Vaxxed

Oct. 5th, 2026 05:17 pm
oursin: Photograph of a statue of Hygeia, goddess of health (Hygeia)

More or less a birthday present! Emails last week that Covid and flu vaccines would be available at pharmacies and we were able to book for the local one for this afternoon (and I was able to cancel the much less eligible appointment - Saturday morning in a fortnight - at my GPs).

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Looking for Loren Rex Cameron: Inside the archive of the pioneering transmasculine photographer whose final years remain a mystery.

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The radical legacy of ‘On Our Backs’ magazine:

In 2011, Reveal Digital secured permission to digitize the majority of On Our Backs’ back catalogue, but those archives were removed in 2016 due to privacy disputes from past contributors and concerns about the archive’s potential exposure to minors.
In light of the digital archive’s removal, volunteers have taken alternative methods to digitize select issues to ensure that these pieces of history can remain accessible.

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In conversation: activism and advocacy for Queer culture:

Join Lady Phyll, and Lisa Power in conversation, chaired by Travis Alabanza, all of whom are featured as sitters in the exhibition Tim Walker’s Fairyland: Love and Legends, as they discuss the history, legacy and importance of activism and advocacy of Queer culture. They will share stories of their own experiences including co-founding Black Pride and Stonewall and will highlight how far the support of Queer culture has come, and how much is still important to achieve. 

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“Tired but undeterred”: A Smithsonian curator refuses to let this administration erase queer history.

oursin: Drawing of hedgehog in a cave, writing in a book with a quill pen (Writing hedgehog)

Okay, I will concede a certain amount of frustration with getting the microfilm apparatus working, and also, the thing I wanted to look at was at the far end of the reel, and this damned automatic system, unlike the good old hand-operated ones, means one is unable to fast-forward and rapid rewind but has to sit there while it takes its leisurely time.

However, I did find the article I was looking for and was able to email a pdf to myself, so that was a win.

I then went and had a somewhat mid sushi lunch at St Pancras, followed by a coffee from the hip organic coffee place in the corner of the entrance to BL courtyard - coffee okay, service not all that, sat and drank in sunny courtyard.

Then went and picked up my books in Rare Books and Music, this was because one was Notorious Banned Book which had to be consulted at desk adjacent to Reference Desk (as most copies were destroyed and this was presumably official deposit copy of record, fair). Actually I find that the copy I have (Paris edition) is the one with preface by noted litterateur of the day.

Also looked at two works on Banned Books which referenced it, one of which was not all that (confused Joe Lyons teashops with Lyons, France) and another which I need to return to if project is a goer. Might even see if the p/back or electronic versions are available at eligible price.

Then very agreeable busride home.

oursin: Drawing of hedgehog in a cave, writing in a book with a quill pen (Writing hedgehog)

Today I finally sent off a reference that I have been fiddling about with for some while, and the deadline is coming rather imminent, so that's done.

(Really not sure why Younger Scholar even asked me....)

Have actually got down to cracking on with the review that's been hanging over me - I looked at the relevant email chain the other day and oops, the deadline went sailing past last month - and it's taking shape and I might even have had a finished at least draft, but -

Email from the archivist at Institution I was intending to visit later this week, saying that as it is literally only 2 letters that I want to consult, they could scan them for me?

YAY.

So then it was downloading and filling in and scanning and uploading the relevant form.

However I think I will still make projected visit to BL that I was going to combine with looking at those letters (which were not very far away) as planned later this week.

In other Not Quite Past It Yet news, ran the notion of doing a centenary edition of A Banned Book (that very few people have actually heard of), with scholarly intro, past A Colleague, who thought it might be a runner.

Am still waiting for response from Former Workplace apropos yet another thing.

oursin: Painting of Dr Johnson, overwritten Paging Dr J (Dr Johnson)

Yesterday on bluesky there was pushing back at some techbro type guy who was all about he was not going to read Shakespeare for some weird reason which seemed to be that A Greater Mind might emerge in future from millions more population than were living in Shakespeare's day, or something like that - anyway, it was an argument that basically brought out my inner Elinor Dashwood that this was not someone who deserved the compliment of rational response and should be left burbling to himself. (Because we think the Lambs' Tales from Shakespeare would probably be a bit past his reading comprehension, hmmm?)

But anyway, people were arguing over this, and somebody advanced the claim that, actually it wuz The Victorians That Made Shakespeare A Thing Anyway -

And honestly I had other things on my mind at the time, and was not interested in engaging, but Srsly, WOT?

His own mates thought he was sufficiently Hot Stuff that they brought out the First Folio -

His plays were constantly being produced although we must admit 'improved' by e.g. Colley Cibber.

And, come on down, Dr Johnson, who was commissioned to edit the Plays in 1757, edition finally published in 1765: he remarked that Will by then had 'the privilege of established fame and prescriptive veneration'.

