oursin: Fotherington-Tomas from the Molesworth books saying Hello clouds hello aky (fotherington-tomas)

‘Fandom has toxified the world’: Watchmen author Alan Moore on superheroes, Comicsgate and Trump: er, Mr Moore, isn't there something missing in your analysis, hmmmmm? You mention age and economic privilege in your analysis of fan entitlement, the 'gentrifi[cation of] a previously bustling and lively cultural slum neighbourhood', but apart from noting the misogyny of Gamergate and Comicsgate, where is gender? Apart from your condescending account of the 'woman devoted to the late Jim Reeves' (the OED contradicts his claim for the date of the origin of the term, which is far older).

***

Something which seemed connected to the above, and people getting boringly overseriously invested in things, but annoyingly, the 'Big Idea' piece in the Saturday supplement on the value of playfulness doesn't seem to be yet online, chiz. And made me wonder what actually is play vs work or effort and striving. Because it resonated for me with a) a conversation on bluesky earlier in the week about the guilty secret of historians - loving research, research is fun, and b) an article somebody linked somewhere and I failed to save about the horrible abusive exploitation that is cheerleading, not that that makes it different from a lot of sports, which are not about fun or play. Also - is it in The Dispossessed? I think it's Le Guin, anyway, about doing the work you love in a society which is not about exploitation but cooperation, the concept of 'work/play'.

oursin: Photograph of small impressionistic metal figurine seated reading a book (Reader)

What I read

Finished latest Literary Review, read latest Slightly Foxed.

Having lately seen DVD of the movie had some urge to re-read the novel, and it was one of Kobo's deals, so Alisdair Gray's Poor Things (1992) - I recollect quite enjoying this back in the early 90s - since then I am a lot more critical of his historical accuracy (though he does get Victorian divorce law right!) and some of it felt he was really pushing the Early C19th Scottish Gothic Layered Narrative Pastiche - found manuscripts and inserted texts and so on - in ways that were perhaps a leetle more fun for him than the reader....

Lili Anolik, Hollywood's Eve: Eve Babitz and the Secret History of L.A. (2019), which I thought did occasional segue from 'dedicated researcher pursuing all leads as far as they will go' to 'creepily obsessed fangirl' (and also does that annoying thing where to big up one's fave, one disses on some other artist in whatever the medium is, in this instance, Joan Didion) but was still very very readable and had a lot of general social history of the time and place going for it.

Simon Brett, The Clutter Corpse (Decluttering Mysteries #1) (2020). I actually started this some while ago and put it aside, returned to it and kept reading, but really, Simon Brett, you are rather phoning it in a bit here, aren't you?

On the go

Recently in Kobo deals was the omnibus of the first 3 volumes of Upton Sinclair's 'Lanny Budd' novels, in which I had been mildly interested, but not at that price for the ebooks. Am stuck in to volume 1 World's End (1940) (which begins in Switzerland in 1913 with Dalcroze, which is rather adorable, even with the HUGE FORESHADOW), which I can see is pretty long in itself, and only the beginning of MASSIVE ROMAN FLEUVE. Not entirely what I would have expected from author of muckraking expose novels. Quite readable though, and more subtle than one might have expected.

Up next

That is going to keep me going for quite some time, and I don't think I will be going straight on to volume 2. Maybe a fluffy novella or two, for balance.

oursin: Photograph of small impressionistic metal figurine seated reading a book (Reader)

What I read

Finished Penance, which was very good but hmm, is this 'documents in the case' only electronic becoming A Thing??? and also, this is the second thing I've read lately where I felt Unreliable Narration was not turning out quite as Massively So as it could have done. Maybe I am Jaded and Cynical.

Also finished Ambitious Heights, about which my only cavil was really that I thought it needed a final concluding chapter, ended a bit in the air with the implosion of Geraldine Jewsbury's attempt at proposing marriage. But so good: I particularly adored Norma Clarke's BURNZ of Wordsworth: 'William Wordsworth's self-absorption was great, even by the standards set by male poets' and it went on from there.

