANYONE reblogging this when it’s this obvious?” WATCH THE HANDS. (Go back up to that first one posted and look at the hand, you’ll see. Or just look right below at this crop.) Here’s some other hands:

Sign 5: Hair and shadows. Once I started inspecting these images, the shadows of the hair on the face was one of the things that was most consistently fucked up across all the uploaded pictures. Take a look:

There’s shadows of tendrils on the forehead, but there’s no corresponding hair that could possibly have made those shadows. Likewise there’s a whole bunch of shadows on the cheeks. Where are those coming from? There’s no possible source in the rest of the image. Here’s some other hair with unrelated wonky shadows:

Sign 6: Decorative motifs that are really just meaningless squiggles. Like, artists, especially those who make fanart, put actual thought into what the small motifs are on their works. Like, in TGCF, an artist will often use a butterfly motif or a flower petal motif to reflect things about the characters. An AI, though, can only approximate a pattern and it can’t imbue those with meanings. So you end up with this:

What is that? It’s nothing, that’s what. It’s a bunch of squiggles. Here’s some other meaningless squiggle motifs (and a more zoomed-in version of the one just above):

Sign 7: closely related to meaningless squiggle motifs is motifs that DO look like something, but aren’t followed through in any way that makes sense. For example, an outer garment where the motifs on the left and the right shoulder/chest are completely different, or a piece of cloth that’s supposed to be all one piece but that that has different patterns on different sections of it. Both of these happen in the example piece, see?

The first images on the top left is the left and right shoulder side by side. The right side has a scalloped edge; the left doesn’t. Likewise, in the right top picture, you can see the two under-robe lapels; one has a gold decoration and the other doesn’t. And then the third/bottom image shows three sections of the veil. One (on the left) has that kind of blue arcy decoration, which doesn’t follow the folds of the cloth very well and looks weird and appears at one point to be OVER the hair instead of behind it. The second, on top of the bottom images, shows a similar motif, except now it’s gold, and it looks more like a hair decoration than like part of the veil. The third is also part of the same veil but it has no decorations at all. Nothing about this makes any sense whatsoever. Why would any artist intentionally do it that way? Or, more specifically, why would any artist who has this apparent level of technical skill ever make a mistake like this?

They wouldn’t.

Some more nonsensical patterns, bad mirrors, etc. (I often put left/right shoulders side by side so that it’d be clearer, sorry if it’s weird):

Sign 8: bizarre architecture, weird furniture, etc. Most of the images I’m examining for this post have only partial backgrounds, so it’s hard to really focus on this, but it’s something that the post I linked (this one) talks about a lot. So, like, an artist will put actual thought into how their construction works, but an AI won’t because an AI can’t. There’s no background in my main example image, but take a look at this from another of my images:

On a glance it’s beautiful. On a few seconds actually staring it’s just fucking bizarre. The part of the ceiling on the right appears to be domed maybe? But then there’s a hard angle, then another. The windows on the right have lots of panes, but then the one on the middle-left is just a single panel, and the ones on the far left have a complete different pane model. Meanwhile, also on the left side at the middle, there’s that dark gray…something…with an arch that mimics the background arches except it goes no where, connects to nothing, and has no apparent relationship to anything else going on architecturally. And, while the ceiling curves, the back wall is straight AND shows more arches in the background even though the ceiling looks to end. And yes, some of this is possible architecture, but taken as a whole, it’s just gibberish. Why would anyone who paints THAT WELL paint a building to look like THAT? They wouldn’t. It’s nonsense. It’s the art equivalent of word salad. When we look at a sentence and it’s like “dog makes a rhythmical salad to betray on the frame time plot” it almost resembles something that might mean something but it’s clearly nonsense. This background is that sentence, as art.

Sign 9: all kinds of little things that make zero sense. In the example image, I circled where a section of the hair goes BELOW the inner robe. That’s not impossible but it just makes zero sense. As with many of these, it’s the kind of thing that taken alone, I’d probably just think “well, that was A Choice,” but combined with all the other weird things it stands out as another sign that something here is really, really off. Here’s a collection of similar “wtf?” moments I spotted across the images I looked at (I’m worried I’m gonna hit the Tumblr image cap, hence throwing these all in one, lol.)

You have to remember that an actual artist will do things for a reason. And we, as viewers, are so used to viewing art with that in mind that we often fill in reasons even when there aren’t. Like, in the image just about this, I said, “what the heck are these flowers growing on?” And honestly, I COULD come up with explanations. But that doesn’t mean it actually makes sense, and there’s no REASON for it whatsoever. The theoretical same flowers are, in a different shot, growing unsupported! So…what gives??? The answer is nothing gives. Because these pieces are nothing. The AI has no reason, it’s just tossing in random aesthetic pieces together in a mishmash, and the person who generated them is just re-generating and refining until they get something that looks “close enough” to what they wanted. It never was supposed to make sense, so of course it doesn’t.