One might also argue that even before the Victorians an eponym was created by the editors of The Family Shakespeare in order to make them suitable for reading devant les enfants.

(Lambs' Tales pretty much contemporaneous.)

So while Matthew Arnold certainly wrote a sonnet invoking tropes of immortal spirit etc he was not exactly doing the 'rediscovering neglected/forgotten writer' or bigging up British bard to compete with other national bards.

oursin: Photograph of small impressionistic metal figurine seated reading a book (Reader)

What I read

Finished Camp! and remained underwhelmed - there was a whole section in the final chapter about how 'in the twenty-first century, feminine-presenting young men have become an increasingly popular part of Chinese culture', and apparently official backlash against this. Having seen the movie Farewell My Concubine about the Peking Opera and its tradition of travesti male stars, this is perhaps more complicated? an older tradition/retro? All felt a bit crammed and rushed.

Literary Review

For some reason felt moved to take a look again at the novels of William Cooper, and picked my ancient Penguin of Scenes from Provincial Life (1950). Set in 1939, just after Munich. Would probably be interestingly compare/contrast with all those novels by women of the period I constantly mention. Joe Lunn and his circle are both sort of flailing in a panic - much discussion of fleeing to the USA but they are not very together about doing this- and being absorbed in their quotidien professional/emotional lives. For 1950 it's remarkably not what one expects - one character, Tom, is gay but much more is made of his being the sort of person who Knows Best about everything and tries to organise everyone's lives for that reason - Joe and his girlfriend have a pregnancy scare but after a gin-swilling evening and some worry the problem disappears - however the abortion issue arises again when one of his sixth-form pupils (he is a physics teacher/novelist) has got his girl friend definitely pregnant and collection is taken up to cover the cost - Tom's boyfriend, besides being fed up with having his life organised for him, is getting interested in GURLZ - Tom, who has particular reasons to for fearing the Nazi invasion he posits is on the horizon (besides being gay, is Jewish) takes boyfriend on holiday to France -

This actually all works well both with the feel of people getting on with their lives/actually not knowing where their lives are going to go. The muddle is the point. And then the War comes and everything changes.

Unfortunately Scenes from Married Life (1961) and set in 1951 just felt rambly, though there is a useful section where Joe's latest novel has his publisher getting worried over censorship and the way that actually worked through nudges and whisper networks.

I more or less finished, with a certain amount of skimming, Tales of the Uneasy, especially as the last tale was a version of something of hers I'd already read.

Re-read of Livia Day, A Trifle Dead (Café La Femme, #1) (2013) and Drowned Vanilla(Café La Femme, #2) (2014)

Cat Sebastian, Hither, Page (Page & Sommers, #1) (2019), on the train, as I was in the middle of Drowned Vanilla and it is a paperback which I did not want to tote around.

On the go

Cat Sebastian, The Missing Page (Page & Sommers, #2) (2022), started on the return journey.

Have begun book for review.

Up next

Maybe more Cafe La Femme?

oursin: image of hedgehogs having sex (bonking hedgehogs)

Naturally, from various angles of my interests, I am going to click on a link like this, no? Pornucopia: The World’s Largest Collection of Smut, and You Can’t See It.

And while I have a certain historianly interest in the contents of the collection (though I was having a conversation with somebody a little while ago and we reckoned we would love to take a gander at Antony Comstock's Private Cupboard, because a leading smuthound must have accumulated a really outstanding filth collection, hmmmm?)

- I was going to myself with my archivist hat on, OMG, this is so many problems - there must be HUGE conservation issues, I just hope none of those porno movies are on nitrate film, but I do not think the smart money would be betting on it, and a lot of those relics are on degrading media even if they're not going to spontaneously combust. Some of them I wonder if there are actually means of playing them still.

(Tangentially I mention my wince when hearing thrilled younger scholar recount how they had listened to a 78 rpm recording in a sound archive, and I was, really???)

Then it sounds as though they are Not Keeping Up With Basic Processing ('embarrassed about the unorganized conditions', heh) which sounds as though ambitious collecting agenda has totally outrun capacity of institution to keep on top of it (should I add 'fnar fnar, nudge wink' at this point???).

Plus on the access thing and being not entirely welcoming to visitors, while - perhaps - historically collections like The Private Case (in the BL), L'Enfer (Bibliotheque Nationale), etc, were only made available to selected readers for fear of contaminating the public, in more recent days this is because this material is particularly vulnerable to to being mutilated - pages torn out or defaced, etc - which is why if you want to consult Cup. classification material in the BL you have to do so under the eye of the Librarian's Desk.

I suspect also in play is a probably legit fear of persons presenting themselves as SRS Scholars who once they are in will go BONFIRE OF THE VANITIES on the place ('wary about divulging warehouse locations', totally figures).

Over here, being niche.

oursin: The Delphic Sibyl from the Sistine Chapel (Delphic sibyl)

Thinking about the 'how can you do/think about normal innocuous quotidien things' while shocking horrors are going on -

(Am not actually going to invoke pet genre of 'look at all these novels being written at a time when World War 2 was just about to begin/beginning'.)