Emily Tesh, Some Desperate Glory (2023) about which had lately been seeing buzz hither and yon, and I can quite see why. Are her earlier novellas worth looking? I surmise they are in v different mode.

Anne De Courcy, Five Love Affairs and a Friendship: The Paris Life of Nancy Cunard, Icon of the Jazz Age (2022), which was readable but somewhat disappointing/frustrating. de Courcy has form for writing about early C20th uppercrust women and does have a good deal of background knowledge of the period and its mores. However. Why FIVE? Nancy Cunard boinked her way pretty much through the whole of the Imagiste/Modernist/Dada and Surrealist movements (including a one night stand with TS Eliot), and why that particular five, except maybe they wrote about her? (but not the only ones) and Aldous Huxley was a very brief affair (she described the experience as 'like slugs crawling on my skin'). She was also bopping around all over the place even during the 20s and the height of the Jazz Age and Paris as a kind of Mecca.

Some inconsistencies/inaccuracies - if France was so cool and free from censorship, how come there was that episode where a disguised detective tried to buy a book she was publishing in order to arrest her for trafficking in porn? I also felt certain issues were left out until right at the end - like her bisexuality, and I would have liked a bit more consideration of her probable eating disorder and the fact that the hysterectomy in her 20s may have meant Whee, no worries about contraception or dangerous illegal abortion, but also, surgical menopause? Also, massive raised eyebrows about exactly how 'pure' and avuncular/quasi-fatherly George Moore's relationship with child Nancy had been.

On the one hand: OMG Nancy, check your privilege. She could treat people - especially her Black lover Henry Crowder - so badly and thoughtlessly. On another: when male novelists wrote women like Nancy into their novels, they never mentioned the commitment to publishing modern literature and supporting art, the political, in particular anti-racist, activism, did they, it's all about beauty, bed, and making men miserable.

On the go

Was dipping into Beyond Fandom again yesterday when out in the world with my ereader.

Have just started Jasper Fforde, The Constant Rabbit (2020), which was Kobo Deal recently. Enjoyed the early Thursday Next books and the Nursery Rhyme ones, but I am not sure I shall persist with this. Trying a bit hard, somehow?

Up next

Well, it's unlikely to be Ronald Hutton, Blood and Mistletoe, of which I have heard excellent report, but as I have gone for a dead tree version on the grounds that reviews of the ebook were scathing about the omission of illustrations, I now find that delivery is some way in the future, chiz.

So otherwise, no idea.

oursin: Photograph of small impressionistic metal figurine seated reading a book (Reader)

What I read

Finished Paladin's Grace - well, that ended up in a place I hadn't anticipated. Where next???

Judith Fetterley, The Resisting Reader: A Feminist Approach to American Fiction (1978), which somebody was recommending during a discussion on bsky a few weeks ago. V much about US fiction, and also, I think this would all have hit with more force back when I was reading the other pioneering works of feminist litcrit. But I do give her points for citations to Joanna Russ, and to Mary Ellmann's Thinking About Women, which I consider one of the great neglected foremother texts.

It was more or less as a result of reading that that I re-read, for the first time in practically half-a-century, The Great Gatsby (1925). I think the fact that I had not returned to it (or indeed any Fitzgerald) since then is probably diagnostic, and I was fairly meh. However, I did have thoughts about that novelistic convention which I have noticed and snarked about before, where somebody who is not centrally involved in A Situation nevertheless has fairly privileged access to the individuals who are involved and who keep them informed, to an extent that becomes, on reflection, deeply improbable. Unless we posit narrator as having a really rather creepy voyeuristic interest in either Other People generally or These People particularly.