In conclusion…

After years of effort, artists have gotten across to most of fandom that reposts are bad, and helped us learn strategies for helping us recognize reposts, and given us an idea of what to do when we find one.

Fandom is just at the beginning of this process as it applies to AI-generated images. There’s a LOT of education that has to be done – about why AI-generated images are bad (the unethical training using copyrighted images without permission is, imo, critical to understanding this), and about how to spot them, and then finally about what to do when you DO find them.

With reposts, we know “tell original artist, DCMA takedowns, etc.” That’s not the same with these AI-images. There’s no original owner. There’s no owner at all – in the US, at least, they literally cannot be copyrighted. Which is why I’m not even worrying about “credit” on this post – there’s nothing stolen, cause there’s nothing made. So what should you do?

Nothing. The answer is, just as the creator has essentially done nothing, you should also do nothing. Don’t engage. Don’t reblog. Don’t commission the creator or buy their art prints. If they do it persistently and it bothers you, block them. If you see one you really like, and decide to reblog it, fine, go for it, but mark it clearly – put in the ACTUAL COMMENTS (not just in the tags!) that it’s AI art, and that you thought it was pretty anyway. But honestly, it’d be better to not engage, especially since as this grows it’s inevitable that some actual artists are going to start getting accused of posting AI-generated images by over-zealous people. Everyone who gets a shadow wrong isn’t posting AI-generated images. A lot of these details are insanely difficult to get correct, and lots of even very skilled, accomplished artists, if you go over their work with a magnifying glass you’re going to find at least some of these things, some weirdnesses that make no sense, some shadows that are off, some fingers that are just ugh (really, getting hands wrong is so relatable. hands are the fucking worst). It’s not about “this is bad art/not art because the hand is wrong,” it’s specifically about the ways that it’s wrong, the way a computer randomly throws pieces together versus how actual people make actual mistakes. It’s all of the little signs taken as a whole to say “no one who could produce a piece that, on the surface, looks this nice, could possibly make THIS MANY small ‘mistakes.'”

The absolute best thing you can do if you see AI-generated images being treated as real art is just nothing. Support actual artists you love, and don’t spread the fakes.

Thanks for your time, everyone. Good luck avoiding AI-generated pieces in the future, please signal boost this, and feel free to get in touch if you think I can help you with anything related to this.

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Originally posted on unforth’s fandom blog “cnovelartreblogs.”

A few weeks ago, a few of my danmei-loving friends and I got to talking about how much there is that we want to read, but that none of us have been very organized about keeping track of titles, fantranslation links, etc.

So, we decided to make a spreadsheet.

AND to combine every link we’d each separately stashed around on that spreadsheet.

The result is a list of 73 titles (currently 70 are danmei, 2 are baihe, and 1 is gen, reflecting our personal interests/preferences) with links to translations, some complete, some not. (as of 2/5/23)

Love C-Novels? Especially danmei? Looking for something to read? Check it out!

Some notes:

  1. This is specifically for English translations from Chinese titles. Though some of the links do include other works (for example, some translators also do Japanese, and some Carrds list fantranslations in multiple languages), we’re English speakers who are interested in Chinese novels, so we focused on that.
  2. Currently, this is mostly basic information (titles, authors, links), with no summaries, genre tags, etc. We hope to ultimately expand it but that will be a lot of work and the information is already available at the provided NovelUpdates links, so we encourage you to use those.
  3. We make no claims that this list is exhaustive; while the first sheet lists the resources we had collectively already gathered, there’s a second sheet with things we know of and intend to add.
  4. We’ll try to keep links and such up-to-date but if you spot a problem please let me know!
  5. Know of something that’s not on the main list OR on the “to add” page? Please do send the info my way! Comments or ask box stuff will help.
  6. Note that to actually access the fantranslations, you’ll often need to take additional action to read them – you may need to request access, or get a password, etc. How to get this access is usually included on the pages.
  7. Known official translations are listed. We will not link fantranslations for titles that are out officially in English. Don’t send them. Don’t ask for them. We won’t help you pirate these titles.
  8. Don’t forget to thank and respect translators, and honor their wishes! Without fantranslators, we wouldn’t have all this amazing stuff to read in English, so THANK YOU FANTRANSLATORS!

GO FORTH, AND FIND YOUR NEW FAVORITE BOOK!

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