This was just a coincidental thing that occurred to me when I was talking about something tangentially related when being a Nexpert for a journalist yesterday.

Who wanted to know about a certain sex manual v popular in its day and its author -

In the course of which I mentioned that it was not prosecuted for obscenity** unlike Eustace Chesser's Love without Fear (1940). One would have thought that possibly people had other things on their mind in 1940 than maximising matrimonial happiness, particularly considering that families were being broken up by men being conscripted into service, women being evacuated with their children, etc etc, but anyway, it was published, and sold several thousand copies before, in 1942, it was prosecuted for obscenity by the Director of Public Prosecutions.

Again, one would think people had other things on their mind. Anyway, Chesser and his publisher decided to take the case to court and plead not guilty before a jury, bringing three medical witnesses for the defence. The jury was out for less than an hour before returning a 'not guilty' verdict.

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Yesterday saw snowdrops appearing in the local park.

*WH Auden, Musée des Beaux Arts (1940)

**However, the Pope did put it on the Index.

oursin: Brush the Wandering Hedgehog by the fire (Default)

This one got occluded by festivities - Converts by Melanie McDonagh review – roads to Rome:

There is, too, a notable lack of women in this book, notwithstanding chapters on Gwen John, Spark and the Oxford philosopher Elizabeth Anscombe.

So, not just literary stars who took The Road to Rome and NO LETITIA FAIRFIELD who probably breaks a lot of the patterns by continuing to be a left-wing and feminist (stroppily so) public health doctor and vocal against what we would now call patriarchal misogyny within the Church (she was so Dame Rebecca's sister even if they didn't get on).

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Lucy Mangan on John Lewis's 'members' lounge' - I have a distant recollection that back in the day when department stores were first A Thing, they did in fact have lounges where shopping ladies could repose themselves, along with facilities. Probably not drinkies and chocs, though.

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The only known photographs of mathematician and computing pioneer Ada Lovelace have been acquired by the National Portrait Gallery just before they were expected to be sold to a private buyer. Fairly early instances of the photographic art, too.

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Murkying the waters: The Lies and Falsifications of Oliver Sacks:

Rachel Aviv explored the personal journals of the celebrated neurologist and writer Oliver Sacks. What she found was shocking: he had fabricated and embellished some of his most well-known work — like Awakenings and The Man Who Mistook His Wife for a Hat.

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On a rather different diary story: the prolonged saga of publishing Pepys: who would have believed this, over whether to go ahead and include all Samuel's more smutty adventures:

In 1960, while Penguin was being prosecuted for the publication of Lady Chatterley’s Lover, Magdalene sought the advice of its fellows on whether to proceed with a complete edition. C.S. Lewis argued that it would be ‘pusillanimous and unscholarly’ to hold back. Society, he wrote, was already so corrupted that the supposed further harm of ‘printing a few, obscure and widely separated passages in a very long and expensive book, seems to me unrealistic or even hypocritical’.

Yay Jack!

oursin: Photograph of Queen Victoria, overwritten with Not Amused (queen victoria is not amused)

Charles Dickens exhibition to shine light on powerful women in author’s life: 'Novels only ‘reinforced Victorian stereotypes’ of meek women to give readers what they wanted, says curator'.

Oh, come on.

Query, did readers (as opposed to various gate-keepers in publishing houses, Mudie's and other circulating libraries. etc) want meek women?

(Do I need to cite Victorian novelists who did quite well out of women who were not meek.)

I would also contend that any input from women in Mr D's life was going to filtered through a lot of his Own Stuff, and the article actually points out some of the things like His Mummy Issues.

There is no-one in the novels at all like Angela Burdett-Coutts, whom one suspects very unlike saintly Agnes Wickfield (and married a much younger man at an advanced age), in fact as I think I have complained heretofore, he was happy to work with this renowned philanthropist while the women philanthropists in his novels are mean and merciless caricatures.

One can make a case that he did worse than 'dilute' the women he knew when portraying them on his pages.

Also I am not sure what the 'debate' is over his relationship with Ellen Ternan!

oursin: Brush the Wandering Hedgehog by the fire (Default)

'Toad he went a-pleasuring': Toads risk their lives crossing a Somerset road to mate. This year, a patrol rescued thousands:

Charlcombe Lane is closed annually for six weeks in February and March as volunteers patrol every night from dusk to help toads, frogs and newts on their journey to their breeding lake. This toad patrol is one of more than 200 across the country that take part in the national Toads on Roads project run by the amphibian and reptile conservation charity, Froglife. Across the six weeks, more than 50 volunteers on the Charlcombe Toad Rescue group spent more than 648 hours in high visibility jackets, armed with torches, buckets and special gloves, walking slowly up and down the road.
Toads, frogs and newts are carefully picked up and taken safely in buckets to five drop off points to help them on their journey towards the lake.