Ian McCormick, Class and Cloister: The St Andrews Correspondence (2023): self-published epistolary novel set in the eponymous Scottish university in the mid-1980s - turns out to be part one of (presumably) an intended sequence. Interesting enough that I will probably pick up part 2, but originally took a punt on it as a) I have a very slight online connection to the author and b) this is the second novel I have come across this year set in St Andrews (the other was Robert Irwin's 2021 The Runes Have Been Cast).

Parini Shroff, The Bandit Queens (2023) set in a village in Gujerat. Geeta's husband disappeared five years ago: the general supposition is she murdered him and she is pretty much ostracised as a result. However, one of her neighbours hopes that as she has form, she might be able to help her dispose of her abusive husband.... The plot only thickens from then on. Blackly humorous.

On the go

I'm sort of dipping into Rob Hansen (ed), Beyond Fandom: Fans, Culture & Politics in the 20th Century (2023), free ebook: 'Stirred to action by a particularly stupid and dismissive media generalization about science fiction fans, Rob Hansen has prepared this collection of brief biographies and essays that tell – both in his words and in their own – the stories of fans who have made some impact on the mundane world. Not so much traditional SF-inspired careers in writing, editing, publishing or Big Science, as the less predictable options indicated in the contents list below:'. It's still rather insider-baseball.

Up next

Apart from the latest (winter double issue) Literary Review, not sure. Having chucked the oppressive chapter I'd been somewhat pressured into writing (or rather, I'd offered one thing and been asked to something rather different), do I now have time freed up to do some academic reading I've been putting on hold???

oursin: Painting of Clio Muse of History by Artemisia Gentileschi (Clio)

Or, 3, count 'em, 3 seminars I would really not at all mind virtually attending tomorrow afternoon, all pretty much at the same time.

Ayahs and Amahs: A free, online talk, on the lives of Asian nannies employed by European families during the 1800s and 1900s at the National Maritime Museum Greenwich.

(Also relating to this topic: Ayahs' Home: Remembering the forgotten Indian nannies of London)

Lesbian Motherhood Then and Now (Institute of Historical Research History of Sexuality seminar). Though the 'then' relative to 'now' covers a relatively (i.e. living memory) time-span. Nonetheless, a period of major changes.

(And on this topic and relating to social changes, the Gateways is having another moment: Life inside the wild London club where lesbians were free to be themselves; and a TV documentary.)

Also at the IHR in a different seminar series: ‘Too many restrictions could not be thrown in the way of divorce’: Attitudes to Women’s Petitions for Divorce by Act of Parliament 1801-1831, which for a history of matrimonial legislation nerd such as myself is actually rather tempting. (I did not know that as many as 4 women actually managed to obtain Parliamentary divorces, pre 1857.)

***

And in the generally related area of recuperating forgotten/neglected/condescended to parts of women's history, I suppose it's a good thing that somebody is (sort of) taking 'fangirls' seriously but still not quite (it seems to me?). The truth about screaming fangirls. Teenage pop fans have long been derided as vacuous victims of marketing. But there is so much more to it than that.

I wonder how many cultural phenomena were dissed on as being the province of silly young girls before they eventually became worthy of serious attention? - e.g. girls were screaming at the Beatles before they became deemed COOL, no? Also I wonder about people doing fan studies who can say this:

“Being a fan is very much associated with feminine excess, with working-class people, people of colour, people whose emotions are seen as being out of control,” Allison McCracken, an associate professor and director of the American-studies programme at DePaul University, told me. “Everything is set up against this idea of white straight masculinity, where the emotions are in control and the body is in control.”
Well, maybe the class thing, but sports fans? Maybe it's the things the emotions are about, as well...

oursin: Photograph of Queen Victoria, overwritten with Not Amused (queen victoria is not amused)

And honestly, I find this discussion over at AITA so point thahr, misst.

Okay, yes, I think the whole thing of the family doing their best to erase his first wife, the child's mother, very, very creepy and inappropriate -

But mostly it seems to be people going OMG HE MARRIED HIS DECEASED WIFE'S SISTER????!!!!! HORRORZZZ

Going on like a load of Victorian woezerers...

Really, this used to be if, not very common, not uncommon, even if for a long time the relationship either had to be without benefit of clergy or undertaken abroad.

Mind you, I notice that commentators there often get very wound up about cousins marrying, yea, even unto the third and fourth degree. (Ahem ahem the Darwin/Wedgwood Dynasty.) I think assumptions being made about ease of exogamy in earlier phases of society...

***

In entirely other news, I virtually attended a seminar earlier this week and ventured a question, and lo, the speaker turned out to be a fellow-fan of early C20th gay pacifist male suffragist sex reformer and subsequently entered into correspondence.

Very niche fandom!

oursin: Brush the Wandering Hedgehog by the fire (Default)

Why you should be taking security advice from your grandmother - because persons of that generation have oft been online a Very Long Time and seen many scams:

Many studies have come and gone in the last couple of years declaring certain age groups to be at risk at one time or another. The interesting part is that more and more are declaring that younger age groups are at the greatest risk.
(Activiates antimacassar and rants about these here 'digital natives' encountered during the course of my working life who were fairly pitiful at Finding Stuff Out.)

***

NSFW*: It was a simpler time and they had to make their own entertainment: interview with Lisa Z Sigel about her research for her book on handmade pornography in the US, based extensively on the Kinsey Institute collections.

And at an entirely different level of the same urge: Carl Williams Rare Books offers a large collection of printed and manuscript material that has an erotic flavour, much of which was largely produced clandestinely and banned in its time and sometimes even after.

*Well, depending on your workplace.

***

I know I am usually scathing about 'let's play Retrospective Diagnosis!', but I'm prepared to believe that this is much more soundly based than most ventures in that area, simply because, well, letchy old Sam P actually recorded quite a lot about his optical problems: The Big Brown Eyes of Samuel Pepys:

During the years when he was writing the diary, Pepys began to experience great pain in his eyes when reading and writing and from photophobia, which caused him to give up writing the diary. Pepys also had an ultimately unjustifiable fear of blindness.

***

Reasons for under-representation: Jim Crow, Science Fiction, and WorldCon:

The full effects of Jim Crow and racism both implicit and explicit prevalent on early fandom will never be known. How do you measure the effect of those fans who wanted to attend, but were denied access to the hotel where the convention was held? How many fans were turned off by the lukewarm response from fans like Redd Boggs, who didn’t agree with Jim Crow but were willing to implicitly endorse it so that Southerners could have their own science fiction conventions? While Jim Crow is a thing of the past, it is a part of science fiction fandom history—and one which we forget only at our own peril. There was a time when white fans did nothing, while black fans had to use side entrances and were denied entrance.

***

I was intrigued by this article - the whole moral panic about sunbeds had entirely passed me by - but during the 90s my then bestie 'Q' (the one who suddenly and painfully broke up with me and failed to include extensive help I had given in acknowledgements of her book) was, I think it is not unfair to say, at least somewhat addicted for some time to tanning beds, with what turned out to be detrimentally ageing effects.

***

Spectacular images of Barbara Hepworth's Family of Man at Snape Maltings and how the group came to be there.

***

This is really not an area I dabble in - okay, I have childhood recollections, but I do not have the investment in those memories that are mentioned here: Some Thoughts on Toxic Fandom in British Comics: but I went 'uh-huh' at this:

constantly complain that their childhoods have been ruined because a minor change has been made to a character in a comic they haven’t read for 40 years.
Nails it, I think.

oursin: The Delphic Sibyl from the Sistine Chapel (Delphic sibyl)

It is not, shall we say, cheering to be An Old in the present circumstance.

And, okay, I quite take the validity of arguments that, actually, we are not spent forces and we are still useful creatures in one way and another, and indeed it is encouraging to see signs, for example, that I am Still A Respected Historian, and so on -

- though this is after all disturbing in itself about who matters .