Awwwww, bless.

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A rather grimmer tale - modern high-tech version of 'ooops the hospital mixed up the babbiez in the nursery and sent the wrong ones home with the parents': Legal and ethical ‘nightmare’ after woman gives birth to stranger’s child due to Monash IVF mistake:

“The evidence of it being an isolated incident is really only because they’ve never had to check or disclose,” said Dawson. “One in 18 births are IVF-conceived children, [and] if these checks and balances are being missed as recently as last year, there needs to be more record-keeping and more information.”
Leading Australian IVF specialist and former Monash IVF director Prof Gab Kovacs said there were over 100,000 IVF cycles in Australia annually, so every few years a mistake is made. “There have been mistakes recognised in the past, it’s more often that the wrong sperm is used when the sperm and the egg are put together,” he told ABC Radio Melbourne.

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More on the problems generated by MODERN SCIENCE!!! in this case: Genetic descent: a new challenge for the management of human remains in museums:

Over the past year, an increasing number of UK institutions have received enquiries from customers of commercial DNA companies about individuals in their care who have been sampled for ancient DNA analysis.
Typically, ancient DNA results are published open-access and the data deposited with online databanks.
International commercial DNA companies who focus on ancestry are now using these datasets to match their customers with archaeological human remains – and advising them that they are a ‘direct descendant’ of this past individual.
Some customers, curious about their ancestry, are accessing the publications and then contacting the institutions curating the human remains. Typically, these enquiries ask for more information about the individual and their archaeological context – a request not too dissimilar from the usual range of questions received by an institution about their holdings.
But these new type of enquiry poses several challenges – foremost, that existing guidance and advice about the management of human remains published by (among others) the Advisory Panel on the Archaeology of Burials in England, does not specifically deal with this issue.

Plus, ongoing impact of budget cuts:
Most institutions in the UK do not have a curator dedicated solely to human remains, and many do not have an archaeology curator.
Institutional knowledge about holdings and research activities has been lost due to staff-cuts, and less well-funded institutions have been unable to continue their membership of specialist networks or other professional bodies, who can provide advice and support.
The situation is compounded by rapid developments in the methods and reliability of ancient DNA studies, which means that without specialist knowledge and access to that scholarship, understanding the issues raised by these enquiries may be impossible without help.

I.e. It's All More Complicated (like most of the issues thrown up by the data produced by these companies).

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Dept, 'More Money Than Sense' x 2:

Influencers 'new' threat to uncontacted tribes, warns group after US tourist arrest:

Social media influencers pose a "new and increasing threat" for uncontacted indigenous people, a charity has warned after the arrest of a US tourist who travelled to a restricted Indian Ocean island.
Mykhailo Viktorovych Polyakov, 24, allegedly landed on North Sentinel Island in an apparent attempt to make contact with the isolated Sentinelese tribe, filming his visit and leaving a can of coke and a coconut on the shore.

And

‘Rachel Reeves is making us move to Italy’. This person is an 'entrepreneur' with 'an MBA and PhD in finance' as well as being a reality TV star, and yet she is terrified that Italian waiters will somehow compel her to ingest pasta and pizza. (Apart from anything else, this suggests a woefully limited knowledge of the range of Italian cucina, no?) Awww, diddums.

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Did I post this before? Seized Books! An online exhibition:

LGBTQ+ books and censorship in 1980s Britain.
On 10 April 1984, Her Majesty’s Customs and Excise raided Gay’s the Word bookshop in London’s Bloomsbury.
'Operation Tiger' saw officers seize over 140 titles, worth thousands of pounds.
Bookshop staff and directors were charged with conspiracy to import so-called ‘indecent or obscene’ material.
But Gay’s the Word and their supporters fought back...

Limited edition catalogue available from Gay's The Word.

oursin: Painting of Clio Muse of History by Artemisia Gentileschi (Clio)

(I have been and gone and got my latest Covid booster this pm, yay, because I am An Old and they summoned me.)

I really liked this, because I have oft thought and even remarked that 'throughout The Whole of History' so often comes down to, actually the 1950s, which was a really weird blip in long duree terms.

The 1950s And The Myth Of The “Traditional” Family

It's USA-ocentric but a lot of this, mutatis mutandis and allowing for the Welfare State, applies to UK:

In the post-war 1950s, big social and economic changes were happening in the Global North. Men returned from the war and went back to work while women retreated from the labour market, economic prosperity grew, and people started to have more children. It’s during this time that a change in family structure occurred; the nuclear family (2 parents, 2 kids) became increasingly popular among the middle classes. Typically, this means a male-breadwinner family, where the husband does all the paid work and the woman does all the unpaid household work.

(Okay, that leaves out the extent to which wartime support systems for women in the workplace disappeared, not so much retreat as forced back.)

Not sure the article really delves into the 'fewer children because a) massive decline in infant mortality meant the ones you had survived (this was a longer term pattern) and b) contraception more acceptable'.

It also leaves out - but it is a short article - the rise of married women going out to jobs that could be fitted around domestic duties - e.g. once the children had reached school age - so family could afford the delights of the new consumer society.

But yes, as the author states 'HISTORY DID NOT BEGIN IN THE 1950s'.

And to continue the theme of, will you please think a bit about actual periodisation?

I may have mentioned, from time to time, the confabulation of the 1950s and 'Victorian', and this is pretty much literally the case in this report about rise in patients with Victorian diseases. I have just done a quick check on that invaluable resource London's Pulse and scabies and erysipelas were still being routinely notified to London's Medical Officers of Health well into the 1960s. So, of course, was measles.

Another instance of, just how long do you think Queen V dragged out her mortal coil? I was looking up a fairly obscure (I will not say forgotten or neglected) work of the 1880s by a secularist lady which deals with Malthusian matters and came across an article on the 'Victorian' censorship of works on birth control which includes MARIE STOPES. (Quite apart from the fact that you have to stretch the term 'censorship' very considerably to apply it to anything that happened to Marie, the publicity hound....)

oursin: Illustration from the Kipling story: mongoose on desk with inkwell and papers (mongoose)

(I think I may have posted something before about this whole thing of 'posture photos' at US colleges.)

The power of creating archival silences:

From the 1910s to the early 1970s, many American universities and colleges had its students stand fully or nearly unclothed for an annual posture photo. University physical educators and physicians used these photos to assess student health, to develop college classes in posture training, and to motivate students to comply with physical education instruction. Regarding the latter, the hope was to shame students with poor posture by showing them objective, photographic proof of their unappealing, slouching features, while also prizing improvement and propping up students who exhibited “A” grade form.
....
Not able to control the security and circulation of these photos—not to mention the feeling of degradation that they caused—most universities ceased the practice of assessing posture altogether by the early 1970s. Despite this, the photographic record of the practice lived on, or at least until 1995 when a New York Times Magazine exposé titled “The Great Ivy League Nude Posture Picture Scandal,” led to the wholesale destruction of archival records. Within a matter of months of this piece hitting the newsstands, decades of recorded history were incinerated or shredded beyond recognition.

Okay, we can discern in this story some pretty poor instances of proper archive-keeping if
[P]osture photos of female students often went missing, purportedly stolen by their male peers. Yale men would raid Vassar’s gym for female posture photos, and then create cards that would be graded, traded, and sold.

But one would hope that by the 1990s there was some awareness about ethical issues around sensitive archival materials and appropriate methods of handling same?

Apparently not.

Historians who wish to portray and write a more balanced account of the past often lament that the stories of white, elite men are so much easier to find than that of historically marginalized peoples. And yet, in the case of posture photography, I see the opposite happening. In the history I tell, the white, elite, educated class had the power to erase themselves from the historical record.

Alas that I can think of an instance or two when depositing bodies admitted that a certain expurgation had occurred before archives were transferred, and it tended to be over such issues of personal shame/sensitivity, instead of having discussions about how to handle.

oursin: Illustration from the Kipling story: mongoose on desk with inkwell and papers (mongoose)

I mean, it's Texas and all, even if Austin is not typical (or it wasn't when I was there, decades ago):

Freedom to Write, Freedom to Read: The Story of PEN:

explores the history of PEN and its continuing relevance as an international organization focused on freedom of expression. Using the archive of both English PEN and PEN International at the Harry Ransom Center, this exhibition follows the founding of the organization of P.E.N. (poets, essayists, and novelists) as a dining club in London in 1921, its fight against the Nazi book burning campaigns in the 1930s, and its present status as the world's foremost association of writers, operating in more than 90 countries. This exhibition spotlights creators like Radclyffe Hall, Toni Morrison, Arthur Miller, Salman Rushdie, and Margaret Atwood alongside the everyday people who promote freedom of expression.

The exhibition is supported by the Tocker Foundation, which is also 'supporting public libraries all across rural Texas', kudos to them, that cannot be an easy mission.

How unlike the pusillanimity reported of an exhibit at the National Archives Museum in DC: The National Archives Museum Is Under Fire for Allegedly Scrubbing Difficult Historical Events:

The National Archives Museum, under the leadership of U.S. Archivist Colleen Shogan and her top advisers at the National Archives and Records Administration, has allegedly modified planned and existing exhibits involving subjects like the government’s treatment of Native Americans and the history of birth control medication in favor of more anodyne subjects, according to numerous anonymous staffers speaking to the Wall Street Journal, which broke the story.
....
Some modifications touched on some of the most hot-button subjects of our day. Shogan reportedly ordered that employees remove information about contraceptive medicine from a section on patents and replace it with a patent for the bump stock, a controversial device that allows semiautomatic weapons to fire at higher rates of speed and was employed in the 2017 mass shooting in Las Vegas which killed 58 people, making it the most deadly mass shooting in American history. Dorothea Lange’s photographs of Japanese Americans in WWII internment camps, according to staff, were cut for being “too negative and controversial.”