But anyway, the other day I came across some pontificator who was, oh, well, the Olds, what pleasure can their sad old lives be to them anyway?

(Pontificator themself being, what, late middle-aged?)

And I went and did a bit of a google, and, you know what?

Two of the original members of The Who, who are, in fact, of My G-G-Generation, are still alive and did not die before they got old, and one of the others survived into late middle age, the only one who did go out in a blaze was Keith Moon.

So I was thinking about this, and about why shouldn't people enjoy themselves in their Twilight Years anyway, they do not actually have to dash about volunteering or babysitting or whatever to justify their existence.

And this led me on to a thought that at 15 or even 20 and possibly even later, it may be hard to imagine how one can possibly enjoy life once one has come to the sere and withered, what pleasures are left?

But, you know, there are other and different things one might enjoy and these change over the life course.

(See my perorations about why people keep wanting to reignite the joys of the hurly-burly of the chaise-longue, when there is so much to be said for the delights of the deep deep peace of the double bed.)

Though there is also the policing by the Youngs of what it is appropriate for their seniors to enjoy, only this a.m. I came across a Twitter thread deploring the tendency of young persons to express horror and disgust that crumblies (I think over 20 or so) are being fans and writing fanfic, o, have they no shame? (Am reminded of episode in Jo's Boys, when fangirl of Jo's writings is deeply disillusioned to meet frumpy old Mother Bhaer: 'I thought she'd be about sixteen and have her hair braided in two tails down her back'.)

(Is this not allied to the supposition that if you have not made it by 30 you have Failed?)

oursin: Cod with aghast expression (kepler codfish)

My life in sex: the married man who goes cottaging.

Okay, I am not getting moralistic over the anonymous sex in public toilets aspect, diffr'nt strokes for diffr'nt folks, etc,

BUT

[W]e married when I was 27 and she was 25. We had a vanilla sex life for the first 10 years, after which I decided we should stop. For 29 years we have had no sexual contact. This lack of a physical relationship goes undiscussed and does not cause any tension. We both take it for granted and are rarely in the same room.

I can only assume my wife has remained celibate. Meanwhile, I get physical satisfaction from cottaging, something I started doing shortly after we married.
....
I enjoy the social status attached to being married and I still feel affection for my wife – just no physical desire. I went off sex with her because she was too emotional and clingy afterwards; I just wanted to go to sleep.

Sex with other married men is quick and involves little emotional commitment.
Wot a gem.

***

To take some of the taste of that away, have a review of A welcome sympathetic portrait of [female] fan culture.

I was also rather taken by this, in a review of two books about the 'supergroup', Crosby, Stills, Nash and Young:

From their descriptions of the protagonists’ relations with battalions of compliant young women, the hero is undoubtedly [Joni] Mitchell, who emerged from relationships with Crosby and Nash as an independent figure, using what she had learnt as material for her own songs, which have generally worn rather better than theirs.
A neat reversal of the usual 'muse' narrative, no?

oursin: Brush the Wandering Hedgehog by the fire (Default)

My reading page is currently, well, full would be exaggerating, but showing a significant number of posts which are saying welcome to Tumblr refugees -

- and indeed I welcome Tumblr refugees and I'm delighted to see more people turning up on Dreamwidth and people who haven't posted for yonks posting again and a general sense of things happening.

But here am I, a person d'un certain age who does not consider herself really in fandom (even has she inspired a certain micro, even nano-fandom), who has been on DW since its inception and before that on LJ and finds the format congenial, and posts daily (except for that time on the train without wifi).

And who over the years has developed a set of jokes and allusions and references that probably render a certain percentage of my posts thoroughly opaque and in need of footnotes.

My sticky intro post.

oursin: The Delphic Sibyl from the Sistine Chapel (Delphic sibyl)

I hope that, when I see people very wrought up about something that does not have the same resonance for me, I do not go around saying poo-poo and declaring that they should not be feeling what they are feeling.