This follows the expression of significant concerns over the ongoing under-resourcing of the National Archives: History Coalition Warns of Critical Needs at National Archives.

oursin: Brush the Wandering Hedgehog by the fire (Default)

‘I thought of the church as a friend and it slapped me in the face’: historian Diarmaid MacCulloch on the Church of England’s hypocrisy

For the past four years, since his retirement from university teaching, he has applied that lifelong erudition to a comprehensive and richly entertaining history of the ways in which, for 3,000 years, the church has tied itself in knots over sex (and love and marriage).

And he has been running it past someone whose work on this topic is top-notch:
MacCulloch asked the classics professor Helen King to read his book pre-publication. King is just publishing a book on women’s bodies through the ages. “She said lots of complimentary things,” he says, “but felt there was a major omission: I hadn’t mentioned the clitoris much.”
“I was embarrassed,” MacCulloch says, “to realise that was true.”

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Wow, this is terrifying: Like Jay Gatsby, He Threw Parties to Get Her Attention. It Finally Worked.:

Mr. Quintero first noticed Ms. Babai in a mutual friend’s Instagram story in 2016, when he was a freshman at Quinnipiac University and she was a freshman at the State University of New York at Albany. He asked that friend, Janice Murphy, for an introduction, but it would take four years for that moment to come. So Mr. Quintero, who became affectionately known as “Gatsby” among Ms. Babai’s friends, began hosting lavish gatherings in hopes of meeting her.

It was creepy when Gatsby did it, and it's even creepier when it starts with seeing someone on INSTAGRAM.
Mr. Quintero found ways to stay in touch. Most notably, he had Ms. Babai introduce him to her boss, Joseph Calabrese, the owner of a lighting design and fencing company, to talk about opportunities to work with his business, Quintero Enterprises. “Little did I know at the time, this was just another step to get closer to me,” said Ms. Babai, who coordinated their phone calls and joined business dinners.

And just wait for the proposal scene:
Mr. Quintero wanted to do something “big,” he said, for the proposal in October 2023, so he rented out Barclays Center and convinced Ms. Babai to join him for what he said was an awards ceremony for women in business. As Ms. Babai entered the empty arena, she was greeted by pictures of them together on jumbotrons, flowers and a group of singers performing “Say Yes to Heaven” by Lana Del Rey. As Mr. Quintero got down on one knee, he said, “I have been waiting for this moment since the day I met you.”

Does the Witness Protection Programme offer advice in such circumstances?

***

Anthony Comstock arrived in Washington, D.C., in January 1873 with a collection of pornography and big plans for what to do with it.
Alas, it was not to engage in trade with it.

Bearing a veritable grab bag of explicit images, books, pamphlets, contraceptives, and sex toys that he had ordered expressly for the purposes of shock, he set up displays, first in the private homes of legislators and then in the office of the vice president inside the congressional building.As congressmen trooped by to gawk, Comstock spoke to them about the “nefarious business” of obscenity.

The results still resonate.

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I feel I've heard of this, er, colourful character before, but I can't quite place them: Charlotte Bach (born Karoly Hajdu; 1920–1981) was a Hungarian-British impostor and fringe evolutionary theorist.L 'Her alternative theory of evolution acquired a cult following among prominent writers and scientists in London during the 1970s, who remained ignorant of her original identity until after her death.'

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More fun insights from The Cambridge Group for the History of Population and Social Structure: Why were Hansel and Gretel not English?:

These types of stories about hunger and famine abound in the folklore of most European societies, and embody folk memories of food scarcity. However, as the historian John Walter noted, these tropes are curiously absent from English fairy tales. Why?
Walter speculated that this reflected the exceptionally early disappearance of famine from England, centuries before the risk of famine had subsided in the rest of Europe. Famine remained a threat in most of Europe until the mid-18th century, and persisted in some areas into the 19th century and even the 20th century, especially in association with war. In England, on the other hand, the last national famine occurred in the 1590s, and the last regional famine in the 1620s.

(I am not sure whether this accords with the narrative in English Food, which is still rather languishing on my reading pile.)

oursin: Brush the Wandering Hedgehog by the fire (Default)

I Can't Believe That I Forgot To Mention:

NAOMI MITCHISON!!!

Admittedly this was a time when, however much she was a heroine of mine, she was even more niche (or, I suppose, given her plethora of interests and activisms, niches) than she is now. It was at a reading in one of the smaller (in fact, very small) venues in the Royal Festival Hall complex, organised by the archivist of Mass Observation, so I guess this was about the time NM's MO diary was being published? Though she was actually reading her poetry. Early to mid 80s.

So after the reading I had some chat with my archivist mate on certain matters of mutual interest, and then, the initial rush to speak to NM having dispersed somewhat I ventured to go and say how much I was a fan, and did she ever think of reissuing her 1930s publisher-expurgated novel with the cuts restored? Alas, she said, doubted that the original text remained in its intact state. Also saw her (but not, as I recall, to speak to) at a JBS Haldane Centenary thing at the Science Museum some few years later.

Other rather niche writer of similar period I met - at least a bit niche/neglected at the time, her books are now having a revival - Celia Fremlin. Actually met her some time in the 90s because I was visiting her husband, who was involved in a progressive organisation of the 30s in which I was interested. She was interesting but a bit scary.

Plus, one day in the mid 80s I was attending a seminar at the academic department associated with My Former Workplace, and for some reason the polymathic Jonathan Miller ('theatre and opera director, actor, author, television presenter, humourist and physician') was attending. I was able to correct a comment he made about Criysede in Chaucer's Troilus and Criseyde ending up with leprosy - that actually happens in Henryson's version of the tale, The Testament of Cresseid, wow, such pedant.

oursin: Fotherington-Tomas from the Molesworth books saying Hello clouds hello aky (Hello clouds hello sky)

Yestere'en I was informed that contemporary editions of The Wind in the Willows omit 'The Piper at the Gate of Dawn' chapter.

My response was (after I had finished making like little Portly) - naturally - Kenneth Williams in Carry On Cleo


INFAAAAMY!!!!

However, a little research this morning indicates that this is not, in fact, universal - even on US Amazon I found a Kindle edition in which the actual cover depicts the relevant scene. Though Kindle sample views fail to reveal actual contents and if chapter itself is included, Kobo previews do and most editions appear to contain it, though one (Dover Children's Thrift Classics) does commit expurgation.

If this does happen, one assumes it is because PAGANISM? the scene itself is a particularly sweet manifestation of the Great God Pan Thing which haunted EngLit and the English imagination from the Romantics until sometime during the post-WW1 era (cite to Ronald Hutton, The Triumph of the Moon). Is TWITW subject to bookbans across the pond?

***

In further national identity issues, today is Mad Dogs and Englishmen just staying at home:


I even had - most unusual - a small dog get very snappy at my ankles at one point on my walk.

oursin: Brush the Wandering Hedgehog by the fire (Default)

Revisiting the question of people actually moving around in The Past: this seems to be mostly about those who had the time and the money to voluntarily travel rather than for occupational reasons, but still, of interest: Should I Stay or Should I go?: Encouraging travel in the early modern period.

***

This is interesting: Invisible Ink: Unearthing the Work of Female Screenwriters but I found it a bit frustrating because it's not entirely clear whether the scripts eventually got produced - clearly some of them did (I've seen Pink String and Sealing Wax) but I'm not at all sure, at the period in question, that a movie about a doctor's ethical dilemmas over abortion would have got past the British Board of Film Censors. I need to dig deeper into this....

***

A couple of things relevant to Pride Month:

What ‘Operation Tiger’ can tell us about LGBTQ+ publishing in the 1970s and 1980s:

Most of the works seized were published post-Stonewall and captured in print an emerging and increasingly confident and distinct LGBTQ+ voice. Forty years later, the seized books provide us with an unexpected layer of social history, by presenting us with a microcosm of LGBTQ+ publishing in the USA during the 1970s and early 1980s.

Featuring more than 900 candid interviews, the Old Lesbian Oral Herstory Project seeks visibility for those long denied it:
Arden Eversmeyer, a retired Houston schoolteacher who devoted her retired years to campaigning for visibility for older lesbians, who she felt were missing from the cultural discussion, began interviewing women in 1998.

***

Sff foremothers:

Ursula K. Le Guin was her own toughest (and best) critic:

To say that the Le Guin we meet in this book is argumentative, sometimes unfair, sometimes wrong and even self-contradictory is not to diminish her greatness. It is rather to rescue her from the dullness imposed on her by her canonization.
....
It’s a pity that Le Guin was one of the few writers to engage her work with such passionate intensity. Where most others were content to gesture at the existence of “The Left Hand of Darkness” as settling the question of whether science fiction could push against conventional boundaries, Le Guin was willing to ask herself if she really succeeded in doing so, and to say that the answer might be no.

2007 interview with Joanna Russ about slash and fanfic (published 2011 in Journal of Popular Romance Studies.

***

And further on foremothers: Charlotte Despard: Mother of Battersea, suffragette, and socialist rebel:

She spent a great deal of time in Ireland and in 1908 joined Hanna Sheehy Skeffington to form the Irish Women’s Franchise League. Throughout the Irish War of Independence, together with Irish republican revolutionary, suffragette and actress, Maud Gonne, Ms Despard collected first-hand evidence of army and police atrocities in Cork and Kerry. The two women also formed the Women’s Prisoners’ Defence League to support republican prisoners and in 1921, Ms Despard shared a house with Ms Gonne in Dublin.