In fact, this may be a good time to call attention once more to my posting of the amazing Dr Petra Boyton's piece about the intention of One Direction to take a break and responses by fans, which is really, of much more general application.

This also resonates a bit with something that was touched on in conversation yesterday concerning the way appropriate behaviour and attitude gets policed in classic girls' school stories, implicitly or explicitly and usually with tacit authorial approval.

And then, today, I picked up a copy of Josephine Elder's Exile for Annis (1938) in a charity shop, in which Our Protag is described near the beginning as

She disliked on sight all people who were not just like the majority of other people. Her ambitions were to look, dress, and talk like every other healthy, athletic, intelligent girl of her age... to attain the First Tennis Six, the First hockey and cricket teams, and the Senior swimming team; to be a Senior Prefect, perhaps even Head Prefect.
Which is pretty much the usual default position for Our Heroine and Her Circle, but it looks as though this is going to get subverted.

oursin: Beatrix Potter's Mrs Tiggywinkle, wearing an apron, clasping her paws, and looking upwards (Mrs Tiggywinkle)

Dr Petra Boynton on how to cope when your favourite band breaks up:
Telegraph Wonder Women agony aunt Dr Petra Boynton offers advice and support to distraught fans of One Direction, who have announced they will be 'taking a break' from March 2016

It's actually about what being in a fandom does for the people who are in and why they might feel bereaved when this, or the equivalent, happens.

Being a fan is part of your identity, it’s something you can use to describe who you are and gives you a sense of belonging. In turn this can help with friendships – in real life and online – where you can connect with other fans and talk together about your shared passion.

More than that, in following a celebrity or band you can feel part of their lives. Especially if you are reading their tweets, checking out their photos on Instagram, watching them perform or ensuring you never miss an interview.

Being a fan gives you a focus - it can distract you, unite you with others, allow you to express feelings of love, excitement, desire and passion.

If you have been struggling with home or family problems, college and study, relationships or friendships then 1D may have been an escape route for you or gave you a sense of security or hope.

In this case the band separating may be an additional crisis for you to cope with, or removes the safety barrier they represented against the problems you were dealing with in the wider world.

And it takes seriously how fans may react rather than reading this into the standard silleee hysterikle gyrlyz narrative.

Yay Dr Petra.

oursin: The Delphic Sibyl from the Sistine Chapel (Delphic sibyl)

I have been noting latterly that there are mournful threnodies over DW/LJ (also various over the decline/death of fandom/s) hither and yon.

I'm here.

This may be my long-time tendency to find something that suits me - it may not be perfect, but I could do a lot worse - and carry on sticking with it, which is why I have been living in the same flat with the same person for 30+ years, working in the same place for 35+ years, going to the same gym since the mid-80s, having the same weekday breakfast since the late 70s, etc etc.

But I don't notice anything particularly moribund about the space I'm in. There have been changes, people have gone and come, the ecology is different, but that is life, is it not?

(Plus, there is actually critical mass leading to online readthroughs and discussions anent two of my long-term, rather niche, literary fandoms. This may have something to do with changing age-profiles? or not.)

I can see that different things suit different people at different stages of the life-cycle (though when I see people going Y NO DW MOBILE APP? I am rather huh? because I find the LJ mobile app loathsome and would rather faff around with tiny browser).

While different things fulfill different needs in our lives, on and offline. I do different things on FaceBook or Twitter than I would do in this particular venue. I don't get Tumblr at all, and I don't do Pinterest, but as I am an old-skool (in so many senses, no?) text-based person who back-buttons at the speed of light when she is sent to a video link, this may have something to do with my apathy towards investigating further.

I am also (coincidence: I think not!!!) seeing obituary orations over The Book. No, my dearios, srsly? WTF???? (Okay, am also yay cynical about whoever that person is who has just discovered BOOKZ and proposes to get through one a fortnight for the next year, at which I sneer and go 'amateur'.) (But you know me and my attitude to challenges and the assimilation of reading to Something Good For You in the same sort of category as a detox or exercise regime, do you not, dr rdrz?) (Lo, they b heerin the rant from the moon.)