(I would so have liked to see her go mano-a-mano with WB Yeats....)

oursin: Animate icon of hedgehog and rubber tortoise and words 'O Tempora O Mores' (o tempora o mores)

Or, alternatively, maybe it's surprising I'm here at all....

I’m moving overseas to study and my mum wants to track my phone.

As I have previously remarked, in the days when we travelled by diligence to uni and sent messages home by slow carrier pigeon except in cases of dire emergency....

Anyway, one sent maybe a postcard to say that one had arrived safely and wrote weekly or so letters to indicate that one was in health and keeping up with one's lectures and so on.

And this situation pertained for many years including travel to parts rather more potentially perilous than one's uni.

I can see the tracker thing actually being more worrying? - as in, why is she there and not other place, when there might be some perfectly harmless and innocent explanation, but someone who is doing this in the first place is probably set to get in a wrought-up state.

Then there was this posted to [community profile] agonyaunt: I don’t want to put her off reading by telling her she can strictly only read books aimed at 12-year-olds, but I also don’t want to let her read books that might expose her to harmful/adult content.

Looking back, I did post a while ago about Penguin Books's Peacock imprint for teenagers (and having more recently re-read The Constant Nymph for research reasons, rather than just having vague memories, my bogglesomeness could not be more boggled). I guess the pitch was, books which were written in rather more sophisticated prose but (in theory) contained nothing unsuitable for The Young Person (hmmmmmm).

Though by the time those started to come out and I was spending my book tokens on them, I'm pretty sure I was already borrowing books from the main, rather than the children's, library and also - with some parental guidance - reading books from their shelves of book club editions.

How old was I when I first read Anya Seton's Katherine? Gone with the Wind? How Green Was My Valley? I think all these were before I was fourteen.

Okay, reading these alongside pony books and school stories and so on.

But, you know, I felt I had a really rather protected childhood/youth as these things went at the time. By present-day standards, however, it seems practically feral - being sent out to the shops all on my tiny tod from the age of 8 or so, as well as the above.

oursin: image of hedgehogs having sex (bonking hedgehogs)

I.e., for anyone that hasn't seen anything about, the UK government being awful about sex education.

This sort of thing is why I have never been unduly tempted, whenever anybody has mooted the prospect, to write The History of British Sex Ed, because it has been Groundhog Day, or at least, a step or two forward and then wrenched back because of Some Moral Panic, no matter that a) the vast majority have for a considerable while been quite happy with schools taking on the responsibility (rather than parents doing it themselves) and b) evidence that the effects have been positive.

But no, these people who surely have worse problems, like sewage-filled rivers, lakes and coastlines, and also disease-ridden tapwater in the south-west (is that an earthquake in Brompton Cemetery?), have clearly wondered why Section 28 was ever repealed.

What is additionally depressing, even if understandable, is that the defenders of the keeping the status quo are framing the case in terms of harm reduction, that children need knowledge at a young age as a protection from abuse, that they are not in some bubble of innocence, etc, etc.

As historian of subject, this does rather take one back to the era of 'they need to know because of the DANGERS' of STIs, unwed pregnancy, etc.

Though even back in the 70s - or maybe not so remarkably, given that there was a lot of moral backlashery going on then - there was furore about the book Make it Happy: What Sex is All About by Jane Cousins - someone apparently referred to it in a Parliamentary debate as Make it Easy - it was not all bliss in that dawn to be alive.

oursin: image of hedgehogs having sex (bonking hedgehogs)

Looking back just now to what I was thinking about a year or so ago, I see I posted about Gillian Anderson's proposed anthology of women's sexual fantasies, in the tradition of Nancy Friday's My Secret Garden.

It all seems to have gone very quiet since then. A fair number of hits from approx a year or so ago re the project and her soliciting material.

However, there was a critique here suggesting that she was by no means boldly going where Friday had gone into the darker depths of the secret garden:

But despite her overtures to the taboo, submissions of fantasies for Anderson’s project are subject to strict guidelines. According to the guidelines—and unlike women’s actual sexual fantasies—the following are banned:
⋅ Sexual activity involving “rape,” “graphic violence” or “dangerous sexual acts.”
⋅ Anything racist, sexist or homophobic.
⋅ Anything that “advocates for readers to engage in any activity that is illegal in the United Kingdom”—such as sex in a public loo, voyeurism, or soliciting sex work on the street.
⋅ “References to real life events”—include events which only involve yourself.

Surely, we murmur, description is not prescription or advocacy?

People who have worked with fantasies and the distinction between fantasies and desires and the benefits of revealing to people that their apparently taboo fantasies are not as out-there and uncommon as they suppose suggest that this is a problematic path to go down, sanitising the whole thing.

Are we not, perhaps, a little reminded of that anthology of tasteful literary erotica by (carefully pseudonymised) lady writers which appeared some years ago?

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