Some things may be swept away by the tides of history, and you will not find me mourning the fax machine.

But other things find their niche (I did wonder, in that woezy piece about the dwindling of craft skills, how many of those or cognate skills may not be positioning themselves in the marketplace, but are nonetheless being practised as hobbies.) (Okay, I am now having horrible vision of chimney-climbing from the inside as a new extreme sport.)

I have made friends here. Many of them I still interact with here, with others the venue has moved. But I'm still here.

oursin: Brush the Wandering Hedgehog by the fire (Default)

( Previous posts )


14. Did you have a gateway fandom? Still in it? Why or why not? Is there a community for it on DW?
Not sure whether I have fandoms as such, or whether mine are so extremely niche interest that it's just me. Okay, I am keen on BtVS/Angel, Farscape, and other things, but I don't really feel myself as participating in the fandoms particularly. This may be because I don't watch television much, and also because if I do, we only get terrestrial channels, or I am catching up via DVD boxsets, so I am months or years behind everybody else (and have also been massively spoiled, not that I am that much bothered by spoilers - e.g. I knew Angel was going to turn evil at some point when I still hadn't seen the whole of series 1 of Buffy).

( Future questions )

Age issues

Nov. 22nd, 2009 05:30 pm
oursin: Brush the Wandering Hedgehog by the fire (Default)

This comment was in a post linked via my lj flist: 'In terms of fandom, this is not a young group: The average member is about 35 years of age.'

That is, people who were born after I'd graduated and been in the work-force for over a decade, the dessicated crones.

I've been thinking lately - having recently entered my 7th decade, become eligible for a state pension and free NHS prescriptions, etc - about age and representing oneself online.

And wondering whether some of it isn't about people who are within my sort of demographic being somewhat reluctant to give age-disclosing details (and therefore being under-represented in statistical analyses) because of fears about age-stereotyping (if 35-year olds are decrepit hags, what am I?).

Also wondering how much of that is internalised ageism and thinking that one is not like those other people in one's generational category.... Okay, there are lots of people I know who are essentially My Generation and don't evoke any 'eeeeuw, past-it' feelings.

But how much of it is not feeling as one expected to feel about being this age when one thought about it in earlier years?

Am I grown-up yet?

In some respects yes, in others, no, not really.

There are layers: sometimes I'm 5 and sometimes I'm 13 and, really, there are embedded strata of all ages. Though I will concede that sometimes I read something and think 'I would have loved this when I was 11 [or whenever] but it doesn't really do it for me now'. And sometimes I read things that I couldn't get on with in early years and they now thoroughly ring my bell.

I don't look back with any yearning to my teens and twenties (my 20s being characterised by frequent debilitating migraines, being bored into illness in the wrong job until I dropped into the right one, being in the slow-motion trainwreck relationship, etc). If I had to pick a preferred time of my life I'd probably (like the protag in that A S Byatt short story 'The Djinn in the Nightgale's Eye') pick the late 30s or early 40s. Though there is also something to be said for being post-menopausal.

I do not feel particularly old, I do not feel wise, though I sometime have the sense of enough accumulated experience to make certain judgement calls.

And one never sees from outside: perhaps I look like a crotchety old bat.

And sometimes I feel like one, but that's usually circumstantial: it's not what I feel like all the time.

Iz puzzlement.

ETA: Trouser bottoms: unrolled.
Hair: not parted behind.
Peaches: never very keen on them anyway.
White flannel trousers: DO.NOT.WANT.
Walking on beaches: yes, if the tide's out.
Mermaids singing: NO CAN HAZ, ALAS

oursin: Brush the Wandering Hedgehog by the fire (Default)

Also 'I am a seagull... no, I am a hedgehog'.

Lots of juicy discussion going on hither and yon provoked by this post of [personal profile] oliviacirce's.

But I don't feel that I fit anywhere particularly in this debate.

I'm probably more book fandom than media fandom, except not even sure if I really truly participate in fandom (my fandom is my fan friends, perhaps), whatever that means and how it is defined.

As for the generational thing, hmmm, have a feeling that I am very probably older than quite a few of the Old Guard.

In fact I am feeling about this a bit like I feel about the issue of feminist or academic blogs - I am large, I contain multitudes, and it's pretty much all here and it overlaps with various things.

Okay, academically I guess I still do a lot of my engaging with the virtual world via my website and dedicated listservs, but I don't actually leave out the academic stuff when writing here.

(In fact a significant number of people have said to me that they first came for the cooking posts, which I consider a rather synoptic log of my culinary activity. They then stuck around for everything else (or those bits of it they liked, anyway).

I fell into the LJ nearly 6 years ago and found it became a home. Style rather than content, perhaps, except that the people with whom I associate also, I think, have certain things in common which is also about content matters.

Or personal styles rather than simply the interactive mode of LJ/DW - because I'm sure there are corners of both where I could hang out that look nothing like the corner where I do, and where the burning issues that pop up all over my flist/reading page don't trouble the ether one little bit.

So I'm intensely interested but don't feel like I have anything much to contribute to the debate.

End of con

Jun. 22nd, 2008 04:26 pm
oursin: Brush the Wandering Hedgehog by the fire (Default)

That was great! Lots of swirly ideas intersecting like dodgem cars.

Fangirl squee moment: standing in the queue for the ladies' loo with Lois McMaster Bujold and Emma Bull.

Other lovely moments, for which squee is entirely inadequate:

Lunch with [livejournal.com profile] pameladean. This was wonderful (of course, like Julia in the Hilary Tamar mysteries, I am a sucker for people who laugh at my jokes - specific ref The Sirens Sang of Murder, I think, not having my Caudwells to hand).

Getting books signed by Emma Bull and Ellen Klages.

People saying they liked my contributions and asking whether I'd written anything they could read! (Mi website wiv bibliografi, let me show u it.)

Also, still loving my necklace.

oursin: Brush the Wandering Hedgehog by the fire (Default)

From the Dept of Urgent, Phallic, Spam
Does your Mr. Winkie need upgrading?
Though the rather nanny-like delicacy is rather spoiled by the use of the term 'schlong' in the text. Not to mention the ones which I have failed to save the subject lines of alluding to 'trouser snakes', which remind me oh so very much of Barry (Bazza) Mckenzie and 'when me pajama python bites ya, ya'll come screaming back for more'.

***

From the Dept of Who'd A Thunk It:
H G Wells and his unlikely mutual admirers, let me show you them.
Edith Sitwell, letter thanking him in 1926 for his appreciative response to 'Facade', and saying how much fun it was to do and remarking ' 'I wonder why most of the critics want every form of art to be painful and a sort of dreary duty, like eating rice pudding when one is a child?'
and perhaps even more bogglesome,
Katherine Mansfield was a great fan of his works, and, perhaps even more counter-intuitively, he of hers.
Which only goes to support my perennial arguments that people associated with different movements in literature or other arts or political or social activism didn't exist in hermetically sealed compartments but actually interacted with one another in sometimes quite surprising ways.

***

And for the requisite third thing to make a post, I am purring quietly over letters written to Wells by my darling G B Stern, which are of no conceivable relevance to my project but nonethless very nice reading.

oursin: Photograph of Rebecca West as a young woman, overwritten with  'I am Dame Rebecca's BITCH' (Rebecca's bitch)
I discover that this post has been meta-fandomed. Which I find mildly amusing, since my fandoms tend to be obscure to unique to myself: it's diagnostic that the only fanfic I've ever essayed was an outline for 'Return to Middlemarch' and my piece of Mitford-fic (and the still unfinished 'excavating the practically visible subtext' Kim piece). Out here on the peripheries, folks.

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